Sword of Sherwood Forest (1961)

Yawn. Poorly Filmed Snooze Fest.

I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

A clunky actioner with a handful of cool moments.

Judging by existing reviews, individual opinion seems to rely very heavily on the views of fans of the 50s TV series (i.e. old blokes like me), versus those who came in cold and took it on face value. It is important to note that the film was never intended to have any relationship to the TV version. Richard Greene, of course, starred in both... and that's about the extent of it.The Sapphire Films television series was a whole different kettle of fish. American writers blacklisted in the McCarthy era wrote under pseudonyms and packed the first two seasons with subtle left-wing ideology. The last two seasons fell into a more formulaic adventure groove, but still managed the occasional political overtone.The movie was typical of the Hammer production philosophy... take what little budget there was, invest heavily in production costs (vivid colour, widescreen ratios), and hire a passable cast with what's leftover (including at least one bonza babe). I'm betting Greene came pretty cheap and had the added bonus of drawing in fans of TV series.What you see is what you get. It still looks great, the storyline is good enough to last out the whole 77min, and there isn't a political statement in sight. For mine, 6.5 stars out of ten.

This straightforward Robin Hood yarn is a simple and effective tale of good vs. evil and right vs. wrong. Beautifully shot and directed with flair and style by Terence Fisher, this is a film worth watching for the cast alone. First up is one of the best Robin Hoods of all, Richard Greene, reprising his role from the '50s television series and slipping back into the part with effortless ease. His heroic character is a charismatic, talented and above all believable creation and Greene deserves praise.But let us not forget the rest of the cast: two splendidly wicked villains are here in the form of the dead-eyed Richard Pasco and the inimitable Peter Cushing, playing the Sheriff of Nottingham as a dastardly, black-hearted old-school villain who gets a surprising death. Behind a fake beard and eyebrows lurks a young Oliver Reed, all scowls and bad temper; fleshing out the roles of the Merry Men are Nigel Green, Niall MacGinnis, and even a young Derren Nesbitt. James Bond fans may note a pre-Q Desmond Llewelyn playing a wounded man. It's a veritable who's who of British talent from the period.The story is very basic action-orientated stuff, easy viewing to the extreme. Excellent wooded locations serve as a backdrop for the action and the camera is awash with lush greens and beautiful colours. Costumes and production values are top-notch and the script authentic. The sword-fights and various battles are well-handled, especially the spectacular and brutal showdown in a nunnery which finishes off the film. On top of this, there's a good score and a fast pace. A fine swashbuckler and Hammer's best version of the Robin Hood legend.

A Hammer film unlike a Hammer film; based on the cult 1950's TV series "The Adventures of Robin Hood" Richard Green reprises his role as the famous fictitious outlaw in a cheap film spin off movie. While the main star of the series stayed the majority of the cast where replaced, when you consider what they appeared in it makes this seem a whole lot more amusing: Peter Cushing, one time Dr Baron Von Frankenstein and also Sherlock Holmes, stars as the Sheriff of Nottingham meaning that the main face off is one time Sherlock Holmes chasing one time Dr Henry Baskerville. Various other actors don tights and join the story, including: Nigel Green who once played Hercules in Jason and the Argonauts (as Little John) , Jack Gwillim who once played King Aeetes in Jason and the Argonauts (is the Archbishop of Canterbury), Niall MacGinnis who played Zeus in Jason and the Argonauts (playing Friar Tuck). With other stars of famous films littered in this, if you are a fan of film you may certainly recognise a face or two. Hell, even Oliver Reed (Leon "The Curse of the Werewolf", and Athos one of "the three musketeers") features in this despite being overdubbed throughout.Don't expect something epic or convincing as this is a pretty poor rendition of the Outlaw by today's standards but for the time it was well created and received. Like so many other versions this film avoids telling an origin story of Robin Hood, the only origin situation is in meeting Maid Marion (Sara Branch). The film itself though takes a situation from the time line of Robin Hood and runs with that instead, in this instance there are two main focal stories, Martin of Eastwood's (Derren Nesbitt) requital and a plot to kill the Archbishop of Canterbury (Jack Willim) from a deadly plot devised and set in motion by the Earl of Newark (Richard Pasco) and the Earl of Mowbray (played by, not but not credited, Oliver Reed). It all starts with a stranger being chased and killed by the Sheriff's men, he has in his possession a brooch showing a falcon with a daisy in it's talons. Robin try's to find out what the brooch symbolises but before he can find out he takes a job working for Newark as this may or may not help his detection work. This all goes wrong when the Sheriff turns up one day. It transpires that the Sheriff is in league with Newark and Mowbray. Can Robin save the Archbishop, England and the day? Probably with him being the hero of the film ;) This is not the greatest Hammer film by a long way but an easy film to watch on a lazy Sunday - although there are a lot better. This is one of the poorest film's I've seen bearing Terence Fisher's name as director unfortunately. The plot is easy to guess and the script doesn't improve the story in any way. The acting is hammy at best and it's only Cushing that delivers with any authenticity making the Sheriff scheming and sneaky while giving him a regal presence. Despite the downfalls the filming techniques used makes this a very bright and colourful rendition of the outlaw of Sherwood. One thing that baffled me was the title, in the film Robin mentions that his weapon of choice it the long bow and he's seen with it throughout, then why is the film called "The Sword of Sherwood Forest"? He does use a sword, more so towards the end of the film but not much, certainly not enough to warrant the film being called "The Sword of Sherwood Forest". Again this is just a minor thing and you'll soon forget the title when you start watching. 4 out of 10

Sword of Sherwood Forest is directed by Terence Fisher and written by Alan Hackney. It stars Richard Greene, Sarah Branch, Peter Cushing, Richard Pasco, Nigel Green, Oliver Reed and Niall MacGinnis. Music is by Alun Hoddinott and cinematography by Ken Hodges.One of Hammer Films' Robin Hood movies that reinvents the legend with some lively swashbuckling glee. Plot is kind of incidental, this really is about some good honest family entertainment involving sword fights, bow and arrow skills, political machinations and some costume malarkey. There's a good story here, based around a dastardly assassination plot that Robin and his merry men get dragged into, this part of the pic is well written and directed with assuredness by Fisher, one of Hammer's greatest directors.Richard Greene reprises the role of Robin that he played in the popular TV show The Adventures of Robin Hood, and whilst he is unlikely to be at the top of anyone's favourite Robin Hood portrayal lists, he's comfortable in the tights and engages heroically enough in all the right places. Cushing is the class act on show as the evil Sheriff of Nottingham, and Branch is fetching as Marian, though the sparks never fly between herself and Greene.Sadly there's irritants that stop the film pushing through the forest to breathe fresh air with the best of the other Hood outings. So much focus is spent on Robin the man, his merry men barely get a look in to impact on proceedings. Which when you have Nigel Green as Little John amounts to a crime of a wasted opportunity. The choreography for all the fight scenes is adequate enough, but it lacks dynamism, while Oliver Reed may be enjoying himself greatly, but he adopts an accent that I don't think has been invented yet!Still, lots of fun here regardless. 7/10