The Spy in the Green Hat (1967)

Great Film overall

I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

A story that's too fascinating to pass by...

'The Man From U.N.C.L.E.' had started out as James Bond in your living room with weekly adventures showing how Napoleon and Illya saved the world each week and thwarted THRUSH with the aid of some innocent party. It worked well for the first season then it started getting humorous which worked initially, but it took the edge of the show, and then it completely lost it attempting to be a spoof. (If producers had looked at the James Bond series they would have noticed that they were about to release 'You Only Live Twice' and at no point had the Bond films sank into the camp humour we got from MGM / Arena.) 'The Spy In The Green Hat' was the fifth feature made from the TV show and although it wasn't the worst of the series, it was far from the best. Alongside Robert Vaughn and David McCallum were Jack Palance, Janet Leigh and old timers Joan Blondell and Allen Jenkins. The story is nonsense about THRUSH controlling the weather and there are scenes of Italian stereotypes waving their arms a lot, making pasta and swearing revenge. It doesn't work on any level.Here's what I wrote about it in my book "What We Watched In The 1960s (In The Cinema)". Interviewed in the 1980s, David McCallum felt that part of the decline of 'The Man From UNCLE' was to start spending the budget on guest stars rather than on good story lines and location filming, and "The Spy In The Green Hat", which was made up of the two-part episode 'The Concrete Overcoat Affair", had Jack Palance and Janet Leigh, and had a story about a scientist diverting the Gulf Stream, but it also had a story thread where Napoleon Solo (Robert Vaughn) is pursued by a bunch of elderly Italian gangsters who feel he has dishonoured one of their girls. It was daft, unfunny and tedious and had fans wondering if it could get worse. The one interesting piece of casting was Will Kuluva as a THRUSH man. He had played the original head of UNCLE in "To Trap A Spy" but was replaced by Leo G Carroll after a misunderstanding at MGM. (Sponsors had said fire 'Kuryakin' and the producer thought they meant Kuluva.) "When The Boys Meet The Girls" with it was MGM's fourth and last attempt to make Connie Francis a movie star in a tepid remake of the 1943 film "Girl Crazy". She was joined by Harve Presnell, Sam The Sham and The Pharaohs, and Hermans Hermits, who sang 'Listen People'.Adapted with permission from the author from 'What We Watched In The 1960s (In The Cinema)'.Jim Doyle is the author of 'What We Watched In The 1960s (In The Cinema)', 'What We Watched In The 1970s (In The Cinema)" and 'What We Watched In The 1980s (In The Cinema And On Video)'

The men from UNCLE are at it again.A fine movie.I agree with others who say that this is more movie-like than some of the other UNCLE films. The studio sets are indeed very pleasing to the eye and the dialogue is very good. I always remember the bad guy, Jack Palance, from his wonderful performance in the Batman (1989) movie and his classic role in a two-part Buck Rogers (1979) episode. I am sorry to say, I find him less pleasing in The Spy In The Green Hat. But we have other things to enjoy.You will notice that the film is scored by 1966 Batman composer, Nelson Riddle. This composer was employed for season three of UNCLE to give the series a Batman-feel. His music for UNCLE is okay but the guy was more in his element with Batman.

Others here have covered the storyline most adequately, I'm just going to pose a question about 'The Spy in the Green Hat'! In a 1967 Australian movie magazine, which has a 2 page spread on this film, it states that unlike the other U.N.C.L.E. films, this one was made specifically for a theatrical release, therefore had a bigger budget than usual ,and may also account for it being a bit more 'risque' than the others? If this is so, was it filmed in widescreen? Although the IMDb states the films were in 1.85 aspect, this is clearly not so for the ones made up from 2 part television episodes, and the five that have been put out on DVD, are only in 4.3 aspect! If this film was indeed made for a cinema release, could it be the only U.N.C.L.E. film actually filmed in widescreen? Guess we wont know until they see fit to release it on DVD? Perhaps the mooted big screen remake of 'The Man From U.N.C.L.E.' starring George Clooney, will renew interest in the originals? Here's hoping!

Hunted nazi scientist Dr Kronen (Ludwig Donath) is recruited by THRUSH agent Louis Strago (Jack Pallance) to put a mastermind scheme into place. They plan to use heavy water to divert the Gulf stream causing Greenland to become a tropical paradise under THRUSH control while other areas fall into colder climates. UNCLE agents Napoleon Solo (Robert Vaughn) and Illya Kuryakin (David McCallum) are dispatched to stop the plot.This is the best of all the UNCLE 'films'. It simply has the best plot, the best comedy, the best performances and the most professional feel to it. The plot is silly as all spy movie plots are, but this does have a slight believability to it, and any nonsense is cancelled out by the other great elements. The story is strong because it mixes spoof with action and a gentle sense of fun and comedy. The main story is good, but it is mixed in with a subplot where Solo is forced to marry an Italian girl after he is "indiscreet" and is pursued by her aged uncles, once prohibition gang leaders. This adds to the plot and actually mixes with the main plot as both mobsters and THRUSH hunt Solo for different reasons!The whole film does have a very movie feel to it where the others mainly did feel like they were only 2 episodes of the TV show stuck together (which in fairness they were). But this uses a lot of locations and even when studio-bound has a higher production value than usual. However the performances are what makes this the best UNCLE.Vaughn and McCallum fall comfortably into their well worn role, Vaughn gets the girls and most of the comedy, while McCallum gets the action. However here they are as good as they got, both come across as totally comfortable and are obviously enjoying themselves. Also where early movies sidelined McCallum as a sort of "Robin" to Vaughn's Batman, by this stage they have developed into partners and have almost equal status. Leticia Roman is feisty as the Italian girl who Solo dishonours and her mobster Uncles are the funniest thing in the film. Unfortunately they're all very much Italian stereotypes and Roman does get a bit irritating with all her "mama mia" and "si"ing.The best 2 performances come from the bad guys, both big name actors. Jack Pallance is great as Strago and plays him as a frustrated middle-manager in a small bank chain. He is all frustration as he tries to stay calm and play everything within the rules of business. I can't describe it very well but he's very good throughout. The standout role is Janet Leigh as Miss Diketon, Strago's secretary. Diketon is not quite as suggestive as some Bond girl names but it still a bit risqué. Leigh plays the role with an incredible amount of sexuality. She takes a sexual thrill in killing and pain, using a knife strapped high up her thigh. It is quite amazing that her S&M killer got through the 1960 censors, she really is very sexy and erotic as she shivers with sexual excitement. In fact the whole film has a vein of sexuality running through it that is greater than previous outings.Leigh's S&M fanatic is only one blatant thing in it. The film also contains a short sweaty cat fight between Leigh and Roman which is a quite thinly veiled bit of teasing lesbianism. The most amazing bit is where Roman is undressing in her bedroom in Sicily and we watch from the traditional bad view. However not once, but twice doe we see a side view of breast and a very clear nipple. In previous UNCLE movies they've used the back shot as a teasing bit of sexuality but here I couldn't believe that the censors had let 2 separate nipple shots go uncut. I'm not saying that these made the film any better but it's just funny to see how much really heavy sexuality is in this film compared to the other UNCLE movies (not to mention other TV/films of the same period). If you watch this film to get a glance of nipple then you're very sad - you should watch it for the whole film instead.Overall the best of the UNCLE series for so many reasons, but made all the better by sterling performances by Pallance and Leigh.