Eight Iron Men (1952)

Let's be realistic.

Good movie, but best of all time? Hardly . . .

The film may be flawed, but its message is not.

I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.

"Eight Iron Men" is a war film filled with familiar faces--both of actors whose faces you'll recognize but not their names as well as a few folks before they hit stardom...as well as one guy who used to be a very big child star back in the day. The plot is simple. While a group of eight G.I.s are hunkered down in the remnants of an Italian town, one in the group gets pinned down by a German machine gun nest. The rest of the company want to try to rescue him...but they are ordered by the Major not to attempt this, as he doesn't want to lose additional troops.The most interesting cast member is Lee Marvin--playing pretty much the sort of guy he really was during WWII. He's great...and it's one of his earliest roles. Additional interesting cast members include Bonar Colleano, Dickie Moore and Richard Kiley. Colleano is a familiar face and he was an American living in Britain, so whenever a British film wanted a stereotypical American, they'd cast Colleano. Moore was a HUGE child star and member of Our Gang. And Richard Kiley later went on to great fame playing many roles on TV and Broadway. What these men and the rest of the cast have in common is that they weren't yet stars and were excellent at playing average Joes.The net effect of this film is an interesting psychological portrait of ordinary men stretched to the limits. You can see the best and the worst of some of the guys...but most just wanna protect their tushes and survive the see the end of the war. Overall, it's a nice little low budget film--excelling with realism and full of grit.

Can't recall when I've seen a better war picture. I've seen lots of them with more action, as this is mainly a talking picture, but this one features extraordinarily good acting performances from the entire cast. Especially good was Bonar Colleano, who is the central figure in the story. He is the Wise-Guy-From-The-Bronx, a character movie directors and writers liked to insert into their work, and Colleano makes the most of his star turn.As with all movies reviewed on the website, the plot has been restated by all contributors, but just let me say it seems mainly like a filmed stage play. But the film is not static and the action moves at a brisk pace, if you can imagine this in a movie with basically one set. We get to learn about each platoon member as characters are fleshed out to a remarkable degree, so that we understand what motivates each one.Noteworthy, apart from Colleano is Lee Marvin, here honing his tough guy credentials, and Nick Dennis with much more of a part than he normally was used to. I thought Barney Phillips, a good actor himself, was miscast as the Captain. He was just too old for the part - if you have been in the service you would spot it right away. Ol' reliable TCM aired this one the other day, and it is very worth watching.

An example of that now nearly extinct oxymoron- the quiet war movie. These were inevitably adaptations of plays. The theatre, in the olden days before television, 24/7 news cycles etc., once prided itself on being able to respond to current events and the significance of contemporary history. The WPA Theatre Project produced the Living Newspaper during the New Deal. After every war there were plays dealing with that war but unrecognizable from war movies because of the confined spaces of a theatre. The post WW1 period was particularly rich in war plays. This was the height of theatre and I guess the masterpiece of this genre was R. C. Sheriff's Journey's End.American Lawrence Stallings (What Price Glory?) and others also wrote plays in the genre. Playwrights responded to ww2 in much the same way. Again the restrictions usually dictated a one set play, with maybe some change of scene in act two and perhaps a small adjunct set to play out some subsidiary action. These were later translated into films. EIGHT IRON MEN was adapted from a play and reduces the agonies of fighting a war to something like real time and a single human life. The classical unities of time and space are nearly totally observed. Remarkable for a war film. A eight man squad led by Lee Marvin Sgt. Mooney) is quartered in the basement of a ruined house. A three man patrol comes back minus one man who is trapped in a bomb crater being swept by a fearsomely placed machine gun.The squad is due to be pulled back after 17 days on the line but are under orders not to go and rescue the pinned man. Captain Trelawny (Barney Phillips), aware of the heavy casualties of his unit, doesn't want three men killed trying to save one ("I came up here with a company and I'll be lucky to leave with a platoon"). The tension builds as it becomes closer to the time to move out and leave one of their buddies behind. That's it. Basically one set with brief forays into another set depicting a rubble strewn street being periodically swept by machine gun fire. There was some attempt at opening out by literally visualizing the sub-erotic sex fantasies of the men particularly Bonar Colleano (Collucci) ("Tonight I'll be whistling at every dame in the country. You can't keep a healthy guy like me stuck away like this for too long - I go crazy - I get hair on the palms of my hands - the beast rises in me.") but almost all of the tension is provided in the dialogue between the men.' The conclusions reached reflect the hard bitten cynicism of men at war, of being used by fate, and of the connecting sinews which build between men at their extreme.EIGHT IRON MEN is no masterpiece but it is very effective drama, just don't expect any of the usual visceral thrills which accompany most action oriented war films. There are no villains. The German's are never seen. The Captain is neither a sniveling coward nor a vain martinet who gets his men killed for his greater glory. Though he is aware his 'efficiency' is being scrutinized by higher ups, he shows some repressed satisfaction at the recovery of the missing man. This is not the kind of film where the more knowledgeable in the audience can guffaw "Aw, real people don't act that way."This is merely a crumb in the vast shitcake of the continuing cruelty of a mankind which seems eternally waging war with itself. Its unfortunate that not only is there no more theatre like this but there are no more films like this, nor even TV like this (not since the 50s actually). It has all been replaced by 24/7 news and a whole host of too highly paid self advertising jackanapes entertainers under the guise of political pundits.

