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The Shadow Strikes

The Shadow Strikes (1937)

October. 29,1937
|
4.8
| Science Fiction Mystery

Lamont Cranston assumes his secret identity as "The Shadow", to break up an attempted robbery at an attorney's office. When the police search the scene, Cranston must assume the identity of the attorney. Before he can leave, a phone call summons the attorney to the home of Delthern, a wealthy client, who wants a new will drawn up. As Cranston meets with him, Delthern is suddenly shot, and Cranston is quickly caught up in a new mystery.

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Reviews

GamerTab
1937/10/29

That was an excellent one.

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TaryBiggBall
1937/10/30

It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.

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Gutsycurene
1937/10/31

Fanciful, disturbing, and wildly original, it announces the arrival of a fresh, bold voice in American cinema.

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StyleSk8r
1937/11/01

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

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Rainey Dawn
1937/11/02

The story, "The Shadow Strikes" is based on "The Ghost of the Manor" by Walter B. Gibson. The film is not all that bad but not as good as I was hoping or expecting it to be. Still worth watching if you like crime mysteries in general or the old radio show.Lamont Granston aka The Shadow is on a murder case. There is a robbery attempt Granston is on the scene but when a murder is involved Granston assumes the identity of a lawyer in order to crack the case wide open. Granston is found out but that does not stop him from becoming The Shadow and solve the mystery.Not as good as the radio show but still a fun watch.6/10

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Chuck Rothman (crothman)
1937/11/03

This version of the Shadow has little to do with the pulp hero (other than name) or the radio version. The Shadow was changed from a spirit of vengeance to a routine wise-cracking detective, though some vestiges of the mystery in the character remains.This still could have been a decent B-movie thriller except for the deadly dull direction. Everything moves at the pace of a dying snail and the plot is generally uninteresting.Rod La Roque does as much as he can with the role; he has some easygoing charm (though that is a departure from the original character) and manages to make the best of things. The rest of the cast, though, is pretty generic and bloodless. It becomes very hard to care about the situation.There's also a strange subplot explaining the Shadow's motivations, with an ending that kinda sorta might resolve it, but even that isn't clear. Very little to recommend it, other than La Roque's performance.

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vollenhoven
1937/11/04

For anybody who enjoyed the last movie update of the Shadow, this movie might be a bit of a shock. The movie lacks the character of the Shadow, twice we see the man and even then he lacks the magic and is just a man with a coat and had whom's face you don't see. Never you see why he strikes fear in the hearts of criminals.It looks like a detective story with as an afterthought the character of the Shadow thrown in. The story is about Lamont taking the identity of an out of town lawyer and in doing so he gets involved in a murder plot. As usual it is about big money to be inherited and gambling. And even the evil gangster in this movie is laughable, he seems to do his own things instead of his men, which proves his downfall.As a mystery, nice ending, as a Shadow movie a tad disappointing.

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FieCrier
1937/11/05

The Shadow has a mustache?!The film doesn't really introduce either Lamont Cranston or The Shadow, but seems to assume the audience knows them already. Editing and cinematography are pretty poor, as is the writing and acting. Cranston/The Shadow is surprisingly careless, doesn't laugh, doesn't say "Who knows what evil lurks in the hearts of men...The Shadow knows," or "the weed of crime bears bitter fruit," and appears to lack "the power to cloud men's minds." He evidently has only one servant, not a whole network.A subplot involving the mystery of Cranston's father's death is barely explored and seems an afterthought, despite the film's suggesting this may have been the reason for the genesis of The Shadow.Still, it's sort of fun.

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