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The Spook Who Sat by the Door

The Spook Who Sat by the Door (1973)

September. 21,1973
|
7.1
|
PG
| Drama Action Crime War

A black man plays Uncle Tom in order to gain access to CIA training, then uses that knowledge to plot a new American Revolution.

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TinsHeadline
1973/09/21

Touches You

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Smartorhypo
1973/09/22

Highly Overrated But Still Good

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Intcatinfo
1973/09/23

A Masterpiece!

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Hayden Kane
1973/09/24

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

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realredundant
1973/09/25

I took the message of self determination and exploiting the exploitative system to take skills and knowledge back to ones own community. Inspiring. Using counter terrorism tactics to teach the street gangs guerrilla warfare is just an example of this but it's handled well in the movie. I like that they don't throw in a tacky ending but leave it out there.The scenes with Dan training in the CIA are confusing at first because you don't quite know where the movie is going and it did seem a little too easy for him to convince a street gang to follow him into urban revolution but that aside the sub plots like the friend who turns him in and the middle class black woman of his being scared by the revolutionary blacks make for a brilliant film.

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duckapoo18
1973/09/26

This movie will make you think. What if an ordinary citizen joined the CIA with an agenda and was then able to carry it out? The believability of the storyline is what makes this so chilling. Even though the movie was released 31 years ago the idea is still fresh. Lawrence Cook was a one man show, playing an intelligent, accomplished and intense individual who becomes the first African American to join the CIA. There was not a hint of flash or style with him. Instead, he was like your brother or next door neighbor, the last person you would expect to start a revolution. The last line of the movie says it all.When I read this book in High School, it quickly became one of my favorites. Now, as a movie it is an even more vivid reminder of the importance of never underestimating your opponent. When a motive is strong enough and that motive meets opportunity, watch out!

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Coventry
1973/09/27

Very intelligent and sublimely scripted film that stars Larry Cook in a truly powerful role. Cook plays Dan Freeman, the first CIA-recruit since the start of the agency. After an intense training and a mind-strong career of 5 years, Freeman returns to the ghetto where he grew up and mobilizes the future-less black youth to stand up for themselves and begin a violent revolution against the white authorities. The message and criticism in the screenplay is so well-elaborated because Sam Greenlee adapted it from his own novel. True, the film contains a little too much talking and some of the sentimental speeches are hard to swallow (like Freeman's supposedly heart-breaking tale of how he taught his grandmother to read), but most of the criticism against America are quite thought-provoking, daring and way ahead of their time. Around the hour, more action kicks in and we're treated to several convincing riot-sequences and atmospheric images of the ghetto under siege. But, perhaps the most fascinating aspect about "The Spook who sat by the Door" is the psychological battle inside the protagonist's head, resulting in a dazzling end-scene. Knowing the controversy a film like "New Jack City" caused, I'm sure that this movie would provoke far worse situations when re-released properly.It is claimed that this movie was "lost" for over 30 years so it got honored by an immense cult-status. I can only recommend for you to see it yourself.

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tmpj
1973/09/28

I have seen this film on several occasions ( though not lately), have spoken to its author , and have known several of its cast members, the most notable of which would be Lawrence Cook and Paula Kelly. For a time the film was withdrawn from circulation, though it was briefly brought back in a limited release in the late 1980s. It was made on a shoestring budget. The subject matter was so controversial that the then Mayor of Chicago would not allow it to be filmed in the city, which is where Greenlee had sought to film it. Gary, Indiana had to be the stage, instead. Despite the obvious budget ( and therefore technical) limitations--not to mention the dearth of then well known names--the film is highly effective. Many a movie patron who sat through it went home feeling somewhat--perhaps considerably--less secure about himself and the world around him. I loved the film.

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