Forty Thieves (1944)

Very very predictable, including the post credit scene !!!

Thanks for the memories!

If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

It was baddie Tad Hammond (Douglass Dumbrille) who made the statement in my summary line to Jerry Doyle (Kirk Alyn), his handpicked choice to replace Hopalong Cassidy (William Boyd) as the new sheriff of Buffalo Buttes. It's a good bet the players involved all got a look at Edward G. Robinson and Humphrey Bogart in a gangster flick that came out five years earlier titled "Bullets or Ballots". That was the first thing I thought about when I heard the comment.So as the comment implies, there's a rigged outcome at stake, with Hoppy running opposed for sheriff in an election presumed to be his running away. But Hammond, recently released from prison has other ideas, and his revenge plan includes getting rid of Hoppy once and for all. He recruits forty outlaws from neighboring environs in a show of force meant to intimidate and dissuade local ranchers from voting for Cassidy. The strategy is successful, as Doyle is elected sheriff by a slim margin, with more votes counted than eligible voters! Sounds like this could have taken place in Chicago.Fans of old time action serials will recognize the future first movie Superman, Kirk Alyn, as the none too enthusiastic new sheriff Jerry Doyle, as long as you can overlook that evil intentioned mustache. He's a goner after Hoppy switches clothes with him, shot by his former sponsor when mistaken for our hero from a distance. The final showdown between Ali Baba Hammond's Forty Thieves and Hoppy's old pals from the Bar-20 ends successfully, but not before Cassidy and Hammond duke it out on a swinging rope bridge, which should give you a pretty good idea of how this one turns out.Andy Clyde once again provides the laughs for the matinée fans of the day, applying new meaning to the term breakfast sandwich, and later having a run in with a store front dummy, although as I write this, it could have been the dummy thinking the same thing. Rounding out Hoppy's usual trio is Jimmy Rogers in a largely unnecessary role, as he doesn't have much to do except try to woo the pretty Katherine Reynolds (Louise Currie).

I found this to be an average Hoppy movie. The first half bored me for the most part. It showed the bad guys rigging the election for Sheriff, defeating Hoppy! In various ways they discourage pro-Hoppy voters from voting, and finally they stuff the ballot box! Hoppy turns in his badge but is confident that the Governor will sense foul play and order a new election within a week. …. The second half of the movie is better, filled with a number of good scenes. ***Spoilers.****Among the good scenes: ¶ after Hoppy "loses" the election, there is a great noir-like scene in the saloon. The main bad guy, Hammond, who is out to kill Hoppy for sending him to prison, is dealing poker hands to his outlaw friends. The one who receives the highest hand is to collect the pot and agree to kill Cassidy. Hoppy walks in on the "game" in its early stage, and he forces them to complete the deal. He dares the winner to draw on him. There are no takers. He orders them all out of town within 12 hours. Hoppy turns his back on the group and observes them in the bar room mirror as he exits. He sees some reach for their guns. He spins around and kills a number of them, shoots out the lights and gets away. ¶ to make good on his threat that the outlaws all leave town, Hoppy alone, on foot, faces them (all mounted on horseback) on the street. They charge him. See the movie to see how he survives! ¶ it was clever of Hoppy to figure out how the ballot box was stuffed — he examined the ballots and noticed that the non-Hoppy ballots had some different type font for certain letters. different than the legitimate ballots. ¶ at the end of the movie there is a terrifically filmed scene of Hoppy in a fistfight with Hammond on a suspension bridge over a ravine. Some other observations: ¶ the heroine (who lacks a sweet voice) is surprisingly silent throughout the second half of the movie. She is shot at while in a stagecoach, kidnapped and tied up, rescued, watches Hammond fall to his death from the suspension bridge, etc — and never says a word! ¶ California Carlson's (Hoppy's comic sidekick) often turns me off with his inane antics. Here he tries to eat an eight inch high sandwich. In fact, the other actors (both sidekicks, the heroine, even Buck Peters) were poor compared to other Hoppy movies. ¶ I was surprised to see Hoppy pull this deadly ploy on the harmless inept newly-elected sheriff: as noted above, the heroine is kidnapped by Hammond, and Hoppy is instructed to come alone to retrieve her. Sure death is waiting him. So Hoppy changes clothes with the Sheriff and forces him to accompany Hoppy to the rendezvous with Hammond. So Hammond mistakenly shoots dead the Sheriff, giving Hoppy the opportunity to rescue the girl, etc. Not very good-guy heroic of Hoppy.

It's a pretty routine Hoppy until we get to that great suspension bridge. What an inspired piece of action, well staged and photographed. It's Hoppy and bad guy Hammond (Dumbrille) trying to stay on the life line high above the chasm, while knocking the other guy off. It's the movie's centerpiece, and I'm wondering if the tightrope was built for this film, or more likely, left over from a big-budget production. Either way, it's a visual treat.Anyway, Hoppy's a sheriff mixed up in a crooked election master-minded by that fine arch- villain from many a costume epic, Douglas Dumbrille. To oust Hoppy, Hammond assembles forty thieves just like a frontier Ali Baba. Now Hoppy has his hands full, especially in the main street showdown. Not much hard riding or good scenery, however.Several notable features. Screenplay is by ace writer Michael Wilson who later penned a number of prestige films, including Bridge on the River Kwai (1957). Watch for Kirk Allyn as Hammond's feckless sheriff. So how does the screen's first Superman become a "do nothing" sheriff! Speaking of feckless, poor Jimmy Rogers comes across like a big zero and even looks a little like a young jimmy Durante, of all people. Not so, the luscious looking Louise Currie. Too bad they gave her so little to do—just count her lines. Anyway, Bill Boyd is his usual great Hoppy, making the whole thing an entertaining 60 minutes

Set in Buffalo Buttes, the opening is exciting as the film starts with a gunfight on horseback. Hoppy starts off dressed all in black, which usually indicates a hit more than a miss, but then changes to a gentleman's outfit before changing back to black near the end. On the positive side, Earle Hodgins has a (too short) role as a drunk, California is in two real (not comic) fistfights, & gets beat up in both, & there are four gunfights. On the negative side, Jimmy Rogers appears as Hoppy's young sidekick & as always, he can't act (unless you consider "slouching" to be "acting"), is not handsome (as many of the young sidekicks were), & gets beat up in the one fist fight he engages in. Great scene: Hoppy puts guns in the holsters of the baddies, but they're afraid to use them; as Hoppy walks away from them, they shoot. Another great scene: a dozen men in a saloon advance at Hoppy all shooting; as he hides behind the bar, he shoots the lights out, then surprises them from the side of the bar. Despite these highlights, this was disappointing for Sherman's last Hoppy film. I rate it 5/10.