art21 Season 2
Contemporary artists describe their work and discuss why and how they do it. The programs are grouped according to themes of place, spirituality, identity and consumption. A PBS series, educational resource, archive, and history of contemporary art, Art21: Art in the Twenty-First Century premiered in 2001 and is now broadcast in over 50 countries worldwide. Premiering a new season every two years, Art21 is the only series on United States television to focus exclusively on contemporary visual art and artists.
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art21 Season 2 Full Episode Guide
Conclusion. Humor is the theme grouping the four artists profiled here. Among them: Eleanor Antin, who finds room for a wink or two in her social commentary; Raymond Pettibon, whose comic-book art is for adults only; Elizabeth Murray, whose paintings are vibrant and zany; and Walton Ford, whose watercolors unite the natural and political worlds. Comedian Margaret Cho hosts.
Part 3 (of four): Time is the theme grouping the four artists profiled here. Among them: Martin Puryear, who's known for his large installations; Paul Pfeiffer, whose installations and video projects play off pop culture and sports; Vija Celmins, who specializes in natural forms; and Tim Hawkinson, whose installations have been as big as a football field. Choreographer Merce Cunningham hosts.
Part 2 (of four) connects photographer Collier Schorr, and multimedia artists Gabriel Orozco and Janine Antoni with the theme of loss and desire. Schorr describes her pictures of high-school wrestlers and the teenage boys in a German family (who pose dressed as soldiers). The objects Orozco has worked with include ping-pong tables and a Citroen, while Antoni works with such things as soap, chocolate and her own body. Jane Alexander introduces the film.
Stories (in one form or another) is the theme linking the four artists profiled in Part 1 of four: Kara Walker, Kiki Smith, Do-Ho Suh and Trenton Doyle Hancock. Walker explores her African-American heritage in silhouettes that are at once genteel and macabre. Smith, a sculptor, often deals with death. “We were like the Addams family,” she says of her childhood. So-Ho Suh, a native of Korea, is concerned with space, individual and collective. One project is a “house” he made of transportable fabric. “I want to carry my home with me all the time---just like a snail,” he says. And painter Trenton Doyle Hancock looks to combine “comic-book narratives with the history of abstraction” in his mythical creatures. Filmmaker John Waters introduces the film.
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