The Gambler and the Lady (1952)

If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

Blistering performances.

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

I diagnose this low-budget British crime drama as film noir. Symptoms: A social climbing gangster; Rackateers determined to muck their way into a share of his profits; a vindictive ex-lover out for blood; An ingénue from snobbish high society with a few hidden cards up her own sleeve. Prognosis: Can't be cured of diagnosis, but can be prolonged by re-discovery of a film noir sleeper.American diamond in the rough Dane Clark falls under the spell of British high society, dumping his co-dependent lover (Kathleen Byron) for the seemingly gentler Naomi Chance. Her snobby brother gets him involved in a phony stock scheme while a racketeer tries to muscle in. Chance gets an earful from the nasty Byron but turns the tables on her in a wonderfully vicious scene. Exciting from the start, this little known film noir grabs you and does not let go, moving practically at the speed of light.You think that Lizabeth Scott, Gloria Grahame, Martha Vickers and Jan Sterling had the ball on low society tramps? Wait until you meet Ms. Byron who is not somebody who takes no lightly. And Chance isn't some namby pamby ingénue, either. She can give as good as she gets. Clark is given an extremely well developed character to play, and you find yourself liking him even if you really should avoid him like the plague.

Like many European films of the 1950s and 60s, the folks who made "The Gambler and the Lady" imported an American star to give the film more box office power. While Dane Clark was not a huge name in Hollywood, he was very recognizable back in 1952 and already had a reputation as an excellent tough-guy in films.The film begins with Clark owning a successful gambling house in England. You soon learn that he's trying hard to fit in with society but this is difficult, at times, for him since he is, down deep, a tough palooka. Time and again, he needs to fight the impulse to slug people as it will undo all the culture and refinement he's been adopting since relocating to this country. Now, after meeting a woman of high breeding, he has dreams of selling out and becoming respectable. This need is so strong that for once in his life, he makes himself very vulnerable. What happens next? See this nifty little film for yourself.So why did I describe this film as being 'noir-ish'? Well, it has many of the qualities you find in an example of film noir--such as the dame, great tough-guy dialog, a downbeat ending and a hero who has a shady past. But, it also lacks the great lighting and camera-work you'd expect to see in American or French noir--making it, perhaps, noir-lite! This is not a complaint--just an observation about the film's style. But, it IS very good for a low-budget B movie--short, well-paced and full of nice acting. Well worth seeing.

A social-climbing American (Dane Clark) with a business in illegal gambling falls in love with a blue blood (Naomi Chance), but gangsters and a jealous ex-girlfriend (Kathleen Byron) stand in the way of happiness."The Gambler and the Lady" is a typically weak attempt by the Hammer studio to replicate American crime films. A mildly exciting climax (part of which is shown at the beginning) is the only thing that livens up this dull affair. I would have liked to see more of Percy Marmont, who was so good as Col. Burgoyne in Alfred Hitchcock's "Young and Innocent." Here he only gets a brief part as Chance's father.

There's plenty of crime in this Lippert picture. It opens with a well shot killing that is not clear till well into the movie. Dane Clark is the star. He was a staple of film noir. Here, we also see him in a top hat!Yes, the subject is more class than crime. Clark is the gambler of the tile. (The female title character doesn't appear till almost half an hour into the movie.) He's an American but he wants to fit in in England. He's taking lessons in deportment from a caricature of a British lady.He has a Scottish pal (Meredith Edwards) who is put forward as his butler. He longs to become accepted by nobility.The supporting cast is good. The woman he falls for is not particularly charismatic but she's attractive. The more conventionally low-life types are plausible.The dialog contains a lot of blatant exposition: "It's hard to believe that X years ago I was in Y with Z and while A B were ..."It's well shot and holds the attention. But it's nothing to write (back) home about.