The Quiet Gun (1957)

Best movie of this year hands down!

Undescribable Perfection

Perfect cast and a good story

Although it has its amusing moments, in eneral the plot does not convince.

The Quiet Gun was an understated and underrated little western from the B picture unit at 20th Century Fox. This film would have been a classic, but for parameters from the omnipresent Code that held its themes in check. An unclear script keeps it in B standards as well.The villains are saloon owner Tom Brown and henchman gunfighter Lee Van Cleef who want to get Jim Davis off his ranch so they can have use of it to graze some rustled cattle. Davis is estranged from his wife Kathleen Crowley and now living with a young Indian woman Mara Corday. Apparently there are some laws on the books regarding miscegenation and these two get town attorney Lewis Martin all filled with self righteous wrath as well as the rest of the town. When Martin goes out to serve papers on Davis he gets shot for his trouble and only after Martin goes for a rifle.Through all this town sheriff Forrest Tucker who is a friend of Davis smells more than self righteous wrath working here. It all gets resolved, but a lot of people die before it does.The Quiet Gun is representative of the adult westerns that were becoming more and more common on the big and small screen. Films like this with a B picture cast though would more likely be on the small screen. This could easily have been the plot of a Gunsmoke episode. It also hints at certain things that ten years later could have been frankly discussed.The film is a bit ahead of its time, but held in place by the Code to make it not as good as it could have been.

The eminent, mad Swiss psychiatrist Carl Jung wrote of UFOs that there was something out there, but what it was, was a mystery. As such they permitted us to project our own thoughts and emotions onto them. They provided us with a kind of Rorschach ink blot test. We could interpret them according to our social values.Many routine Westerns provided us with the same opportunities. The Westerns generally stuck with the conventions -- a clip on the jaw and the recipient is unconscious for as long as the plot requires. But within that framework we could explore our problems in model form. It's like playing around with a toy instead of facing the real thing.For instance, it might not be such a hot idea to deal directly with racism. Why bleed the box office returns from the traditional South? But, hey, Indians can serve as stand-ins for African-Americans, as in "The Searchers" (1956). Movies designed for audiences with the Great Depression fresh in mind could use "big business" as the heavy. We could even win the Vietnam war with Rambo. This movie, "The Quiet Gun" (a generic title if there ever was one) explores social issues common to the late 1950s -- divorce, adultery, prudery, racism, lynching, conformity, gossip, and the impartiality of the justice system. No African-Americans, though, just a "half-breed" Indian.It's not a bad little film, though it does seem almost flamboyantly dated now. (Living in sin?) Forrest Tucker is a professional and competent actor and it shows. Lee Van Cleef, of the ophidian eyes, is what he is. Jim Davis plays a somewhat sympathetic victim for a change. Some of the minor parts are just terrible. What were the town fathers in real life -- the producers' uncles or something? It's inexpensively shot on a ranch set. No spectacular vistas here. And it's in black and white, which isn't necessarily bad. If the script lacks sparkle, and if Hank Worden replays his goofy dumb role yet again, the movie still is watchable and has something to offer us, as if it had been recently exhumed from a time capsule.Not at all terrible.

Forrest Tucker gives an interesting understated, "quiet" performance, Lee Van Cleef chews up the scenery, and the (usually unwelcome) comic relief works (surprisingly) well. Also, decent plot twists and neat little affectations - like Forrest Tucker always rolling cigarettes and his tobacco pouch hanging out of his jacket pocket. Highly recommended for lovers of: adult westerns B-Westerns 50s Westerns

Far from simple minded, this film raises some moral questions in an intelligent way. Actually, fairly relevant for today. Oh, and there's a bit of unobtrusive humor, as well. The plot makes sense. The film moves along at a good pace and is neither too long or too short.Nicely acted in an understated way - particularly Forrest Tucker (far removed from his later "F-Troop" days). Old stand-by Hank Worden plays his usual eccentric character. The ominous Lee Van Cleef is also present. Definitely worth 80 minutes of your time.