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Black Gunn

Black Gunn (1972)

December. 20,1972
|
5.8
| Action Thriller Crime

A successful and popular nightclub owner who believes financial independence is the path to equality and success, must act as a go-between for militant-minded brother and the white gang syndicate his brother has attacked and robbed. Their involvements lead to a breathless race course chase, the destruction of a dopepusher and a violent waterfront climax.

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Steineded
1972/12/20

How sad is this?

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Konterr
1972/12/21

Brilliant and touching

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Kaelan Mccaffrey
1972/12/22

Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

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Dana
1972/12/23

An old-fashioned movie made with new-fashioned finesse.

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MartinHafer
1972/12/24

This Jim Brown film was made just after SLAUGTER and SLAUGHTER'S BIG RIP-OFF and seems an awful lot like these two films. Aside from a few plot elements and a few name changes, you'd swear that this is a Slaughter film--with the tough and laconic Brown once again taking on the mob. This isn't a bad thing, as these three films, though similar, are better than the usual Blaxploitation film--with better production values, better scripts and better acting.The film begins with a group of Black Panther-like men robbing a mob hangout. When they also happen to pick up a book detailing mob payoffs, the mobsters say "you're dead men"--at which point the dumb part of the film occurs. Now think about it--you rob the mob and they promise to kill you while you are holding guns on them. What is your next move? You kill the dirty muthas, of course!! But, these nit-wits run away instead--and several were shot by the mobsters because these idiots didn't think to take their guns!!! Aye, aye, aye. Fortunately, this is the only seriously dumb moment in the film...trust me.While the mob isn't sure who did this robbery, they decide to just start beating up and threatening everyone in the ghetto. Later, they somehow assume that Gunn's brother was involved and spend a lot of time and energy trying to find him. This brings Gunn (Jim Brown) into this mess. While he had nothing to do with the robbery, he has little choice but to fight these jive turkey racists--led by Martin Laundau (though he wasn't in the movie all that much). Eventually, it's a one-man vendetta--Gunn versus the mob--leading to a very typical finale--with a bazillion explosions and dead folks everywhere.One aspect of the film could have been better. This film is just jam-packed with Black athletes--some who were very famous. However, for the most part, they are more like cameo appearances and I was hoping to see more of them. Sure, Brown and Bernie Casey were in the film--but they were in a lot of films of the genre. Although he's barely in the film, the super-star of the day for baseball, Vida Blue (24-8 the season before making this film and MVP/Cy Young Winner) appeared as a character--the only time he acted (if you can call it that). In addition, football players Tim Brown, Deacon Jone and Gene Washington were in small roles--and give little to do as well. There also was a Tommy Davis listed in the credits. This could be THE Tommy Davis that played for the Dodgers (among other ball teams) but couldn't pinpoint this for sure. With all these talents, it sure would have been nice if it had been more of an ensemble approach--such as when Roy Jefferson, Mike Thomas and Mike Bass (all who at one time played for the Washington Redskins) played in BROTHERHOOD OF DEATH. It's an opportunity lost, but still even with Jim Brown alone, it was a pretty entertaining, though formulaic, film.

