Skateboard (1978)

Let's be realistic.

After playing with our expectations, this turns out to be a very different sort of film.

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

The phenomenon of skateboarding which blossomed in the 70s gets a look in this G rated film about a down and out promoter who sees a bunch of kids doing their skateboard thing and turns them into a team. Allen Garfield stars as the promoter who gets to like the kids no matter how much he first sees them as just a cash cow. Garfield's probably a decent enough guy under ordinary circumstances and considering what he does for a living. But these times aren't ordinary, Garfield is into Anthony Carbone for some bucks and then borrows some bigger bucks to promote the team. The leg breakers will be paying him a call if he doesn't succeed.Which explains the pressures he puts on the kids to win although they don't understand it. Neither does Kathleen Lloyd, team nurse and guardian and all around confidante to Garfield though he levels with her.Leif Garrett who was on the cusp of bubblegum stardom plays one of the kids and Garfield's eventual savior. The rest of the players are skateboarders first and barely handled the dialog.Still it's skateboarding and Leif Garrett that people paid to see and Skateboard gives them their money's worth.

For a mainstream 1970's flick, SKATEBOARD sticks firmly to the exploitation style of spontaneous direction, freestyle dialog, and capricious plot line. And although billed as a Leif Garret vehicle, the bulk belongs to character-actor Allen Garfield as a tubby, struggling talent agent who owes big bucks to a dangerous bookie so, after discovering a group of wayward teenage skateboarders, Manny starts a hopeful team that travels in a decapitated bus doing borderline minstrel shows disguised as freestyle competitions.While Garrett meanders in the background as one of the younger skaters, too shy to really take chances, the true hotshots are real life rollers Richard Van der Wyk, Tony Alva and Ellen O'Neal. And while the trio skate better than act, there's something genuine in the deadpan deliveries: after all, it's their territory more than Garfield who, with a constantly frantic bicker, seems more part of a low-rent gangster flick than skateboarding propaganda: which this needed more action shots of.But Manny's a likable antihero, especially after Kathleen Lloyd joins the ranks as the chaperon/nurse. Although scenes where Manny attempts talking ingénue Pam Kenneally from sleeping with Van der Wyk seem a bit creepy, he eventually becomes the endearing sloppy uncle as the team climbs to the final competition where – after the star skater drops out – it's up to underdog Garrett to win a do-or-die downhill race, providing more suspense in the buildup than the real thing.For More Reviews: www.cultfilmfreaks.com

All that I can say is that the other guy that reviewed this movie knows nothing about the history of skateboarding. In the 1970s skateboarding was one of the greatest spectacles of the time. There were actually skateboard World Championships which drew grand crowds and the invents did include slalom(weaving in and out of cones) and downhill races... I found the other guy to be completely asinine in his reasoning. This movie has a cameo of Tony Alva of Dogtown fame. Who recently was featured in the video game Tony Hawk's American Wasteland, and the feature film Lords of Dogtown and the documentary Dogtown and Z-Boys. I would recommend this movie to anyone who loves skateboarding and its history because this is clearly a part of it...GRADE: A+, excellent

Skateboarding is a pretty ancient depiction of both skateboarding culture and technology as manufacturers somehow hit upon the new, revived fad that was gaining more interest than it had when skateboards first made an appearance in the late 50s and early 60s. The movie itself is rather stupid, especially when you have Dogtown's Z-boy Tony Alva only playing a supporting role while a wiener like Lief Garret got something of a starring role as a burgeoning member of the skate team. With Alva, they wouldn't have needed stunt men.Manny Bloom is a washed up promoter of many failed opportunities. Owing a large debt to a bookie, he surmises that his only shot at squaring his arears is to promote a skate team. Now, being that this is the early days of skateboarding, Manny seemed like a fellow out of his mind for taking such a big risk on a sport that was still developing, never having had the extreme commercial following it does today. But Manny finds a bunch of misfit skateboarders (boys and girls) that he convinces to join a team with him as manager. As the story rolls along, Manny looks pretty pathetic, and fails to earn any respect from his team, which likewise have their own assorted problems. So, in that Mighty Ducks kind of tradition, he has to work hard with the team, so that they may win the championship that Manny has bet everything on.Though terribly corny, the movie is a rather good look at the early days of skateboarding. More like when the sport modeled gymnastics as competitors in their goofy uniforms and flimsy protective gear rolled around on shiny maple floors with their twenty-four inch boards doing nose wheelies and hand stands. To think, Tony Alva, was part of the skating team (the Z-Boys of Dogtown) that competed against fool skateboarding like that and helped turn the entire skateboarding culture upside down (see the documentary, Dogtown and Z-Boys).