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Fort Massacre

Fort Massacre (1958)

May. 14,1958
|
6.2
|
NR
| Western

New Mexico Territory, August 1879. The few surviving members of a cavalry column, which has been relentlessly decimated by the Apaches, attempt to reach Fort Crain. On their way through a hostile land, the obsessive and ruthless Sergeant Vinson takes to the limit the battered will of the troopers under his command.

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Cebalord
1958/05/14

Very best movie i ever watch

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Protraph
1958/05/15

Lack of good storyline.

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GazerRise
1958/05/16

Fantastic!

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Bergorks
1958/05/17

If you like to be scared, if you like to laugh, and if you like to learn a thing or two at the movies, this absolutely cannot be missed.

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zardoz-13
1958/05/18

"Pony Soldier" director Joseph M. Newman's western "Fort Massacre" is a grim little Cavalry versus the Indians horse opera with genre veteran Joel McCrea as a seasoned sergeant with a hatred of all things Apache in particular and Indians in general. The performances are all fine, especially the Native Americans. They look like Indians. Meanwhile, character actors galore fill McCrea's ranks, such as Denver Pyle, Forrest Tucker, Anthony Caruso, John Russell, Robert Osterloh, and Rayford Barnes. Newman alternates between battle scenes and dialogue scenes with everybody complaining about Sergeant Vinson (Joel McCrea) and his feud with the Indians. It seems that his wife died at the hands of the Native Americans, but before Vinson's wife died, she shot his two sons. Newman doesn't let the plot loiter and the anti-Indian sentiments are as strong as those displayed by John Wayne in "The Searchers." If there is anything predictable about this blood, sweat, and bullets 'Lost Patrol" western, it is the hero's antipathy toward the Indians. Clocking in at a lean, 80 minutes with no time-outs for comic relief, "Fort Massacre" qualifies as an above-average oater with "Sergeants 3" lenser's Carl Guthrie's spectacular cinematography of scenic western locales in Utah and New Mexico. It is a wonder that Metro-Goldwyn-Mayer let Newman keep certain scenes in this savage shoot'em up. My favorite line of dialogue occurs early in the action after the survivors bury their superior office and Sergeant Vinson refuses to read over his burial with the Bible. "If he needs our help to make it upstairs, he's in worse shape than he looks." Furthermore, it is also unusual to see all-around good-guy Joel McCrea playing such a grief-stricken soldier. For example, after they wipe out their adversaries, Sergeant Vinson doesn't relent when the final Apache exposes himself to him. Vinson refuses to show mercy and shoots the brave down like a dog to the chagrin of his men.

