The King Murder (1932)

Admirable film.

In truth, there is barely enough story here to make a film.

A movie that not only functions as a solid scarefest but a razor-sharp satire.

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

"The King Murder" is available on DVD from Alpha Video. Like most of Alpha's films, this one has a rather rough print--a bit blurry (looking as if copied from a videotape or just a very used print) and with poor sound (there's too much background hiss). Unfortunately, this is likely the only way you'll find the film so you'll need to accept it, warts and all. Fortunately, as the film progresses, the sound quality at least improves though at the end it suddenly became worse.This story was apparently based on a famous murder case of the era involving a blackmailer named Dot King. Interestingly, the studio (Universal) didn't disguise this very well, naming the character Miriam King.Miriam has made a career out of seducing rich married men. Then, once she has incriminating information, she blackmails them into paying her not to produce this information to their wives. After her latest shakedown, Miriam ends up dead and the police are trying to figure out what happened. It isn't easy, as she's gathered a lot of enemies over the years.Conway Tearle plays Detective Barton--the man assigned to work on this murder case. Interestingly, despite the subject matter being rather salacious and the recentness of the actual murder, the film did NOT seem exploitational in the least. Likewise, it was handled in a quiet, cerebral fashion and the overall film was far better than I'd expected--especially since it was from tiny-budget Chesterfield Productions. My only complaint, and it's a minor one, is that the pawn broker seemed incredibly broadly portrayed---extremely Jewish--most likely in keeping with stereotypes of the day. Worth seeing even with the lousy print.

I watched this movie as an entry on one of those "50 Movies" DVD sets (Crime Classics), so maybe I didn't get the highest quality video around. Nevertheless, I found this movie to be stultifyingly bad. The script is muddled and confusing. Characters come and go and the time line is jarring and confusing. The acting generally sub-par, with the best performance being turned in by Maurice Black, probably best known for his role as "Little Arnie" Lorch in "Little Caesar". The audio is terrible and at time unintelligible. The cinematography is primitive and looks many times as if filmed in a closet. Don't get me wrong, I like "bad" movies but more in the vein of Ed Wood bad. This film has nothing to offer the viewer on any level.

It's a remarkable fact that some of the "B" directors like Richard Thorpe adapted to sound much faster than acclaimed "A" leaders like John Ford and Howard Hawks. Thorpe's Border Romance (1929) is very competently made indeed, and in this 1932 production he could still give some of the masters a keen lesson in pacing. Indeed, the first two reels move with such celerity that the average viewer needs to be really on his toes to keep up with the plot. And at this stage it's worth paying attention, because the sultry Dorothy Revier is right up there on the screen. When she is killed, the pace slows somewhat when the focus shifts to Marceline Day (who is too rake-thin for my taste) and plodding-as-she-goes hero, Conway Tearle. Nonetheless, the mystery is still intriguing enough, and Thorpe makes good use of Universal's standing sets to give the movie a bit of class. Natalie Moorhead is exotic enough to command a bit of interest, and an outstanding cameo by Rose Dione also helps. Alas, as usual in many of these Poverty Row thrillers, the solution to the mystery is somewhat contrived. Also disappointing is the revelation of the actual killer. In fact the whole climax is a letdown. One gets the impression that the producer ran out of money at this stage and simply wound the film down. Curtain!

A tidy little murder mystery from Chesterfield that keeps you guessing until the end. Who killed the blackmailing gold digger? There are plenty of suspects including three of her current marks, wives and girlfriends, and a former partner. The murderer accidentally (not intentionally) gets some of his own medicine in the end. Any of these 1930s quickies that surprises at the end is worth seeing. Chesterfield has a fairly good record for turning them out, better than most second tier studios. Dorothy Revier as the two-faced vixen is believable as "that kind of woman". You have to wonder how she can conceal her baser nature from the shills. The shapely Marceline Day is always worth watching. Conway Tearle's usual dull acting style fits perfectly here as the chief of detectives, reflecting the quiet competence of a man who has seen it all many times before. The plot moves at an appropriate police procedural pace.