Hay Foot (1942)

To me, this movie is perfection.

Although it has its amusing moments, in eneral the plot does not convince.

The story-telling is good with flashbacks.The film is both funny and heartbreaking. You smile in a scene and get a soulcrushing revelation in the next.

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

Characters that were introduced by Hal Roach in Tanks A Million come back here and the film is an exercise in oneupsmanship. William Tracy is back again as new recruit Dodo Doubleday who is the tormentor of old sergeant Joe Sawyer and his friend Noah Beery, Jr. Doubleday is blessed with a photographic memory and two right feet, bad for the military because you start on your left and that confuses Tracy.I can understand Sawyer's frustration. He's a career soldier who earned his rank and because the brass was so impressed with Tracy memorizing the army's book of rules and regulations they make him a sergeant. Of course that couldn't happen in real life, but it's still funny.In this film Tracy having memorized the book can assemble and disassemble a weapon sight unseen on the first try. Actually firing the weapon is another matter.The key to these films is no matter what Sawyer does to trip up Tracy it always redounds to Tracy's advantage. Sawyer does a marvelous slow burn, he could have understudied Edgar Kennedy. Especially with Tracy becoming Colonel James Gleason's fairhaired boy. Gleason is no mean scene stealer himself. Funniest of all is the entire sequence at Gleason's house where all three sergeants come calling on his daughter Elyse Knox. Can't describe it, you have to see how Tracy keeps Sawyer and Beery at bay.Very funny film from the laugh master Hal Roach.

At "Camp Carver", intelligent but gun-shy Sergeant William Tracy (as Dorian "Dodo"' Doubleday) writes a morale-boosting speech for his Colonel James Gleason (as J.A. Barkley). During a firearms lecture, Mr. Tracy shows off his photographic memory in front of teacher Sergeant Joe Sawyer (as William Ames). But Tracy is really afraid of guns. He also likes Mr. Gleason's beautiful daughter Elyse Knox (as Betty), but so does fellow Sergeant Noah Berry Jr. (as Charlie Cobb). Lucky shots during a fishing trip give Tracy a sharp-shooting reputation. Later, a mix-up puts all three Sergeants on a date with Ms. Knox. "Hay Foot" is a likeably done situation comedy, but with material that is far from outstanding.***** Hay Foot (1/2/42) Fred Guiol ~ William Tracy, Joe Sawyer, James Gleason, Noah Beery Jr.

Hay Foot (1942) ** 1/2 (out of 4) Third film in Hal Roach's steamliner Doubleday series has Sgt. Doubleday (William Tracy) once again getting on the nerves of the brutish Sgt. Ames (Joe Sawyer). The adventure here is that a Colonel (James Gleason) thinks that Doubleday is an expert sharp shooter when in fact he's terrified of guns. If you've see any of the other films in the series then you should know what to expect. Whether you enjoy this series or not will depend on how much you can put up with the two leads but I personally find them mildly entertaining. Sure, they're not Abbott and Costello or Laurel and Hardy but they don't have to be. Both Tracy and Sawyer are good in their roles, which they seemed born to play. THe real scene stealer here is James Gleason who delivers a fine performance as the Colonel and the father of a girl who Doubleday and Ames are after. The comedy is hit and mis throughout the film but there are enough small laughs to keep the film moving throughout its 47-minute running time.

This, the third in the series of Roach 'streamliners' -- short comedy features about 50 minutes in length -- about Sgt. Doubleday, the instant non-com with the photographic memory is, like the others, an unremarkable comedy, some good bits placed in a script that often seems to start and stop, but it does have one great positive value in the performance of James Gleason, a funny and highly talented comic performer for thirty years in Hollywood. Usually cast in some role that suited his lower-class New York accent -- check him out as the cab driver in THE BISHOP'S WIFE -- here he plays the regimental colonel: vain, pompous and father of a very pretty daughter who, with the issue of pistol shooting, is the core of the story.If you feel that he is not enough to make this movie worthwhile, I certainly understand. But for me he made the difference between a dull hour and a pleasant one.