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Fifteen Scaffolds for the Killer

Fifteen Scaffolds for the Killer (1967)

December. 15,1967
|
5.4
| Western

Unjustly accused of the murder of three women, the members of two rival gangs are joined to survive to the hunting that the whole town is making. Running away, they reach an abandoned fort in which the attempt to fend off attacks from the group that pursues them.

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Reviews

Ehirerapp
1967/12/15

Waste of time

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GazerRise
1967/12/16

Fantastic!

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Cooktopi
1967/12/17

The acting in this movie is really good.

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Deanna
1967/12/18

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

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Leofwine_draca
1967/12/19

I saw this under the title THE DIRTY FIFTEEN, although 15 SCAFFOLDS FOR A MURDERER is a much better title. The picture itself is a stock spaghetti western in which a couple of cowboy gangs are accused of murder by local townsfolk and sentenced to death. A couple of heroes emerge during the running time, being stock players Craig Hill and George Martin, and Aldo Sambrell is here too, but none of these familiar faces add much to the movie. It does have plenty of shooting and a fast-moving plot at times, so it's never particularly boring, just predictable and hackneyed, with a 'seen it all before' feel.

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Wizard-8
1967/12/20

Even if you are a die hard fan of spaghetti westerns, it's likely that you'll find this particular one pretty disappointing. It doesn't get off to a good start; the first thirty or so minutes are kind of slow, and the (limited) action in this section of the movie is pretty flatly done. When the movie does get more or less to the thirty minute mark, things do pick up - but only slightly. The action doesn't get much more exciting than what we saw in the first part of the movie, even though there are many excuses for it. It doesn't help that the two leads of the movie, Craig Hill and George Martin, don't give very charismatic performances (though to be fair, the script gives them few favors.) The last twenty minutes of the movie - when things really start to get desperate for the leads - aren't that bad, being tough and gritty as well as kind of exciting. If the first eighty minutes had been like that, we might have had something here. But as it is, those good last twenty minutes are not enough to save the movie from being labelled as mediocre and drab as a whole. And with the official American DVD release of this movie using a pretty crummy print, there's even less reason for spaghetti western fans to give this particular effort a look.

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ma-cortes
1967/12/21

An Italian-Spanish co-production full of action , exaggerated characters, shootouts and loads of violence . There is plenty of action in the movie , guaranteeing some shoot'em up or stunts every few minutes . There's also an interesting intrigue and whodunit with some Giallo when happens a killing spree , and the question is : Who is the killer ? For money, for pleasure, for revenge, he doesn't care why he kills or how ¡ . A family formed by a mother (Margarita Lozano) and two daughters (Eleonora Brown) is cruelly killed and are accused two different bands who are facing each other . One gang (Jose Canalejas) is led by Billy Mack (Graig Hill) and another one (Frank Braña) is commanded by Sandy Cassel (George Martin) . When the fiancé named Bud Lee (Howard Ross) of a murdered girl learns the slaughter and atrocity committed he executes a single-handedly revenge , ravages and kills each person involved in the massacre . Bud is relentless in his vendetta , deadly in his violence . Then the two bands flee and go to the town which is inhabited by important people as the Sheriff ( Antonio Molino Rojo) , the banker , the priest (Andrea Bosic), the doctor (Umberto Raho) and a gorgeous Pastor's priest named Barbara Ferguson (Susy Andersen) , among others . But Barbara is kidnapped as hostage and the bandits get away to Mexico . They arrive in a Mexican village but are besieged by a posse (Antonio Molino , Aldo Sambrell , Alvaro De Luna) formed to chase them . There takes place violent fights , facing off , hangings and final surprise about the killer's identity .It's an exciting western with breathtaking showdown between the protagonist Graig Hill and George Martin and his hoodlums . Both of whom are fine , they ravage the screen, kill , shoot , hit and run , besides receive violent punches, kicks and hitting . Aldo Sambrell as a cruelly baddie role is terrific, he subsequently would play very secondary or minimum characters . Furthermore, there appears usual Italian/Spanish Western secondaries as Alvaro De Luna, Rafael Albaicin, Jose Canalejas , Antonio Molino Rojo , Ricardo Palacios , Jose Luis Martin and of course Frank Braña . The film blends violence , blood , tension , high body-count and it's fast moving and quite entertaining . There is a very odd implementation of shots in the camera work during some particular scenes as the film approaches its climax , as in the final gunfights and the customary showdown conclusion . There are many fine technicians and nice production design by Wolfgang Burman who creates an excellent scenario with barren outdoors , dirty landscapes under a glimmer sun and a fine set on the little town and the surrounded Mexican village . The musician Francesco De Massi composes a nice soundtrack and well conducted ; including enjoyable songs at the beginning and the end . Striking cinematography by Stelvio Massi in Eastmancolor, with negative regularly processed , being necessary a perfect remastering . Interior filmed at Roman Studios and outdoor sequences filmed in Madrid and of course Almeria, Spain.Nunzio Malasomma's direction is well crafted and inclined toward violence and too much action . ¨Quince Horcas a Asesino¨ or ¨Fifteen scaffolds for a murderer¨ is his only Western , he also directed Peplum as 1960 The revolt of slaves , and his speciality were Drama and Adventure as 1958 Adorabili e Bugiarde ,1951 Quattro rose Rosse , 1950 Il Diavolo in convent , 1947 Il Diavolo ,1943 La Signora in Nero , 1943 In due Si Soffre Meglio ,1943 Incontri di Notte . Rating : Acceptable and passable Spaghetti Western . Worthwhile watching .

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John Seal
1967/12/22

First, the good news: Quindici forche per un assassino (titled The Dirty Fifteen on video) features a great Francesco de Masi score and an even better theme song sung by the inimitable Raoul. Now the not so good: this spaghetti western is only available for viewing on a Lebanese videotape that is incorrectly letterboxed at 1.85:1 (the image is horribly squeezed) utilizing a print in truly execrable condition. And what of the story itself? Craig Hill plays Billy Mack (whose brother Jimmy, we can assume, still hasn't come back), a jut-jawed cowpoke falsely accused of the murder of a family of four women. Billy must prove his innocence to the local sheriff, whilst bringing the real villains to justice. Judging from what's on display here, this is a pretty good film--even in its less than ideal condition, I enjoyed it. Paging X-Rated Kult Video or Wild East--this is a top candidate for DVD resurrection!

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