Shangri-La (2021)
It’s California, during the Great Depression. A woman is confiding her most intimate thoughts in a church confessional, while the man on the other side listens silently and intently. But this is no ordinary religious ritual seeking salvation. The woman — a second generation Filipino farmhand — is rapt in roleplay reverie, her sensuous words aimed at her white American lover, during a historic period when such interracial relationships were forbidden by state law. The confession box transforms into a romantic time machine, ecstatic and melancholic, traveling into alternate futures. She manifests as multiple, dazzling women, and they can love freely. This is the 21st commission from Miu Miu Women's Tales series.
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Reviews
Pretty good movie overall. First half was nothing special but it got better as it went along.
The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful
The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.
Through painfully honest and emotional moments, the movie becomes irresistibly relatable