Circle of Danger (1951)

From my favorite movies..

It's an amazing and heartbreaking story.

While it doesn't offer any answers, it both thrills and makes you think.

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

This film is a rare opportunity to watch Ray Milland in a British film after he became a Hollywood star, although his character is American.Clay Douglas wants to seek the truth about the death of his brother. He served in the British army and was shot to death during a raid into French territory during World War II. Douglas was not shot by the German enemy, but by a British soldier. Clay's inquiries bring him to Wales, Scotland and London.A film directed by RKO horror director Jacques Tourneur and co-produced by Hitchcock associate Joan Harrison gave me lots of expectations. Unfortunately, the film is a prime example of how a good premise can be wasted. There are certain B films I wished were made as A films and vice versa. This A film would have been better if it has been made on a tighter budget. Recently I have watched several British B-crime films. They have never disappointed me. Their length (approx. 60 minutes) does not allow the inclusion of boring romantic subplots. I am not really a fan of romantic films. The romantic subplot of this film seems tacked and slows down the progression of the story. Douglas' love interest is easily offended and shows a complete disinterest in his search for the truth about the death of his brother.The final scene (involving Douglas and two of his brother's fellow soldiers in the Scottish highlands) is suspenseful. Great cinematography,

Confidently directed by Jacques Tourneur and ably portrayed by a fine cast, "Circle of Danger" is a relatively unknown film that is worth finding if you can (maybe through CD purchase or on TV). You won't regret looking it up.Ray Milland is the perfect choice as an American who efforts to discover exactly what happened to his brother in WWII. Not an easy task to discover details about a death during a commando raid, obviously a chaotic and deliberately secret event by nature. Although the American's motivations remain a bit fuzzy to everyone, he is doggedly determined. The result is an ending resolution that I found to be rewarding and finely done. The radiant Patricia Roc portrays a young woman who tries to balance career and emotional involvements with as much wisdom as possible in view of fast-moving and evolving events. Marius Goring ("The Red Shoes") expertly essays a complex character with style and aplomb. Former movie "Saint" Hugh Sinclair is solid as a rock and excellent in his portrayal of a truly selfless aristocrat. All of the characters in this film are conveyed with some depth, surprisingly so for a modestly made sort of movie.1950 Britain is really featured throughout the film and nostalgically captured in black and white which seems somehow appropriate for the date and era.They just don't make them like this anymore- so you will feel lucky to have found "Circle of Danger".

A tale of mystery and a quest for the truth make this quite the journey. An American (Ray Milland) sets out to find how his younger brother died in service. Along the way he meets a lovely Scottish lass (Patricia Roc) and falls for her. However his quest is so obsessive he may get the truth and lose the girl. This is a nice film with twists and turns that will make you want to go along for the ride. The last portion of the film is tense and we wonder if Douglas (Milland) will survive his walk with Hammish the man who killed his brother. Too bad that this film has such lousy transfer, the quality is very poor. However it is worth watching again, and again.

Although I had not intended this current noir marathon to be a tribute to any one particular actor, this will be my fourth Ray Milland movie in a row! Originally hailing from Wales, this sees the Hollywood star making a welcome return to his homeland (and its environs) – albeit playing an American! – for a rather unusual Hitchcockian post-war thriller. The story deals with a salvage captain leaving Florida to go all over the United Kingdom (Wales, Scotland and London) – the roundabout nature of the route anticipating the Hitchcock classic NORTH BY NORTHWEST (1959) – to seek out the surviving members of a commando team who operated in France during WWII and unravel the mysterious events surrounding his younger brother's death.This largely reticent and unhelpful bunch includes a wonderful turn by Marius Goring (who has now become a celebrated ballet choreographer), Hugh Sinclair (the former commando leader who is now a brooding baronet), Naunton Wayne (a clear nod toward Hitchcock right there, having acquired a reputation playing one of two cricket-crazy twits in THE LADY VANISHES [1938] – now a chatty, crooked car salesman) and Edward Rigby (playing a Welshman, thus obviously a miner!). Notable support, then, is provided by the lovely Patricia Roc (as Sinclair's intended, and whose 'meeting cute' with Milland precipitates a bumpy affair – again a' la NORTH BY NORTHWEST – but with the expected happy ending) as well as the ever-reliable Reginald Beckwith (from director Tourneur's later NIGHT OF THE DEMON [1957], as Goring's long-suffering partner).Despite the rather glum aura of the proceedings, this is less a noir than a whodunnit and, as if to emphasize that very difference, we are regaled with celebrated cinematographer Oswald Morris (and equally notable camera operators Gilbert Taylor and Arthur Ibbetson)'s breathtaking location shooting – the downbeat revelation at the climax, taking place in an open field, is particularly masterfully handled – as opposed to the claustrophobic studio sets usually associated with the former genre. For the record, Milland himself had starred in Fritz Lang's superb wartime thriller MINISTRY OF FEAR (1944) boasting a famously inaccurate Hollywood rendition of London! Another link to "The Master Of Suspense" is the presence of co-producer Joan Harrison (a longtime Hitchcock collaborator), even if the 'whistled tune' giveaway device immediately reminds one of Lang's child-murdering masterpiece M (1931)! In the end, one should be grateful Jacques Tourneur's first working trip to England here worked as well as it did – since, in six years' time, this would be followed by his last great (and one of his best-ever) film i.e. the afore-mentioned NIGHT OF THE DEMON.