The Assassin (1993)

A different way of telling a story

Easily the biggest piece of Right wing non sense propaganda I ever saw.

It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

It is interesting even when nothing much happens, which is for most of its 3-hour running time. Read full review

The Assassin is a very violent and well done swordplay epic. The tone and storytelling are very consistent in this film. Zhang Fengyi, Max Mok, Rosamund Kwan and the rest of the cast did a real good job in bringing this story and world to life. The film has little humor and maintains a cold and bleak tone to show the harsh and unforgiving lives of assassins(and their victims) in Ming Dynasty China. The Assassin looks beautiful, but maintains a gritty tone and style. The fight choreography is not very flashy here, but very effective and at times very brutal. The action is quite savage and the violence gets real graphic with brutal beheadings, disembowelments and other assorted kung fu carnage. There are nods to Japanese samurai films as well as American westerns. Overall, The Assassin is very well done and is a top notch Chinese swordsman movie.

The Assassin (1993) is one of the few Hong Kong movies to earn a category III rating just for it's shear brutality. Usually a CAT. III is awarded for excessive sex, nudity or violence but this one was earned for it's bloody carnage. Rosamund Kwan co-stars as the former love of Fengyi Zhang. Kwan and Zheng are two lovers who's love for each other is forbidden. When Zheng refuses to acknowledge this, he's imprisoned and brutally punished. While in prison, he becomes an assassin for an evil eunuch. Upon his release, he tutors an up and coming assassin (Max Mok). while under his wing, Mok slowly turns into something that Zheng could never be.Highly recommended for H.K. Cinema fans. Be warned because this film is violent!!

The fighting was dull and unspectacular, the story was likewise rather boring and cliched. The action tries to get by on the sheer force of its violence rather than by exciting, well choreographed sequences. There certainly is a lot of violence, rather graphic in relation to other movies of the genre (many beheadings and dismemberments, and most notably an eye-sewing-shut scene), but it is a VERY poor substitute for good action. I think it's terribly unfortunate that this movie has received full DVD release and The Blade (Dao) (1995) has not, as that movie shared the same form of unnerving violence, but it was much, MUCH better done on every level.

The Assassin (1993) is directed by Hong Kong film maker Siu Hung Cheung (Love To Kill), and it stars Max Mok and Rosamund Kwan as lovers who are separated during the Ming Dynasty era by some villagers who don't accept their marriage. He is captured and sent to horrible torture prison in which his eyes are sewn shut in graphic detail. Soon he gets an opportunity to fight 7 other convicts and if he wins, he gets a chance to become the evil emperor's super effective hitman and that he does. He works as a ruthless killer/assassin, until he meets Rosamund again accidentally and starts to have memories about his lost love and past life. He decides to quit as an assassin, but it is clear his master won't accept that and then the quest for life and love begins. This is in many ways similar with Ronny Yu's masterpiece Bride With White Hair.The main theme in The Assassin is love, piece and morality of killing in general. Kwan's character is so warm and beautiful (both mentally and physically), it is clear that the main character understands the value of this and cannot continue his way of living in the dark side by killing people. The main themes in Bride were desperate love and trust more importantly, as all the hell broke loose when Brigitte Lin noticed she had been betrayed by the one he loves in Bride. The theme in The Assassin, however, is more about piece and safety and the depiction of killing's immorality. The main character learns that life is much more rewarding when he does good things instead of bad like killing and avenging. This is not as deep and philosophic film as it could be, but still these symbols and themes are present and make this film more powerful experience for me.The sword fights and wire fu is breath takingly brilliant and shot with equally striking power as in Bride With White Hair. The magic created in The Assassin is wonderful as the whole film is so dark and bathes in blue and menacing smoke and mist. The exteriors are as fantastic as the interiors so the cinematography in The Assassin is very convincing and memorable. The fight scenes themselves are professionally staged and as fierce as they come. They are over-the-top violent and gory in the tradition of Japanese samurai films like Baby Cart films. The fierceness in the fight scenes is taken even further by using angry blood and gore in the scenes and those scenes are as symbolic here as they would be in a book so I definitely don't think this is gratuitously violent and exploiting. Still, this film got CAT III rating originally due to the excessive violence which includes many torso splittings, poison deaths and other acts of savage violence. The one fight scene near the end is in slow motion and is perhaps the greatest fight in the whole movie as it really depicts the decay and wickedness which lives in the world and inside its characters. I think the sword fights are as great here as in Bride With White Hair.The Assassin is extremely highly recommended for lovers of Hong Kong "fly fu" and wuxia films, and I was pleasantly surprised by the high merits of this pretty unknown film. The Assassin can and is recommended to be seen many times since it unfolds and gives more by each viewing, which is usually the case with Hong Kong and Asian films. 9/10