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Faster, Pussycat! Kill! Kill!

Faster, Pussycat! Kill! Kill! (1965)

August. 06,1965
|
6.6
|
NR
| Action Thriller Crime

Three strippers seeking thrills encounter a young couple in the desert. After dispatching the boyfriend, they take the girl hostage and begin scheming on a crippled old man living with his two sons in the desert, reputedly hiding a tidy sum of cash. They become house guests of the old man and try and seduce the sons in an attempt to locate the money, not realizing that the old man has a few sinister intentions of his own.

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Cubussoli
1965/08/06

Very very predictable, including the post credit scene !!!

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Manthast
1965/08/07

Absolutely amazing

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Janae Milner
1965/08/08

Easily the biggest piece of Right wing non sense propaganda I ever saw.

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Bob
1965/08/09

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

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elvircorhodzic
1965/08/10

FASTER, PUSSYCAT! KILL! KILL! is an exploitation action film that in a vulgar and too cheap way shows a violent entertainment with an unclear point. Again, on the other hand, it is a film with incredible action pictures, erotic vision and tasty jazz background, which opens the door to a certain type of production.Three wild go-go dancers Varla, Billie and Rosie enjoy their sports car across the California desert. Suddenly, a young couple, Tommy and Linda, who also love the speed, comes near them. After breaking Tommy's neck in a fight, Varla kidnaps and drugs Linda. In a small desert town, they stop at a gas station where they see a wheelchair-bound old man and his muscular son. The gas station attendant tells the women about the old man's accident and his savings. Varla is determined to visit his ranch...The violence and sexual perversion dictate some new rules in this film. That rules, regardless of humorous interior, have a solid and serious basis. This film represents a conflict between misandry and misogyny, and a good introduction to some kind of soft pornography in the future. The dialogues are very provocative, while sexuality is unfortunately reduced to a simple fact.Tura Satana as Varla is a deadly "Catwoman", who enjoys her own fearlessness and the role of pack leader. Well, her cynical replicas are somewhat amusing. Haji as Rosie is her morose mistress, who examines the decisions of her stronger half. Lori Williams as Billie is a rebellious blond bombshell, who catches handsome men on her radar. Stuart Lancaster as the Old Man is perverse enough to cause firing. His sons are morally grotesque. Susan Bernard as Linda is a hysterical girl who found herself in the wrong place at the wrong time.

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valbrazon
1965/08/11

I remember i watched a documentary about it and that's why i wanted to watch it. It's not common to see action movies with only girls, the last one i noticed was "Sucker Punch". This movie is one of the favorite movies of Quentin Tarantino, i'm not a big fan of him but it can be also a reason to watch it if you like Tarantino. Honestly i didn't think i will enjoy much. I thought it was going to be boring but many scenes were good. I mostly liked the final fight and the race at the beginning. It's interesting to ask "why they are not many movies like this, with girls as protagonists?". A guy will probably much more appreciate it than a girl. Recommanded for peoples who are bored bad guys.

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chow913
1965/08/12

Grindhouse At Its Best! I've only recently gotten into Russ Meyer films and I find him to be one of the most underrated screenwriters ever. His films are a lot more than just sex and violence. Sure there's plenty of it. But it's done within the context of original characters and gripping stories that keep you hanging on to every last scene.One forgotten aspect of the grindhouse genre is the lack of profanity. While 1965 standards didn't allow four letter words Russ Meyer out smarts the sensors by proving just how imaginative he can be with sexual innuendos and dirty insults. Much like Frank Miller comics. It's much more imaginative than just the same old, "F you mother effer." The plot: Three bad girl beauties Varla, Rosie, and Billie are on the hunt for trouble in the deserts of the South West.After drag racing a couple, Varla beats the boyfriend to death just for kicks, and the trio keep his innocent girlfriend as their new plaything.A gas station attendant tells the girls about an elderly man "The old Man" whom recently got a huge cash settlement from the railroad after an accident left him paralyzed. The girls drive out to his desert ranch looking for a big and easy score.What they don't know is The Old Man lives with his two slow witted sons the peaceful Kirk and the dumb ox Vegetable. Ever since being paralyzed the family has been picking up pretty girls to murder for fun.It's the bad girls versus the psycho guys! Each thinking they're smarter than the other by pretending to be something they're not.

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veturisarma
1965/08/13

This is without a doubt one of the most entertaining cinema i have seen and I'm glad i have known Russ Meyer after all these days. I could actually see why Tarantino wanted to make a homage to this genre as I myself felt to do a homage to this film in particular. I felt that Death Proof a fitting tribute to an obsolete genre thereby reminding us of the kind of cinema that would not actually take itself too seriously and focuses on entertaining people. Watching this film is an incredibly exciting and endearing experience that I enjoyed a movie a lot after a long time. This is the sort of movie which asks its audiences to join the fun it is about to deliver at its very outset by a cantankerous voice-over. I loved the dialogue, particularly the references to Columbus and Einstein and the dialogues by the old men in the film are absolute crackers. The girls are busty with a lot of oomph and cocky attitude and I loved each of them except the little screamer kid. I can never tolerate girls who scream but the other performances are also too good and I would never have thought this to be a B movie if I wasn't told so earlier. Certainly there was nothing in the movie remotely substandard except the plot and the amount of cleavage shown which made it a contender for a B movie. The background music was so loud and over the top that after a while it became quite exciting and set up the tone for the film. I had not seen Meyer's other works so I could not comment on his legacy, but as far as this movie is concerned, it is a genuine masterpiece in its genre.

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