The Unholy Four (1970)

Wow! Such a good movie.

Absolutely Brilliant!

Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.

Funny, strange, confrontational and subversive, this is one of the most interesting experiences you'll have at the cinema this year.

This spaghetti western might have been the germ of inspiration for the movie "Four of the Apocalypse", which came out five years after this one. (Though both movies only have a few minor similarities in the end.) Anyway, while "Apocalypse" has in recent years been rediscovered and acclaimed, this one has mostly been forgotten. To a degree, this is understandable. As others here have pointed out, the movie is quite slow, not only taking a very long time to set up the plot and characters, but also that the last third of the movie drags at times. Strangely, even though the movie doesn't have all that much plot elements, not only are most of the members of "the unholy four" not fleshed out well, there's at least one plot thread that's unresolved at the end. But despite the sluggish pace, the movie does have its share of rewards. While there isn't a terrible amount of action, what there is (ranging from gun fights to fist fights) actually packs some punch, thanks to the skillful direction and editing. The musical score, while a little repetitive, is upbeat and pleasing to the ears. And while the movie is often slow and uneventful, it's a credit to the filmmakers that all the same things never get downright boring. While the movie isn't really all that memorable - I'm sure I'll eventually forget everything I saw in it - it does manage to engage and entertain the viewer while he or she watches it.

Django aka Ciakmull in the original (played by Leonard Mann) escapes from a lunatic asylum where he stayed because he had lost his memory. He does not even remember who his father is. Thus handicapped, it takes him quite some time until he realizes who the bad guys are that he must fight. Unfortunately, the happy music by Riz Ortolani is totally out of place for a darker type of western, the story gives away too much too early and the action is sometimes poorly directed. Example: the torture scene with Woody Strode. Never seen somebody starting to talk so quickly! But this was the debut of director Enzo Barboni who went on to much better things! And I don't want to say "Ciakmull" is a bad movie - it is simply a bit disappointing that it achieved only 80 per cent of what it could have.

E.B. Clucher is the pseudonym of Enzio Carboni. He is the director responsible for the Trinity westerns featuring Terence Hill. This spaghetti western is a notch above most of the Italian run of the mill flicks. It has a decent plot that does away with the pitfalls of most ordinary revenge westerns. The characters that befriend Ciakmull are a bunch of escaped looneys and their antics heighten the entertainment value a lot. The silly duel myth is kept alive here but when the bullets start flying the spectators are treated to spectacular and inspired camerawork. In genre films it is always nice to be treated to a familiar face to give the product some, often much needed, touch of class. In this film that honor lies with John Ford regular Woody Strode. This excellent athlete turned actor plays a simple but loyal and brave buddy to the bewildered hero. One cannot say there is one single original idea in this spaghetti gunfest, but when served up hot and spicy like this it's sheer pleasure to watch.

Starting with the very first scene, this flawed masterpiece of pastaland gunslingin' grabs your attention and keeps it locked in until the final, intricately choreographed shootout.When some bank robbers set fire to the local nut-house to create a diversion, four inmates manage to escape and take in on the run. One is an amnesiac who is searching for his identity and in the process the four find themselves on the trail of the bank robbers. The trail leads to a town where Chuck Mool's family is located, but who are they? And why is everyone in town deathly afraid of him?The plot outline may not sound like much but this top-notch spag is excellently made with great camerawork, a well written script, exciting, intricately choreographed action and hell, even the costumes and sets are done with style.It's not just plot that makes a classic spag, but character bits, atmosphere and action, and this one's got it in spades. One of the more amusing character moments is when Eastman finds Strode in the local church cheerfully playing the organ and singing hymns while an exhausted preacher, in fear of his life, is madly pumping the instrument.From blazing infernos and barroom brawls to cat n' mouse gunfights in dark cemeteries this one is a winner from the first frame. Too bad nobody seems to know about it.