Whole New Thing (2005)

One of my all time favorites.

Highly Overrated But Still Good

Good films always raise compelling questions, whether the format is fiction or documentary fact.

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

I saw this movie without a clue what it was about. I had just been given the cover and glanced at the front, believing it to be a comedy in the likes of American Pie and such.Well, after getting over the initial surprise about what this movie was actually about, I found it to be nice anyway. It tells a good story and you can easily follow the characters and understand their personalities.The cast was good and it had some nice supporting roles as well. Especially the parents, they were well cast and did a great job bringing their roles to life.The movie is uplifting and have fun moments, but I don't believe it is the type of movie that you will watch more than once.

Wow, this is a really thoughtful, well-made coming-of-age film. With a sea of dreck in this genre flooding the market, it is refreshing to see such a well written, sincerely performed narrative that feels so real and personal. Set in snowy Nova Scotia, the story of a bookish 13 year old named Emerson falling in love with his male school teacher (who is gay), might easily veer toward the distasteful, but this film never does. The performances are honest and heartfelt and the storyline goes to some unexpected places, contributing nicely to it's indy feel. There are a few moments that might have been more thoroughly explored (Emerson's relationship with an geeky school friend, the obvious direction of his awakening sexuality, is given short shrift.) But overall, this was an intelligently made, sweet and sincere film about human relationships - something that we can never have enough of.

Canadian director Amnon Buchbinder's coming of age comedy Whole New Thing is an engaging look at an intellectually precocious 13-year old boy who develops a crush on his gay English instructor. Set in rural Mahone Bay, Nova Scotia, newcomer Aaron Webber is outstanding as the quirky Emerson Thorsen whose attraction to his teacher Don Grant (Daniel McIvor) threatens to create serious problems for the teacher, the school, and his clueless parents. While the film delves into unconventional subject matter such as nocturnal emissions and causal sex in washrooms, Buchbinder deals with these topics in a matter of fact way without taking any narrative or stylistic risks.Rather than continue with home schooling where he seems deficient in key subjects, Emerson's free-spirited parents Kaya (Rebecca Jenkins) and Rog (Robert Joy), enroll their gifted son in the local high school. Emerson has written what looks like a 500-page Hobbit novel and has knowledge far beyond the reach of his rural classmates but is lacking in social and emotional maturity. Looking sexually androgynous with hair coming down his face and a touch of lipstick, he is bullied by his classmates and sneered at when he proposes that the teacher throw away the book they are reading (Snowboard Snowjob) in favor of Shakespeare.He naively pursues his teacher Don, a gay man, but seems to have no understanding of how his actions are putting his teacher in jeopardy. Buchbinder throws in some undeveloped subplots about Kaya having an affair with a local worker and Don thinking about reconciling with a former lover but the characters are paper-thin and the stories do not come to life. Though Whole New Thing brings some insight into the confusion of an adolescent waking up to sexual ambiguity, I found the relationships unpersuasive and lacking in reality. Aaron Webber, however, is definitely a talent to watch and the haunting score by David Buchbinder, the director's brother, using Arabic, Celtic, African, and rock melodies, played on a group of exotic instruments, is worth the price of admission.

Amnon Buchbinder's "Whole New Thing" ranks among the best independent films of the past year. Solid performances, notably from newcomer Aaron Webber, and assured, mature direction bolster an excellent script (co-written by ubiquitous Canuck playwright and co-star Daniel MacIvor) about the vagaries of family, love and sexuality. Buchbinder's sensitive treatment of his characters never falls into cliché and consistently offers resonant insights. The script is well-paced and adroitly mixes comedy and tragedy to present a well-rounded view of humanity in bittersweet glory.For those of you who thought Canadian cinema was just about Atom Egoyan and David Cronenberg, think again: Amnon Buchbinder is as strong and defined a voice as either of those two, and his soft touch arguably eclipses both in terms of his ability to explore the humanity of his characters.