Ringo and His Golden Pistol (1966)

Good story, Not enough for a whole film

Absolutely the worst movie.

There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

This is a gorgeous movie made by a gorgeous spirit.

"Grand Canyon Massacre" director Sergio Corbucci made his fourth western "Ringo and His Golden Pistol" (1968) after "Django" (1966) but before "Navajo Joe" (1966), and this represents Mark Damon's first Spaghetti western. Half-American, half-Mexican, the eponymous character is a black-clad bounty hunter with a black mustache who prefers to be paid only in gold. Gold means everything to Ringo who is as fast on the draw and as accurate as a frog catching flies with its tongue. Damon looks rather villainous in his solid black outfit, and he dresses more conventionally like a 1950s' Hollywood gunslinger. Unfortunately, "Ringo and His Golden Pistol" doesn't rank as one of Corbucci's better westerns, and Damon lacks the charisma that Giuliano Gemma radiated in the first Ringo western, director Duccio Tessari's "A Pistol for Ringo" (1965) as well as in Tessari's follow-up "The Return of Ringo." "Ringo and His Golden Pistol" pales Corbucci's other westerns. Ringo (Mark Damon of "Johnny Yuma") wipes out three of the Perez Brothers after they force a defenseless woman to marry into their family. The last remaining Perez brother, Juanito (Franco De Rosa of "Ballad of Death Valley"), wants to wreck revenge on Ringo for the deaths of his brothers. Juanito doesn't wield either a rifle or a six-gun, but he expects his armed henchmen to be crack shots. Juanito aligns himself with a renegade Apache chieftain, Sebastian (Giovanni Cianfriglia of "The Relentless Four"), and they decide to decimate the frontier town of Coldstone. Town marshal Bill Norton (Ettore Manni) isn't amused by their threats. Norton arrests our hero when he defends himself from an ambush within the city limits and relies on a bomb to blow his adversaries into little, bitty pieces. Sheriff Norton rules Coldstone with an iron fist and puts citizens in jail if they refuse to abide by his rules. Meantime, Sebastian and Juanito decide to join ranks and kill as many of the frontiersman as they can. Juanito gives Norton an ultimatum. He must hand Ringo over to him or he will wipe out the town. Predictably, Norton doesn't give up Ringo. The rest of the townspeople leave Coldstone before Juanito and his Apache allies attack. While Ringo sits in jail, Norton and his wife along with another freed prisoner decimate the aggressive Indians. Unfortunately, Norton does something truly inept. He sends his son off on horseback to ride to the nearest cavalry fort and bring back enough guns to run the villains off. Our heroes need not have done anything based on their collective marksmanship. Of course, Norton's son doesn't get far before the Apache seize him. Eventually, Norton comes to his senses and gives Ringo his golden pistol, and our hero polishes off Juanito when he uses Norton's young son as a shield."Ringo and His Golden Pistol" refers to the gold-plated revolver that our hero wears tied down to his thigh. Clocking in at 88 minutes, this Spaghetti western isn't as bloodthirsty as "A Fistful of Dollars."

At the beginning, we watch Johnny Oro (Mark Damon, dressed up in a jet black and tight costume with just a hint of gold at the right spots, and introduced by the riveting lyrics 'Non importava dell' amore / a Johnny Orooooooooooooo') riding into town and killing off a few Mexican bandits walking out of a church wedding - but sparing the youngest one ... Big mistake; he's back soon enough, along with some Indians (a rare appearance in Spaghetti westerns!), to take Johnny out - and the whole town of Coldstone as well. A lot of dead bodies there at the end of the movie, as the Indians are shot in dozens, body piles everywhere, they even start using their dead ones as shields. In the end, the whole town is literally blown to hell.Johnny is characterized as the type who is on the side of justice only to see get the gold (reason given: he was born in a gold mine); full of himself, he is having a good time ridiculing and shooting his enemies and cashing in the money, and one cannot help but smiling along with him. Johnny has the kiddo feel to him, and he never gets serious right until the end of the movie - even after the bad guy shoots his love interest right in the face at close range (off screen). It's THE role for Mark Damon, who can get pretty tedious if cast as a serious character: The fun he is having while performing Johnny's gleeful pranks is highly contagious.Contrasting Johnny's character is the sheriff, played by Ettore Manni, a principled man well beyond reason himself, with a son and a wife to boot. The two of them play off well enough against each other.Plenty of violence from the bad guys (including a drunk Indian). Shady owner of the saloon and 'businessman' (he deals in weapons) Andrea Aureli does some highly enjoyable sleazy acting and ends up with an ax right in the middle of his bald patch. Figure that! After all it is only 1966.Those violent bits help to remind that director Corbucci did 'Django' with Franco Nero the very same year, so very different in tone. If 'Django' is the tragedy, this one is the satyr play.All in all, the movie stays light-hearted throughout, and you can have yourself a few fine laughs and enjoy a wild ride in the pasta west.

Well I think this really isn't so much worse than Sergio Leone's best movies. Music is really great and i am sure Ennio Morricone would gladly sign under it. There are many themes and very nice "mandolin and trumpet" combinations. Yes it's true synchronized sound is somewhat funny but it doesn't spoil the authentic filling. There is some serious acting present by nearly all main characters. I decided to check more of Corbucci's work if i can find it somewhere. Is this movie was shot in Italy or America? A must see movie for all spaghetti fans.

Just when we thought cowboy movies had gone belly up, along came this operatic horse opera with a black outfit hero with a droopy mustache and a gilded side arm who goes about offing the clean cut family for the price on their heads - well they were murdering bandidos but still!All the energy and flamboyance that the plodding dollars films lacked and concepts that belonged in Italianate literature. Mark Damon stopping off between Roger Corman and being a corporate heavy was something new in movie heroes and, after blowing up the town, there he was facing an adversary who tells him "Smile at me Ringo, for I am death." How long had this been going on?