***SPOILERS*** Based on the little know 1945 Broadway play "A Sound of Hunting". The film "Eight Iron Men" has to do with a US infantry squad pinned down by German machine gun fire in an Italian town during the battle of Mount Cassino. One of the squad members Pvt.Smalls, George Cooper, end up stuck in a bomb crater with his fellow GI's tying to get him back, not knowing if he's either dead or alive, to safety and risking the entire infantry company by doing it.Realistic and gritty war drama with Lee Marvin in his first staring role as Sgt. Mooney as he together with the rest of his squad are willing to risk their lives to save the life of a fellow GI. Pvt. Smalls turns out to have been fast asleep, with a twisted ankle and a shot of morphine, in a shell crater and totally unaware of all the commotion that he caused. Defying orders from their commanding Officer Capt. Treiawny, Barney Phillips, Sgt. Mooney's squad refuses to withdraw giving the Captain fits with him on the verge of having court-martial Mooney and the rest of his men if he didn't comply. It turns out that squad members would rather spend the rest of their live in the brig knowing that they did their best to rescue one of theirs, a member of the "Eight Iron Men", then live the rest of their lives as free men not knowing that their inaction was the cause his death.There's a somewhat comedy bit thrown into the story about a fruitcake that's to be split up between the GI's and the last piece, after the other even were given out to the men in the squad, is left for Pvt. Smalls. That causes a lot of tension with the men not knowing if Smalls is even alive to eat it and at the same time wanting to eat the goodie themselves. We also have the usual goof-off of the outfit Pvt. Collucci, Bonar Colleano, who likens himself to be a modern day Casanova with the ladies. Since there's no women in the deserted burnt and blasted town we have a number of dream sequences put into the film where lover-boy Collucci has all the beautiful dames that he can or even, and that may be asking a bit too much of Collucci,can't handle. Collucci is such a great lover, in his own mind, that he's even able to steal away the girl that fellow GI Pvt. Ferguson,James Griffith,had just married in his dream! Thats something which I doubt that even the great Cassanove would be able to do on his best day or night.Sgt. Mooney and a number of his men going out to fetch the missing Pvt. Smalls are pinned by German machine gun fire and forced to retreat back to their defensive position. Just when he and his men are about to give up on ever finding Smalls Pvt. Collucci the great lover turns into the great warrior as he single handed takes out the German machine gun nest and a German sniper. Grabbing an unconscious, due to his injecting himself with morphine, Pvt. Smalls Collucci brings him back to the squad headquarters. Just when, a totally shocked and happily surprised, Sgt. Mooney and his men were about to leave without him or the already left for dead Pvt. Smalls.Pvt. Collucci became the unlikely hero of the entire squad. In the end he got something far more real and satisfying then all the imagery gorgeous babes that he dreamed about all throughout the film. A real honest to goodness second piece of that delicious fruitcake. The piece that was reserved for the missing Pvt. Smalls.