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ma-cortes
1958/05/19

Thoughtful and powerful Western drama well played , splendidly photographed and compellingly directed . The West's most savage story titled ¨Fort Massacre¨ is set during the Indian Wars in the Southwest , with a military detachment whose mission results to be escort a civil column . There , a sergeant called Vinson (Joel McCrea) assumes command of a cavalry team after it is mauled in an Apache ambush that murdered its captain and seriously wounded its lieutenant . Vinson is a revenger cavalry sergeant to roust renegade troopers and a tribe of Apaches and subsequently the cavalry troop finds itself under constant attack by Indians . Then , the surviving troopers , including various Privates (Forrest Tucker , John Russell , Denver Pyle) along with an Indian scout , Pawne , (Anthony Caruso) must reach either a wagon train , or a larger cavalry column . Vinson puts the bridle on tight and struggles to win his soldiers respect while warding off violent Indians . But first they need water and the nearest water hole is in Apache hands . Vinson along with a group of soldiers have to defend a left place surrounded by Indians until arrival reinforcement . The more desperate his fight on the desert's scorching sands , the more adored he was in her arms ¡ . Pretty good Western starring an excellent Joel McCrea as revenger who gains his identity killing Indians . This is an exciting flick about hate , pride and cunning . Spectacular and breathtaking scenes when there happen the Indian attacks . It is an exciting Western/drama that holds you interest from start to finish and right through to the intriguing tale , as well as a stirring climax . The flick displays a deep denounce about senseless acts of racism and Indian murders . Moving and thought-provoking screenplay by Martin Goldsmith with great sense of realism , complexity and attention to detail . Director takes a fine penned screenplay creating a cavalry-Indians tale that is far from ordinary , exploring the anguish of soldiers and including jarring burst of violence , however it packs a predictable ending . It's the habitual theme about an unit stranded by enemies and their grueling efforts to break the siege, issue imitated many other times . The plot is quite grim by United Artists Western standards , though it results to be entertaining . In film premiere failed at box office and it was panned by critics and lukewarm reception by public ; however , nowadays reviewers carried a detailed reappraisal of the movie . The cast is frankly well . Joel McCrea is solid , if a bit stolid . The support cast is fine , as John Russell , Anthony Caruso , Denver Pyle , Francis McDonald , Susan Cabot as beautiful Piute Indian girl and final film of Irving Bacon . Colorful cinematography by Carl E. Guthrie that features some clever matte paintings and lush three-strip Technicolor , De Luxe photography , being shot in National Parks such as Gallup, New Mexico , Red Rock State Park, Church Rock, New Mexico, Kanab , Utah . Thrilling as well as evocative Original Music by Marlín Skiles . Directed and in nice style by Joseph M. Newman who previously directed other good Western titled ¨Pony Soldier¨ . Joseph received two Oscar nominations as assistant director . Many of his films , almost all second features and shot on modest budgets , use character actors rather than stars for the lead roles . They have a gritty , semi-documentary look , particularly his two best offerings : the film noir ¨The human jungle¨ (1954) and the outdoor drama ¨Red sky of Montana¨ (1952) . Many also share an overriding preoccupation with technology , as in "711 Ocean Drive", in which an electronically-minded telephone repairman played by Edmond O'Brien becomes entangled with a shady bookmaking syndicate and in Newman's most famous film, the cult sci-fi Island Earth (1955) , though re-shot by director Jack Arnold . Newman's work was competent, if routine : some westerns as ¨The sheriff of Dodge City¨, ¨The Outcasts of Poker Flat¨ ,¨Fort Comanche¨ , Ädventure : ¨Tarzan, the Ape Man¨ (1959) and a few crime pictures as ¨Death in Small Doses¨ , ¨Flight to Hong Kong¨, ¨King of the Roaring 20's: The Story of Arnold Rothstein¨ , (1961) and ¨The lawbreakers¨ (1961) . ¨Fort Massacre¨ is an authentic must see , not to be missed for buffs of the genre . An enjoyable movie because of its awesome acting , dialog , score are world class.

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MartinHafer
1958/05/20

While there have been a ton of westerns involving the US Cavalry, this one is a bit different. Instead of the usual 'Indians-bad/Cavalry-good' mentality, this one is much more complex and the moral implications are not so cut and dry."Fort Massacre" begins with a small band of Cavalry enlisted men stuck in enemy territory. The local Indian tribe has attacked and killed the Commanding Officer and now the Sergeant (Joel McCrea) is in charge. This may not be a good thing, as McCrea has a VERY personal stake. After all, his family was wiped out by Indians and he has a serious chip on his shoulder as a result. Many of his men (particularly Forrest Tucker playing his usual loud-mouth character) balk at his authority--they think that McCrea is more interested in killing the Indians than making sure they get back to the fort.John Russell plays an 'everyman' sort of guy. He is neither on the side of the folks against McCrea nor is he going to blindly follow him. The only negative of this character is that he's supposed to be a guy who's had many jobs and is looking for a purpose in life--so he joined the Cavalry. BUT, he also said he graduated Magna Cum Laude at a university--and it is hard to believe he's only be a private. The only other part that was really hard to believe was the Indian woman--who spoke like a middle-class white lady! Still, despite a few problems, the film was very compelling because it took a psychological look at people AND offered a complex story with characters who were NOT 'cookie cutter' western heroes. Well worth seeing.

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funkyfry
1958/05/21

A good Western with McCrea as an army sergeant with a severe chip on his shoulder -- his family was killed by American Indians. When the detachment he serves in is attacked, all his superiors are killed and he has to take command of the survivors -- who believe his bigotry will lead them into confrontations which are unnecessary. McCrea is very good at playing the sergeant as a kind of ruined idealist, beating Wayne at his own game. He has a good rapport with Russell, who plays a man more or less in between the two factions -- he's attached to his sergeant, but can see that his hatred may lead them into danger. Cabot also appears as a native woman, but is not given much to do except be the unwarranted object of McCrea's hatred and suspicions. A satisfying action film with a strong anti-racist message.

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