Chhorii (2021)
Sakshi is eight months pregnant with her first child when she and Hemant are forced out of their home. They escape from the city and seek refuge in a house located deep inside sugarcane fields. The house is ridden with dark secrets that start unravelling as the story unfolds, posing a threat to Sakshi and her unborn child. Even as Sakshi tries to save herself and her unborn baby, scary sightings of three mysterious kids and a charred monster coupled with an eerie lullaby, emanating from an old transistor, wreak havoc with her sanity.
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To me, this movie is perfection.
Redundant and unnecessary.
The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.
All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.