Spirit (2012)

If you don't like this, we can't be friends.

In truth, there is barely enough story here to make a film.

This story has more twists and turns than a second-rate soap opera.

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

Mohanlal stars as Raghunandan, a narcissistic genius and philosopher who hosts a show called 'Show the Spirit', where he uncovers and unmasks political and authority figures through well crafted interviews, with the help of thoroughly researched background checks.He is also a compulsive alcoholic who has a shattered family life, his wife having divorced him earlier due to his drinking. However, he shares a healthy relationship with her and her current husband. But his constant alcoholism and air of superiority makes him obnoxious and irritating. The movie is about him realizing how addicted he has become to alcohol and how he decides to move away from it. The movie's not perfect - The show 'Show the Spirit' in its shown format is just surreal; there is no real incentive for guests to come and participate in it simply to be ripped apart. Since the show is said to be a huge hit, any potential guest should be aware of what they're in for.Another issue is that there is no evidence to the claim that Raghunandan is a genius. It is shown that everyone accepts this premise, but there is nothing exceptional in what he says/ does that would allow us to buy in to the claim.Alcoholism is portrayed very well, down to the the righteous indignation and lack of awareness of the extent of addiction. But the climactic experiment (I'm not saying what it is) is simply unrealistic. But overall, still a good movie. Very well made and with excellent, realistic performances all around.

Spirit is a socially aware movie which takes on the subject of alcoholism. Mohanlal plays a reformed alcoholic TV presenter who decides to make a program on alcoholism. It is a simple movie filled with complicated characters and even more complicated interactions. The main protagonist, Raghunandan, is a writer-cum-TV show host whose alcoholism cost him his marriage. But he has managed to remain friends with his ex-wife and her new husband. The relationship between them is handled tastefully and with kid gloves. A scene where the new husband casually puts his arm around her is a master class in acting from Mohanlal. Very few actors could have pulled that scene off. Then there is the seemingly straight and mature neighbor, Capt Nambiar, played admirably by Madhu. The captain is the epitome of a responsible citizen and family man until his wife goes out of station, when he drops this pretenses and cheats on her. The comparison between the characters is not explored but lies there just below the surface – one an openly admitted alcoholic and the other a closet cheat; one secretly reviled and the other openly admired. Then there is the poor plumber who is also an alcoholic and as far removed from the Raghunandan character that you can get but the similarities in both of them are striking. Also contrasted are the two women, played by Kanika and Kalpana. One is educated and aware, so she walks away from a marriage she is unhappy in. The other is illiterate and unaware and stays in a marriage where her life is threatened almost every day. The movie is a coming together of such personas and their interactions keep the story moving forward. This may not rank very high on Renjith's list of achievement, but kudos to him for making it nonetheless.My rating – 3/5 for content and sheer acting displays.

Spirit doesn't have the push to satisfy moviegoers! Yea we do feel enlivened and rejuvenated at the end albeit having watched an average affair. Appreciable if it does transform some lives, anything above that would be too much an ask.The performances - and that alone - would be the USP of Spirit, all of them so brilliant. Nandu and Kalpana stands out, complemented well by Shankar Ramakrishnan, Lena, Madhu, Tiny Tom, Siddharth. Not to mention an extended cameo from Thilakan. Lalettan as usual excels, he does the role of an alcoholic with élan. The screenplay is weak in parts - the arrangement and timing is not Ranjith's forte - and at times too dramatic with artful dialogs which would be appreciated by high profile critics. The music sounded like lifts from Indian Rupee :PRanjith tries to pull in all social issues, alcoholism in the front row. The medium though used to reach out as shown in the movie never launched well, in fact the chat shows in the movie were dumb. One scene which needs special mention is where the protagonist feels free in the rain breaking loose, thematically showing how he got freed from the menace that is alcohol. The transformation, the preaching, the good ending!! Not unheard or unseen. Just wish had it been made a much better movie, for it had all the stuff to enlighten lives, sadly but staggers at regular intervals :(. To sum it up, Spirit is artistic with a social message, a good one time watch. 6.5/10

After 5 years the biggest crowd puller combo of Malayalam cinema, Mohanlal-Ranjith, unites via Spirit. Even though the last couple of movies these two united where disasters Spirit had generated lot of curiosity & excitement thanks to Ranjith's last few films (Kayyoppu, Thirakadha, Paleri Manickyam, Pranchiyettan, Indian Ruppee) - The daring attempt to break free from the shackles of commercial cinema frame work & tell meaningful stories were evident in all these flicks, so Malayalam movie lovers were expecting a treat and their wish is granted to a larger extend via Spirit Spirit is the story of Raghunandan (Mohanlal). He is a severe alcoholic & people call him 'lotus' coz he is always 'drunk'. His wife (Kaniha) divorced him due to this & married Alex (Shankar Ramakrishnan), but the 3 still remain good friends. How certain incidents in his life change the attitude towards life & drinking is the crux of the story.The film rests on the broad shoulders of acting genius Mohanlal & he has done an outstanding job as the drunkard Raghhunandan (We already know that nobody can beat him in the Drunken act in the whole wide world). But its not just a one man show there all the supporting cast were impressive and all of them got claps in one or more scenes. Shankar Ramakrishnan has made an impressive debut , thanks Ranjith for finding the actor in the talented writer/director, he has done full Justice to the rule which i believe was to be done by Prakashraj at the beginning.