Jubilee Trail (1954)

So much average

Pretty good movie overall. First half was nothing special but it got better as it went along.

The best films of this genre always show a path and provide a takeaway for being a better person.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

Vera Ralston is wonderful in all her films. She adds character and a radiance to all her parts. Her accent is delightful. Charles Reichenthal, who left a previous comment criticizing Vera Ralston should be ashamed of himself. I was always taught that, "if you have nothing good to say about a person, don't say anything at all." There is nothing better than the old movies. Today's actors don't know the meaning of the word. Vera Ralston and all the others were wonderful in the movie and it's a movie well worth your time. I suppose "Charles" would say the same about Oscar winner Norma Shearer since she had Irving Thalberg.

Jubilee Trail represented one of the last attempts of Herbert J. Yates to get the American movie public to accept his wife Vera Hruba Ralston as a star. Again she didn't score with the public and pretty soon Vera and Republic Pictures were history.Actually Republic Pictures really ended the day that John Wayne got shed of his long term contract with Republic. Yates made more money loaning him out to other studios than he did with the films that actually starred the Duke. After all, Duke's loanout services were pure profit, no overhead expenses involved in producing high budget epics that befit his growing star status.John Wayne couldn't have saved Jubilee Trail because the central characters here are two women, Vera and Joan Leslie. Vera's running from a mysterious past in New York and she hooks up with Joan and her new husband John Russell. Russell is traveling west with a pack train of supplies for he and his brother Ray Middleton. Russell also has a past himself that involves some kanoodling with the owner of a local ranchero and a small bundle of joy he only finds out about just as he's starting west.Middleton's real upset about the marriage as they've ruined plans for a merger between the two families. He takes an unreasoning dislike to Joan Leslie and is determined to gain control of the child she's carrying now after Russell is killed.It really is more soap opera than horse opera. There's an Indian attack sequence, but I'm sure it's in there so western fans can have a little action. There's also a nice gun battle between Forrest Tucker and two bad guys in Middleton's employ looking to steal Leslie's child after it's born. Middleton is the kind of villain you are more likely to see on daytime soaps.Tucker has the hero role, but he really does little between the action sequences but look solemn and declare his love for Leslie. Pat O'Brien has a supporting part as a cashiered army surgeon who drinks to forget his troubled past. And presiding over it all once they reach California is Vera at Jim Davis's saloon.Vera's got the Marlene Dietrich part here, but Jubilee Trail would have been a whole lot better if Yates had gotten Marlene Dietrich for the part.

Lavish Republic western with good female cast.Joan Leslie and Vera Ralston are most effective as two women heading to California to make a new life.Joan's husband is killed,Vera finds work as an entertainer,barkeeper.There's a load of familiar faces in the character parts.The costumes are nice.The settings lavish.Republic made alot of strong women films with a western setting.It was nice seeing women finally being more than just dutiful wives and saloon girls.Republic had a way of making realistic settings,costumes.The men in the story actually look dusty after a long ride.The Victor Young score is very nice,including the title song.This film is usually dismissed as just another Vera Ralston film but it's Joan Leslie's story.

I like this movie. The slow pace is an asset rather than a liability. Although the cast is not particularly well-known, there is a delightful mix of characters in this better-than-usual Western. The movie is rather faithfully based on Gwen Bristow's romantic novel about early California.The interior sets are the real stars of this film. From 1845 New Orleans to pre-Mexican War Santa Fe and Los Angeles the sets are very colorful and lavish. Joan Leslie, Vera Ralston and the rest of the cast work hard to brighten up the sets.There is an aura of pleasant reality about this film. The characters generally are dressed in period clothing and carry vintage weapons. There is a refreshing variety in the clothing worn by the male characters, particularly in the hats. The wardrobes of Leslie and Ralston are as lavish as the sets. The only disappointment is the standard backlot Western town set which pretends to be Los Angeles. This set has appeared in countless Westerns and it looks oddly inappropriate here.Much of this film occurs indoors. There is also little action. However, the great sets and script more than compensate. The acting is generally very good and the cast does a wonderful job with the characterizations. Vera Ralston does justice to her role as Florinda, a woman with an awful memory in her past. Joan Leslie's performance as a woman stranded in California by the untimely death of her husband is also far above standard. Forrest Tucker's role as John Ives is uneven. In some scenes he speaks his lines with a whisper. However, he more than compensates by handling himself well in the film's action scenes. Jack Elam has a bit part as a bad guy. Although he says only three words, he exudes evil in his brief appearance.Normally, a slow pace is the kiss of death for a Western, but in this case the glacial pace works in its favor. Rather than hoping that something will happen, the viewer may find himself or herself wishing it won't end. This is a film that seems longer than it really is, and I wish it had been a little longer. I'm always sorry to see the end credits.Victor Young's score is rich and vibrant. Although far from his best work, songs like "Jubilee Trail" are very enjoyable. The music for this film is not as overpowering as the music in Westerns like "The Big Country" and "The Magnificent Seven". In one scene the haunting melody of "Jubilee Trail" is played with strings and is almost inaudible as the mule train crosses the desert toward California. The brief cue which heralds the arrival of the pack train from California in Santa Fe effectively communicates the excitement of the moment. The only really loud song is Vera Ralston's song in the Los Angeles saloon. In this case the loud song is appropriate, because they are celebrating the expected birth of Garnet's (Joan Leslie) baby. As Western scores go this one stands out because it is different.This film is now available on video and is well worth watching. You might find yourself watching it over and over again as I do.