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sol1218
1972/12/25

***SPOILERS*** Typical 1970's black-exploitation movie with big macho bad a** Jim Brown, as the genteel and soft spoken nightclub owner Mr Gunn,taking on the West Coast Mafia with a little help from his friends. The friends that help Gunn in wiping out the mob are the black militant members of BAG, The Black Action Group, a Black Panther like movement. Made up of mostly Vietnam Vets BAG is out to free the "Hood"-or East L.A-from illegal drugs and and the violence that result from them by using a little violence themselves.Gunn at first isn't at all interested in any violence in freeing his people from the mob that controls East L.A until his hot headed brother Scottie, Herb Jefferson Jr, gets murdered and left at his door-step. You see Scottie and members of the BAG had ripped off a mob controlled bookie joint and not only taken off with the days profits but the pay-off books! Those books can implicate everyone in the city from the major and police commissioner on down in being on the take to the Mafia.You get the usual heroics that you would expect from a Jim Brown movie with Jim, as Mr. Gunn, going on a revenge trip in finding who was behind Scottie's murder and making him pay for it. It isn't an easy task for Mr. Gunn since when we first saw him he was a peaceful and law abiding businessman where violence was totally alien to him. By the time the movie ended Mr. Gunn had gunned down some two dozen people stolen a number of cars blown up half of the L.A dock and, after illegally breaking and entering into his swank apartment, worked over Ray Kriley, Bruce Glover, the mobster who did in Scottie. With all this law breaking all the LAPD had on Gunn was a reckless driving charge, with a stolen car no less, that was dropped making it possible for him to keep his liqueur license as well as control of his popular L.A nightclub "The Gunn's Cub"!Besides Jim Brown the major reason for watching "Black Gunn'" is actor Martin Landau as Mafia Boss Rus Capelli. Overacting like crazy Landau as Russ Capelli, who uses the cover of a TV used car salesman, came across more like a corny stand-up comic then a Mafia Chieftain.***SPOILERS*** In the final showdown at the L.A dock Capilli has Mr. Gunn captured by his hoods but foolishly, with his obnoxious overacting, lets him get away. It's then that a machine-gun toting Gunn, together with members of the BAG, wipes out Capilli's whole organization. As for Carpelli he-or Martin Landau's stunt double-ends up immolating himself because he forgot, when a burning barrel of gasoline came barreling down on him, to duck!

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thecoworker
1972/12/26

The Character listed in the credits as "Ray Kelley" played by Bruce Glover is incorrect. The name of the character in the movie "Black Gunn" is "Ray Kriley". I hated that man and his name will forever be etched into my mind as far as remembrance of this great movie. Kudos to Mr. Jim Brown. This movie was one of a handful of movies that would normally go unnoticed by most, but Jim Brown was involved in projects that were not only "Blaxploitation" films, but sound and solid acting performances such as the legendary "Tick...Tick...Tick". While his acting could never rival his athletic accomplishments, Jim Brown made his mark on those who wanted to see action films. He helped to break down the myth that Black Actors and projects were not viable for the movie industry and he was a part in paving the way for Black Actors of today. Thank you, Mr. Brown.

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Scott_Mercer
1972/12/27

Jim Brown deadpans his way through Black Action Film heaven. All the touchstones are here: The Mafia, a Black Panthers rip-off, drugs, trashy whores, nasty pimps, jittery dealers and even sweatier addicts, fist fights, gun play, drug dealers, revenge killings, psycho hit men, racial slurs, car chases, stolen cars, and explosions. Even more than that, plenty of early Seventies atmosphere here to enjoy: giant sedans, huge lapels, enormous hair, used car dealers, bowling, black revolutionaries, sexy stewardesses, and lots of fuzz guitar, tremolo and wah-wah pedals on all the music.Jim Brown is a schmoove nightclub owner (this is an adult nightclub, kids, where the immaculately coiffed adults eat steak, drink whiskey and slow-dance to overproduced soul easy listening music) who's cooler than a cucumber popsicle. His uncool little brother is in with BAG, the Black Action Group, who get deep into it when they steal money and ledger books from THE MOB.The greasy mobsters aren't gonna put up with that, so they put out the word: find those lousy #$$%*#* and kill 'em. But little brother hid the ledgers at Gunn's nightclub/suave bachelor pad. So they kill the brother anyway, and that REALLY makes Gunn mad. It's all-out war now, and Gunn has to avoid both the Fuzz and BAG on his one-man war of vengeance. There are some slow spots here and there, but the action sequences make up for the few slack bits. Brown is not going to be doing heavy drama anytime soon, but he does what he does here extremely well. Highly recommended for fans of Black Action Cinema.

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