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99 Francs

99 Francs (2007)

September. 26,2007
|
7.1
| Drama Comedy

Paris, France, 2001. Octave Parango, a young advertiser working at the Ross & Witchcraft advertising agency, lives a suicidal existence, ruled by cynicism, irresponsibility and debauchery. The obstacles he will encounter in developing a campaign for a new yogurt brand will force him to face the meaning of his work and the way he manages his relationship with those who orbit around his egotistic lifestyle.

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Reviews

Marketic
2007/09/26

It's no definitive masterpiece but it's damn close.

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Acensbart
2007/09/27

Excellent but underrated film

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BallWubba
2007/09/28

Wow! What a bizarre film! Unfortunately the few funny moments there were were quite overshadowed by it's completely weird and random vibe throughout.

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TrueHello
2007/09/29

Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

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Tom Siebert
2007/09/30

If you can imagine what an episode of "Mad Men" might've been like if they let Quentin Tarantino direct an episode, that's what you get with "99 Francs," an extremely ambitious and darkly funny assault on modern capitalist consumer culture and our advertising-obsessed age. As a guy who's worked on and off in advertising for years, I almost shut off the film in the first half-hour, because it seemed like a bunch of things I've seen before -- vain, handsome, narcissistic drug and sex obsessed self-hating ad agency Creative Director's career ascends as his personal life falls apart --- Been there, seen that, over and over.But I stuck with it and as the movie goes on, it becomes increasingly ambitious and, finally, profound. The last half hour or so is INTENSE, and I recommend sticking through the credits. The point the film tries to make connects, if maybe a bit too obviously at the end, but it's still pretty powerful. Not surprised this subversive, well-made film didn't get a US theatrical release. Hollywood would never dare make a picture like this.

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Radu_A
2007/10/01

Jan Kounen's adaptation of Frédéric Beigbeder's bestseller has, to put it in wiki lingo, multiple issues. First, it commits the deadly sin of literature adaptations: excessive off-the-screen narration by the main character Octave, an abusive, drug-addicted advertisement creative. There's a lot of plot development which is never on-screen, and the narrator tries to do exactly what he blames the advertisement business for: lead us astray.That's the second weak point of this film: by following the main character's viewpoint, it invests advertisement with almost god-like power. However, studies in the field (as one's own living experience) do not confirm a definite impact of advertisement on consumer choice. If you are aware of this, and especially if you are a woman, and most especially if you are a homemaker, you may find the constant bickering on the ease of manipulating (female) minds rather off-topic and sexist. To be fair, this irritating aspect is faithful to the novel.But to conclude with the third and major flaw of the film: the stereotypes don't allow for any social statement. If larger-than-life characters keep dishing it out against society and each other, where is the social comment? And if it's a drama, why not focus on the main events - Octave's falling out with his job and lifestyle, and his incapability to admit his feelings to the only woman he's ever loved? Instead, the viewer is being bombarded with F/X and heavy visual leanings on Spike Jonze, the Coen Brothers and Terry Gilliam, leading more or less nowhere.The sad thing is: when there's no talk and no abuse, this is actually excellent stuff. A wordless 'alternative ending' really does what the rest of the film was only gibbering about: deliver an accurate summary on how the wish to make one's life less twisted will ultimately remain a (death) wish for the 'civilized' man. More of such imagery, and this would have been a masterpiece.

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Jack Fuchs
2007/10/02

This is definitely not a mainstream movie.If you are finding yourself ever and ever trying to go deeper in peoples minds and thoughts, this film is made for you.If you are a creative being, such like a programmer or designer, or simply wants to know what is going on in the world of high creative common this film is made for you.If you like psych, weired, mess people you will like this film too.But if you are not feeling addressed now, it could happen that you will feel this movie as a waste of time.----Have fun

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dschmeding
2007/10/03

I never read the book of Beigbeder and so I was eager to see the movie after hearing many positive views on the book and knowing that the visuals of a Kounen Movie will be great. I didn't expect this movie to be so much of a comedy because the subject is rather tough. Anyway I think "99 francs" works really good on the level of a satire and it captures the deeply rooted cynicism that is implanted in the world of marketing and PR (in my opinion you can't work in this industry without becoming a total cynic) very well. I just loved the honesty in how the meetings and decisions were described as "masturbation" and how the main actors spend most of their time being high on drugs and their ego. Since the subject is so damn messed up I think approaching and ridiculing it with comedic elements made the movie more enjoyable. You will get many good laughs as well as following the comedy some direct punches to the stomach. All served in perfect visuals with loads of great ideas melting the flashbacks and development of main character Jean Dujarding together. The movie starts of practically with its end and then fast-rewinding to the beginning of how Jean ended up in Marketing but Jeans back story is shown in a very superficial way. You don't really know too much of him and rather see him on his job with his over-the-top cynic boss Marc and his slacker colleague Charlie. Like in every movie it takes a woman in the form of trainee Tamara to get the humanity out of Jeans character. They start an affair but when Tamara gets pregnant things get too serious and Jeans cynical world starts to implode leading to more and more harsh pictures breaking up the colorful advertising world.Until the first ending I think the movie already made its point by presenting a fake world of cynics with their ridiculous everyday life and how they feel like gods. Unfortunately someone had the messed up idea of presenting the movie with an alternate ending, so you get a very long second version... I get the idea of making fun of how things usually turn out in Hollywood movies and in a perfect ad-world but I think 99francs really messes up its whole intention. Guess what, you get an alternative ending in which Jean finds his humanity and moves to a tropical island finding his peace and love. Yes, we know that advertising and Hollywood clichés are superficial but that point was made before and by playing with the rules even when making fun of them the movie gets entangled in what it wants do criticize and to my understanding falls flat on his face, not even stopping from letting you leave the movie with a preachy message printed on the screen.Its kind of like making the whole movie again and then telling the viewer what to think and in that its more of what it criticizes than it was supposed to be. That is really a shame because the movie is filled with eye openers and visual gimmicks that make it fun to watch (although the last part kind of dragged for me). So still "99francs" is recommended viewing especially for everyone who doesn't work in or near the marketing industry. But I wished the movie left the viewer with a hard and direct punch to the face and thoughts spinning in his head to come to his own conclusion and not some "hahaha"-fun ending with a preachy moral presented like in a "World Aid" spot.

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