From Up on Poppy Hill (2012)

Best movie of this year hands down!

Simply Perfect

As Good As It Gets

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

Brilliant art, nice soundtrack and a simple story make this a nice film without being a must-see

From Up on Poppy Hill is all about looking to the past and seeing if something is ahead in the future that will stay the same (or not, as case usually turns out to be). There are really two stories in what is kind of a simple story that completely lacks anything really to do with fantasy - there's one dream sequence but it would probably look the same if it were live action - though that's not any kind of negative, per-say. The film takes place in 1963 and is about the concurrent stories surrounding young Umi (Rachel Bolger in the English version) and Shun (Anton Yelchin) as they discover new/revealing things about their respective paternal lineages and some drama about whether their local school, uh, center or something (full of every department imaginable like a giant complex) will be torn down or not.This is also all in light of the upcoming 64 Tokyo Olympics, which was a major deal at the time signifying a corner turning for the Japanese people following reconstruction in the post-war years. The film's (co) written by Hayao Miyazaki and directed by his son Goro, and the whole tone of the film is very sweet and gentle, and sometimes funny in that way that catches you off guard with Ghibli works (a lot of it comes with some of the goofy/dopey moments inside of the giant extra-curricular school-place), and it has something to say about the nature of looking to the past and trying to hold on to a certain image. For the teens at the core - who, of course, fall in love because it's that time of their lives and they are both nice, caring people, and that's good to see, genuinely, no really - they sort of acknowledge that this is almost a soap-like melodrama that's unfolding regarding new news about who their father(s) might be (all from a picture that Umi has and knocks Shun for a loop).I wondered though if simply acknowledging it was enough; the last 15 minutes of the film spins the wheels even more about who is really who and new revelations come and some suspense comes for Shun to find out news that is one-time-only or not at all. And yet this is still more compelling, all of the character stuff between Umi and Shun, than the storyline involving the school and what is basically the respectable version of the "save the Rec Center" plot from dance flicks (no, really, think about it if you see it). I didn't care about that story, despite some colorful side characters, and wanted to get back to the emotional core of this young couple that is shown very simply as becoming more attracted to one another but in a pure-hearted sort of way (it's Ghibli so the romance is chaste - which is good considering the reveals that come around!) I keep coming back to the word 'sweet' but there's no other word for it really; it's nowhere as sad as the recent When Marnie Was Here, but it has a similar take on the real world and how people look to the past to reconcile things that they can or cannot change. Also, subtlety is the key thing with the characters, how seemingly simple the reactions are at first but once you get keyed into them you see the animators doing little things to make them more endearing and heart-rending. I just wish Poppy Hill had a little more meat to its other story, and as it is it's so light that it's like a feather ready to blow off your finger. But since it's from one of the two or three giants in studio animation it's all the same a pleasure to watch, albeit one that I see isn't necessarily a repeat-viewing

Great Film. Surprisingly unappreciated. Perhaps because it was the second film of Goro Miyazaki whose first wasn't appreciated either (though it wasn't that bad).This is a simple enough story. The characters are simple but strong. The love story is very innocent. More importantly it tells a story. You don't need hard and fast action to make a film entertaining, nor do you need lightning quick pace of the film. What you do need is a good story line with good characters. This has both. All these features make it a treat to watch. The film progresses slowly but it is never boring. It's one of the films that is very real. Most Ghibli films will have fantasy elements about them. However, this one doesn't. This is the plain and simple story about determination and love, loss and remembrance.Good film. Must see for someone who enjoys slow, simple films.

Goro Miyazaki odd Disney spent a lot for actors to do voices but gave film a very, very, very limited release boys in Latin Quarter are pretentious shall walk looking up--only song that cracked American Top 100 amazingly mundane for American audiences much more adult than past films brother and sister!!"Up From Poppy Hill" is a film set in Japan just before the Tokyo Olympics in 1964. I found the film very tedious and I think most Western audiences would feel this way. I assume it would probably play better in its native country, as nostalgia about 1960s Japan might induce some to see the film. As for me, it just seemed very slow and weak compared to other Studio Gibli efforts.The film concerns high school students. An old and tattered building named 'The Latin Quarter' near the school has been used as a meeting place for various clubs. However, the plan is to destroy it in order to make room for a venue for the upcoming Olympics. When the very nerdy kids who want to save the building try to mobilize the students, several girls join them in their crusade--and that is how Umi and Shun meet and slowly fall in love. Great? Maybe not, as later Shun thinks that Umi is his sister! What's next for them and The Latin Quarter? See the film...or not."Up on Poppy Hill" is a decent enough film--with really nice animation but an only moderately involving story. In many ways, it plays like a live action film and I wonder why it wasn't just made that way instead, as the film lacks cuteness, cute characters and the supernatural like most other Ghibli films.