Hands Across the Border (1944)

the audience applauded

Don't Believe the Hype

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

Sure this was lacking on plot but during World War Two and especially in 1944 at the height of the conflict people needed an escape from the war news for an hour. This is filled with 1940's music, more so than other Rogers films. This reviewer saw the MCA-TV edited version and a lousy quality copy at that so missed some of the cut musical numbers removed so stations could run their several minutes of commercials back in the 1950's and 1960's. The location photography at the Alabama Hills in Lone Pine California even looked good on the lousy quality copy I saw and I'm sure looks great in a newly restored version. The story was the race for the Army horse contract seen in numerous other westerns and sort of a "how Roy got Trigger" plot also--but a lot of loose ends were never explained; Guinn Big Boy Williams could have been used more in this; but who cared back in 1944--They wanted to hear the music and I'm sure were pleased.

Hands Across the Border (1944) ** (out of 4)HANDS ACROSS THE BORDER has the reputation of being one of Roy Rogers' worst film but I'm not quite certain I'd go that far. It's certainly one of the strangest ones I've seen and I only viewed the edited TV version, which was missing a few of the musical numbers but more on that in a bit. The "story" has Rogers and Teddy Bear (Guinn 'Big Boy' Williams) getting a job on a ranch but when the owner is killed after being thrown from Trigger, Rogers must convince the man's daughter not to have the horse killed. Yeah, that's pretty much the entire story to be found in this film. It's easy to see why so many people might hate this movie as it often gets attacked for having way too much music and not enough action or story. In the TV version I watched there were countless musical numbers so it's pretty amazing that a few are still missing. I'd be lying if I said this was one of the worst Westerns I've ever seen because it's really not close to being that bad. With that said, the entire film is pretty much a waste for a number of reasons. The biggest is certainly the lack of any real story. I'm sure many fans came to this picture at least expecting some sort of action but we really never get any. The story seems to be all over the place because when we're introduced to Williams he is having people chase him but it never makes much sense why or why when they catch up they believe he's a different person than who they were chasing. It also doesn't make sense that the Onslow Stevens character is made to be the bad guy but then this here goes nowhere. The entire story is a real mess but it's not helped by the fact that the majority of the music numbers aren't very catchy and just come across as bland. Rogers is good in his role, as usual, but Williams isn't nearly as effective as he usually is and even Stevens appears to be bored. Ruth Terry isn't too bad as the love interest but the screenplay gives her very little to do. HANDS ACROSS THE BORDER will probably disappoint Rogers fans but I think fans of the weird, such as myself, might get some mild entertainment out of the strangeness.

I read in a history of the movie western that at one point in his career the films of Roy Rogers were more musical than western. That was never more true than in describing Hands Across The Border. Republic might well have just dispensed with the plot and made this one a western musical revue.The film has all kinds of numbers done by Roy Rogers, Sheila Terry, the Sons Of The Pioneers, dancing by Janet Martin and the Wiere Brothers and comic relief by Guinn Williams and Mary Treen. Even the sequences involving Trigger could just as easily been worked into a revue.The very thin plot has cowboys Rogers and Williams hired by Joseph Crehan a ranch owner with a lovely daughter, Sheila Terry. Crehan and rival owner Onslow Stevens are competing for an army contract to sell cavalry horses. This mind you in an age of mechanization. Crehan gets killed trying to ride Trigger, but it's Roy who eventually rides Trigger and saves him.Onslow Stevens's part is strange as well. He's built up to be the bad guy as he usually is. But when the film is over all this guy really has done is pay some attention to Sheila Terry in an effort to get that contract one way or another. He never really does anything all that villainous except look like one. The last quarter of the film is simply a reprise of all the numbers that had been done before in the film. Later on Roy's films got a little more action in them. This one probably disappointed the kids.

In order to escape trouble in a town that doesn't take kindly to vagrancy, Roy Rogers and Guinn "Big Boy" Williams pretend to be entertainers hired for a party at a local ranch, where they talk themselves into a job. When the kindly ranch owner is killed trying to break a wild horse, Roy and company try to save the horse from being destroyed by the ranch's soon-to-be new owner.An okay and offbeat (at least for Roy Rogers) cowboy melodrama, this is pleasant enough, with an unusual (and unusually loose) plot that does away with the usual "Roy versus armed heavies" storyline in favor of laid back horse-play and an abundance of song and dance numbers, some of which are pretty odd.There's some really nice location photography and good horse-riding stunts that show why Trigger was so popular.This is also a good showcase for co-star Duncan Renaldo, who a few years later would gain great fame as The Cisco Kid in movies and television.