Channels (2008)

Very disappointing...

The Worst Film Ever

Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast

It's a movie as timely as it is provocative and amazingly, for much of its running time, it is weirdly funny.

I've been watching a lot of romantic comedies lately. Don't know why, but maybe because the advertising offers a refreshing change form all of the ultra-high special effects movies out there. Nothing negative about them I just wish that they put a little more into character relationships.Which brings me to CHANNELS. Didn't really know what I was getting into. So, initially I thought "okay, another romantic comedy on the lighter side." I was kind of on track with the "lighter side." Then the story takes a turn and I was drawn into what was being said and the value of time in regard to the people we become intimate with.This seemed like a very personal movie for writer, director and star, Nat Christian. And he delivers from his heart. As the main character, he gives a truthful performance, natural and he delivers his lines with great ease. Kim Oja as the female co-star makes for a great match with him. I cared about them. They don't play down to the audience. John Kassir, Taylor Negeron, Ed Asner and Jan Van Ark round out a superb cast of high caliber actors who are in this movie.CHANNELS is a romantic comedy that reaches higher and in a subtle and seductive way manages to do so.

Contributions to works of art in the medium of motion pictures have always been collaborative. Yet, at the helm of a project, navigating all of the many talents is the director, who is attributed with having the vision to carry out and complete such a work. One often wonders if the completed work carries more of the writer's or the director's vision. Or in some cases the leading actor's.In a situation where the writer, director, actor and co-editor (and producer) are embodied in one person, there is little doubt that the vision belongs to that individual. In rarer situations, such an individual chooses to express his/her original "voice" against the seductive pull of playing it safe or trying to be more commercial.I discovered "Channels" to be such a rarity.The voice belongs to writer, director, actor, Nat Christian, who engrosses the viewer with the story of a man who arrives at a crossroads where he must choose between what his logic and his heart are telling him simultaneously. As the writer/director, Christian focuses on the emotional subtext and visuals, and he does so with great artistry. The talented director of photography, Michael Hardwick, helps carry out the vision with confidence. The romantic production design by Dolores Piazza expertly lends itself to the vision. Duane Condor creatively whips up Special Visual Effects, which are organic to the story. And, very moving, is the powerful score by Rossano Galante, a talent that I feel we'll be hearing about a lot. The acting talent is outstanding. Kim Oja as the female lead is bewitching, with a natural honesty. In the comedic portions, she has a willingness to play, reminiscent of one of the ballsy actresses (Carole Lombard?) during Hollywood's heyday.Nat Christian, in the lead role, is spontaneous and powerfully moving. A fascinating actor to watch, he acts with great economy, never hitting an untrue note. His acting choices are unconventional and seem to be derived from the core in the writing. John Kassir, a gifted performer, is wonderful to watch as a self-serving talent agent.Taylor Negron resists going for the easy laughs and is very touching.Joan Van Ark allows her vulnerability to seep through as a tough TV executive (and she looks great).Ed Asner, a true artist, convincingly walks the fine line of being a tough guy and humorous at the same time. Some of the supporting roles: Chloe Hunter is perfect as a an actress who plays small roles. Gil Glaskow is honest and appealing. Richard Partlow plays it convincingly tough and believable as a television network executive. Ellyn Lindsay and Herman Poppe are very funny as a late night comedy soap opera couple.I think of other movies such as Wings of Desire (Wim Wnders), The Conversation Francis Ford Coppola), Midnight Cowboy (John Schlesinger) and many others where the one strong common denominator is that an artist's voice is expressed. Channels allowed me an experience, which I thought of long after the movie was over.

CHANNELS makes you realize that the time to act is now. Before it is too late. Within the context of a love story, we are made to laugh, to enjoy and to cry as we begin to realize how precious it is to seize the moment.I read that the budget was something like 200,000.00. I can only imagine that, if the movie was made for 60 million, how it could have been a box office success and even an Oscar contender.Writer-director-actor, Nat Christian's film works on so different levels - as a love story; as a philosophical introspective; and as a comedy. Most importantly as one person's true realization that time has passed. The cast works beautifully under Christian's direction. So does the music (Rossano Galante) and the camera work (Michael Hardwick).As an actor, Christian is one of those very rare talents who is incredibly fascinating to watch, only using honest, subtle, nuances. Hopefully he'll act in more features. John Kassir as a selfish agent is very funny. Kim Oja is sincere and real, and beautiful. Taylor Negron is also very real both in the serious scenes as well as the comedic ones. Ed Asner and Joan Van Ark make special appearances and contribute great talents to the movie. Is the film right for everyone? Probably not. But if you like romance and would like to think about things after the movie, CHANNELS may be right for you.

This is a supernatural romantic comedy, that a beautiful TV character comes out of the TV screen into a producer's life.Initially the plot is a little slow, but it becomes sweet and romantic. Katherine is sweet and charming. Her constant saccharine smile melts the hearts of the viewers. She reminds me of Reese Witherspoon. The lead guy, Black Racklin, on the other hand, is rather disappointing. He is wooden and uninteresting. he is unable to convey emotions and feelings, especially of live and passion. Though he frequently kisses with Katherine, I still am not convinced by his passion for Katherine.It's a very watchable film, and I am sure it would have been a blockbuster if it had top A List actors and actresses in the lead roles.