A Letter to Momo (2013)

You won't be disappointed!

Very well executed

It's funny watching the elements come together in this complicated scam. On one hand, the set-up isn't quite as complex as it seems, but there's an easy sense of fun in every exchange.

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

Anyone who has watched any anime features knows that they are able to serve a very different function from live action films. What films like Spirited Away, Wolf Children or Colorful are able to do that traditional live-action can't do quite as well, is find a way of integrating folklore and fantasy elements into the lives of its young protagonists in a way that helps them describe their distinct view of the world and the problems they face growing up in it.In A Letter To Momo, a young girl Momo and her mother have sold up their apartment in Tokyo and gone to live near some relatives on Shio Island. Momo's father has just died in a boating accident, and an unfinished letter that opens only with 'Dear Momo...' doesn't bring about the kind of closure the young girl needs. Three drops of rain from the sky however accompany Momo to the island, where they take the form of ghostly goblins from an old picture-book.Even though the creatures can only be seen by Momo, the trick with anime films of this kind is that the viewer needs to be drawn into Momo's view of the world, not seeing the line between fantasy and reality, letting the message that lies behind it weave a magic spell without being overstated. That of course if the cinematic art of illusion and A Letter To Momo does this particularly well, creating good interaction between the characters, exploring the opportunities for visual effects, and building it all up to towards an epic conclusion that gets message across sensitively, without preaching or speaking down to a younger audience.

After the death of her father 11-year-old Momo and her mother move to a remote island to live with her grandparents. Her mom isn't much at home because she has to commute to work every day and the two generally are quite estranged since the father's passing. Furthermore Momo has a hard time making friends in the new environment until one day she hears strange noises in the attic which turn out to come from three peculiar creatures that only the girl can see. They seem pretty mischievous but are they looking to hurt or to help the girl? 'A Letter to Momo' is a delightful anime that admittedly is quite a bit like the great 'My Neighbor Totoro', but it feels nothing like an uninspired rehash, in fact I liked this one even a bit better. As far as "substance" goes this is pretty slight but the story here is secondary to the gorgeous animation that feels very alive, every moment is lovingly animated with brilliant attention to detail to movement and the smallest of gestures. It has a captivating, consistent summertime atmosphere to which the rich sound work contributes almost as much as the animation.This very much starts out as a slice of life drama until the monsters come into play at which point the film becomes really funny. But even though the antics of the creatures are hilarious and those guys are pretty crazy the character of the girl is well-fleshed out and she remains wonderfully real. The third act is mostly a very dramatic tearjerker. If this sounds like the film is all over the place or the tone is inconsistent, it is not. All the elements work together smoothly and it's a well-rounded experience. It is excellently paced but it does take its time and at two hours it might run a bit long. If you are a fan of slice of life anime with supernatural/magical elements this definitely comes highly recommended. Also suitable for your small ones.

Almost like the movie spirited away. Except in this case, it's not a girl who wanders with her parents into a Yokai domain, but the Yokai busting into the human world. This was a good film about a girl who moved with her mother to Shio from Tokyo. Both have strained themselves to keep the memories of their Husband/father alive so they can move on with their lives. But instead, Momo lingers on with an unfinished letter from her father who wanted to apologize for going on an excursion on the night of a family date. Seeing as this clearly upset Momo, she practically cursed her father out of spite, and lost him in a horrible accident. Since the move however, her grandmother introduces her to a small room, called the sky (Attic) where memories are kept intact in forms of statues or books. With a curious eye, Momo reads one in particular about a group of Yokai who watched over her family for generations. Seeing as this presented no problems, she begins to hear and see the real thing which questions her sanity. Since nobody else can see them except for a smaller girl, Momo decides to allow them to stay inside her house on the condition they stay in the sky room. But as will all Yokai, they cannot keep still for one moment, which then leads Momo on a remarkable trip of self discovery. This was a fresh approach to how kids dealing with pain in the most minute details. For Momo, not being able to say goodbye properly to her father after his death gives her a new resolve. More so, because on a particular night, a typhoon ripped through Shio while Momo was exposed to the elements. Her mother of course who suffered from asthma starts to fall ill to her condition because she couldn't find her. Momo and her new friends struggle to help save her mother from certain death to go out into the typhoon, and reach the hospital as soon as possible with the help of a neighbourly mail man. Soon all the Yokai help her to attain that clearance to let her reach her goal. And with their help, saved her mother in time. The story was well done, as well as the music. I found this film rather slow at first, but when it picked up later the laughs, tears started to roll like clock work. I think all ages will enjoy this film for its humour, its back story lines, as well as seeing the tragedies become less impactive to those who were closest to it. Momo struggled hard, but with her Yokai friends life was more bearable to endure seeing as demons of ghosts know a lot more about death than humans. Memories are made, and memories fade, with Momo her memories of her father became clearer, and with the help of her demon buddies, got a message at last from her father who simply said,..... Well you got to see the movie for that. Highly recommended to all.

Young Momo Miyaura (voice of Karen Miyama) and her mother Ikuko (voice of Yuka) leave Tokyo and move to a remote Japanese island following the accidental death of Momo's father. Aside from feeling outcast and out of place, Momo also feels guilty because her last conversation with her father was an angry outburst; he started to write a letter to her, but after, "Dear Momo," no other words were written on the page. Once in the small fishing village, the children of the town, especially Koichi (voice of Takeo Ogawa) and his little sister, try to include Momo in their activities, but she isn't ready to deal with other people yet. Her mother is off on training courses or in the orchards all day, leaving Momo feeling even more alone. But then she starts to hear three voices in the house when she's apparently alone; these turn out to be three former gods turned goblins, including the Ogre with a huge rectangular mouth Iwa (voice of Toshiyuki Nishida), the frog-like and flatulent Kawa (voice of Koichi Tamadera) and tiny, childlike Mame (voice of Cho). Unlike most humans, Momo can see and interact with these beings, and although they get off to a rocky start, soon enough they find that they need and care for each other, in more ways than one. How the goblins help Momo resolve her feelings about her father's death, her mother's distance and her complete change of environment is all part of the charming and gentle "A Letter to Momo." This lovely film was written and directed by Hiroyuki Okiura, who devoted seven years to crafting this film, using the skills of artists to create an almost entirely hand-drawn, 2-hour animated film. The scenic landscapes are, as usual in Japanese animation, beautifully rendered, and the characters are all lovingly drawn with great attention to detail. I'm not very familiar with Japanese mythology, but the three goblins, in particular the rectangular-mouthed Iwa, looked familiar to me, suggesting that they might have more resonance with a Japanese audience than a North American one. Regardless of the depth of knowledge of the audience member, almost everyone is sure to be entertained, and touched at times, by this lovely fable.