Six Black Horses (1962)

Powerful

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

The film's masterful storytelling did its job. The message was clear. No need to overdo.

The film had me curious about the title for a while since Audie Murphy's character tries to lasso a wild bronco in the opening minutes and it's one of six that's roaming across the scrub desert where Ben Lane lost his. I didn't see how that event was going to work it's way into the picture, but later on, Dan Duryea comes up with the line in my summary quote describing how he'd like to be buried when his time comes - drawn in a carriage with six black horses.Now that I've had some time to think about the story, I'm left puzzled by a number of things. The main one is why Miss Kelly (Joan O'Brien) went to the trouble of hiring the pair of saddle tramps to escort her across Indian territory after the initial failed attempt to kill Frank Jesse (Duryea) in Perdido. She exposed herself to an awful lot of danger just to get revenge on the man who killed her husband. In fact, didn't it look like she pulled up her own horse during the chase scene with the Coyoteros? She would have been a goner except that it was too early to end the picture just yet.And what's with the pampered pooch? I'm sorry, but seeing the nameless mutt riding his own horse throughout the picture just seemed comical to me, especially during that same chase scene. He must have been strapped in pretty well not to get bumped off, but why not let the dog run around on his own? That one really left me baffled.So I guess if you don't think about these things too much, the film is passable enough with decent action and surprisingly good cinematography. In his late thirties, Audie Murphy looks like he outgrew the baby face look he had in pictures of a decade earlier when casting him as a villain didn't quite seem to work. Dan Duryea creates enough empathy for his character that you kind of wish the two wouldn't have to draw down on each other once the end game is revealed. The way in which Ben Lane and Miss Kelly come together seemed like a bit of stretch for me as well, but if the hero was going to ride off into the sunset with his girl, they had to work it out somehow. As for Frank Jesse, he got those six black horses after all.

Great western, I enjoyed Audie Murphy's performance.At 38 minutes into the movie there is a story told by Frank about a past love in Bisbee who he later discovered was married to another man. He says it taught him a lesson, "Always check the brand to make sure you are not driving another man's stock". That same story is told 50 minutes into Fort Dobbs (1958) by Clett (Brian Keith) and he says "Always check the brand first and that way you'll know if you are running somebody else's' stock".Burt Kennedy (story)was a writer in both movies so he got a lot of use of this tale!

Six Black Horses is directed by Harry Keller and written by Burt Kennedy. It stars Audie Murphy, Dan Duryea and Joan O'Brien. Photography is by Maury Gertsman and the music scored by Joseph Gershenson. It's filmed in Eastmancolor and location for the shoot is St. George, Utah, USA. Plot sees Murphy and Duryea hired by O'Brien to take her across dangerous Indian country to her husband. But are ulterior motives at work?There's no getting away from it, this film has striking similarities to the far superior Budd Boetticher/Randy Scott movie, Ride Lonesome. Also scripted by Burt Kennedy, the plot follows the same format and Kennedy even scripts some of the same dialogue. While the keen Western fan will note the name of Murphy's character, Ben Lane, was also used for a character in Boetticher's Comanche Station. So far so regurgitated then, but although it goes without saying that to watch this piece in conjunction with Ride Lonseome is a futile exercise, this does have enough about it to warrant a viewing on its own terms one Sunday afternoon.It's a professional and well put together movie, Murphy and Duryea (owning the film from the second he turns up on his horse, shotgun in hands) aren't asked to extend themselves but make an engaging duo (see also their pairing in James Stewart starrer Night Passage 1957). While O'Brien (The Comancheros) is gorgeous and does a nice line in sultry devious. Editor turned director Keller does a competent job, his action construction solid if somewhat hamstrung by the odd daft moment involving the Coyoteros Indians. Stunt work is very good and Gershenson's (No Name on the Bullet/Lonely Are the Brave) score is brisk and tonally correct. Bonus here is the location scenery, beautifully realised by Gertsman's (Cattle Drive 1951) photography, the St. George craggy hills form an imposing backdrop as the protagonist's journey grows more perilous and their emotional states come under scrutiny.Enjoyable with genuine moments of quality, even if it's ultimately the second cousin to a far better movie. 6.5/10

"Six Black Horses" is a mild and mediocre western with only one real point of interest. Burt Kennedy's screenplay plagiarises his own screenplay for "Ride Lonesome"! Not only does Kennedy re-use some of the plot points - the redskins offering to trade a horse for the lushly feminine white woman/the sudden race across flat lands to a refuge just over the ridge - but also recycles some of his dialogue: "Some things a man just can't ride around" /"just thinking about it gives me a shiver deep down inside"/"a man needs a reason to ride this country". Like "Ride Lonesome" and several other westerns written by Kennedy, "Six Black Horses" is a journey movie. A woman (Joan O'Brien) offers two saddle-sore drifters who are adept with guns (Audie Murphy and Dan Duryea) a thousand dollars each to escort her across Indian territory. Predictably, they encounter various dangers and, sadly, everything is resolved predictably.There is nothing special about "Six Black Horses". Most of the situations and relationships are tired clichés, and none is depicted with any originality or imagination. Audie Murphy and Dan Duryea were old hands at this sort of thing in 1962, and they do not put a foot wrong. Joan O'Brien is more interesting, partly because she was an extremely attractive woman, even by movie star standards, and partly because her role carries some mystery. It is regrettable that her movie career did not prosper for longer.If the gun fights had been expertly choreographed by a directer who knew how to do it (like John Sturges or Don Siegel), "Six Black Horses" would not be so forgettable.