Saturday Morning (2007)
Joey Piscopo stars in this quirky romantic comedy as Wes, a young man who becomes magically attractive to women on Saturday mornings (between six and eight o'clock).
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Reviews
if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.
This film is so real. It treats its characters with so much care and sensitivity.
There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.
The film may be flawed, but its message is not.
I love smart and funny films and this fits the bill. I don't want to give too much away; you have to actually see this movie to fully appreciate it. Basically, it is an unpredictable comedy with elements of romance without being schmaltzy. I found this on Netflix. I've watched it at least ten times ( I bought it via the Walmart website) and there is always something new I pick up on each time I watch it! I have my friends hooked. Unique plot, something for everyone in it, and if you want a break from the mundane, watch it! Love the ending too! It is hard to compare it to any other film due to the fact no other film is quite like it, but it some some themes that might remind someone of Groundhog Day. I go to the movies almost every week, and settle for watching sub par movies. This is not one of them! Studios need to stop making sequels to movies like Fast and Furious and put more movies like this out there.
As my title suggests, one of those nice breezy films that keeps you occupied for a little more than an hour and leaves you feeling pretty good at the end. Simple premise. Pleasant execution. Dash of humor. Likable characters.It basically a film about positive thinking and gives you a reason to shed cynicism. All the actors were quite decent and fit the bill. All in all, a good independent film far more pleasing compared to mainstream movies that spend a ton of money and end up leaving the viewer cheated. I would definitely call Rob Greenberg's directorial debut a success.