The Dark Tower (1943)

People are voting emotionally.

Excellent, Without a doubt!!

The acting in this movie is really good.

An old-fashioned movie made with new-fashioned finesse.

In the 1930s, several major studios opened studios in the UK in order to comply with a British law mandating that a specific percentage of the movies shown in the country be made there as well. So, studios like MGM and Warner Brothers opened up British branches...and "The Dark Tower" is from Warner's British studio. The story begins at a nearly bankrupt circus. Receipts are poor and so it's not surprising that the manager tells Torg (Herbert Lom) to go away when he comes looking for a job. However, shortly after this a lion breaks loose and Torg miraculously is able to get the animal under control using his hypnotic ways. The circus agrees that Torg is pretty amazing and they hire him. His job is an odd one, however. He coaches a lady trapeze artist to give her the ability to do amazing stunts without a trace of fear. However, he soon has so much control over her that their relationship seems much like Svengali and Trilby. Torg also begins behaving like a nasty jerk--treating everyone in the circus like they are beneath him. Where will all this end?The best thing about this film is Herbert Lom's wonderful performance. He is well mannered but menacing...almost like a malevolent version of Charles Boyer. The story is good, though VERY similar to the Svengali movies which preceded it...but has enough different about it that both stories are well worth seeing.By the way, this is an odd film because the war is never mentioned...yet it came out in 1943...during the height of WWII.

Mysterious Herbert Lom (Torg) wanders into circus life and starts to take over from circus owner Ben Lyon (Phil). Lyon has a brother David Farrar (Tom) who is top-billed with his girlfriend Anne Crawford (Mary) as the trapeze and high-wire act. However, once Lom arrives he takes over the top bill and also takes Crawford to be his partner in his hypnosis stage act. Just how far is Lom going to take the hypnosis act? He's pretty handy at revenge.Herbert Lom is what this film is all about. From his first entrance, dressed all in black, you just know he's evil. He can control a lion and he can control people. What I didn't get about this film was why everyone was so nasty to him. I ended up taking his side but I feel that was not the point of things. Anyway, he alienates himself, nicks Farrar's girlfriend and starts to have a power over her in everything that she does. The rest of the cast aren't very interesting and the two top-billed male actors aren't very likable. This is Lom's film.I don't like circuses so the film's setting just doesn't do it for me. I find clowns scary and not at all funny. And how about that laughing sailor dummy? That is pure nightmare material. Not funny. I'm not too bothered about this film either way – it sits firmly mid-scale."Look into my eyes" "Look into my eyes" – "Go and mow the lawn" "Go and mow the lawn"

The Trilby&Svengali saga is given another version in The Dark Tower. This is a film made by Warner Brothers at its British studio facilities and it's a well done piece of work.Ben Lyon is boss of a circus that's hardly the operation of Ringling Brothers. It's a failing small show and at the beginning of the film he can't even meet the payroll. Into his life walks Herbert Lom, a strange and brooding man who has a great gift as a hypnotist. On both animals and people.The main attraction of the circus is the aerial act that Lyon's brother David Farrar does with Anne Crawford and Crawford has fears that may be insurmountable. With hypnosis not so says Lom and he hypnotizes her to conquer her fears. Pretty soon she's his puppet.With his mesmerizing methods the show becomes a success. But Lom starts intruding on everything in the show and extorts a partnership out of Lyon. To a person they all hate him in the show save Crawford, but know he's their meal ticket. In the end something is done about Lom.Lom is the center of this film, he gives a fascinating performance about a brooding and vengeful man. In a key scene with Crawford he tells of being bullied as a child and then discovering his gift made a lot of people bend to his will. A lot of bullied kids and former bullied kids who watch this film will cheer on Herbert Lom.Don't miss this film if broadcast especially if you are fan of Herbert Lom's work.

Last night three Warner Brother - Teddington Studios (U.K.) films were shown for the first time in decades and the first time on American television. All three were good productions, but this one is worth talking about first - it was the first big role that that fine character actor Herbert Lom ever got in British film.Born in Czechoslavakia, Lom came to England in the 1930s, and began acting in bit parts. But he has a face which is photogenically handsome but sinister, and soon began getting better and better roles - not all of them villains (his ruthless gang boss in NIGHT IN THE CITY has a legitimate, deadly gripe against Richard Widmark). He would also do well in comedies, playing with his villainy in THE LADYKILLERS and as "Chief Inspector Charles Dreyfus" in the "Pink Panther" films.Here, he is Torg, later Mr. Torg, and later (for publicity) renamed Dr. Stephen Torg. He is a tramp who stumbles into a dying circus run by Ben Lyon (Phil Danton) and his brother (and trapeze star) David Farrar (Tom Danton). Tom's wife Mary (Ann Crawford) is his trapeze partner. The circus is collapsing for want of customers, and the players not paid. But Phil explains things to them, and they agree to keep going on for awhile. But the lion escapes from it's cage, and after the lion tamer collapses nobody knows what to do. Except Torg. He has a powerful command in relaxing the lion slowly, and getting it into the cage again. Everyone is impressed, particularly Phil and his publicity man Jim (William - here Bill - Hartnett, of later "Dr. Who" fame). They allow Torg to work for the circus. An idea is suggested concerning one of Mary's delicate high wire acts - what if Torg hypnotized her so she did not need her parasol for balance. Tom, of course, is against it, but Mary is willing to do it. And it works.Soon, due to Jim's publicity, the crowds start showing up. This is fine, but the circus people (except for Mary) don't like Torg. He is arrogant, and won't do his share of the work moving objects about when setting up and tearing down the campsites. He also does not care for any of their feelings. When the ringmaster Willy (Frederick Burtwell, in a nice comic performance) starts telling him off, Torg quietly informs him that with his usefulness to the circus he is irreplaceable, whereas ringmasters are easily replaceable.Tom is definitely angry with Torg - he sees Mary slowly falling more and more under Torg's influence. She even misses helping take down the camp at one point. Torg, who has forced Phil to make him a partner, takes her for a drive in his new MG. Here Lom has his best moment in the film - he's allowed to tell Mary what is behind his flawed character. He had a wretched youth in a children's home, and was bullied because he was small. It's actually quite touching as Lom demonstrates Torg wasn't made like he was by nature, but by the human race itself. It explains how he gained his arrogance by his powers of hypnosis, and how he really was potentially a better person than he became.Mary at this point rejects Torg's offer to marry her. She still loves Tom. Shortly after Tom knocks down Torg after an argument. And soon after that - there is an accident in an aerial act leaving Tom badly injured. It seems Mary claims as her hold fails she is too tired. Later she can't remember this. And Torg is smiling.Ever since George Du Maurier created "Svengali" in Trilby, hypnosis was seen as a potentially sinister force. John Barrymore played Svengali in the film of that name in the 1930s, and there were other similar films (both dramas and comedies) since then. This film treats the subject with some dignity, even having a psychiatrist examine Mary at one point. The entire cast is quite good (even Lyon's American accent is tolerable after awhile), but it's Lom's sinister Torg that holds it together best, and which opened his future career so well.