Carandiru (2003)

Too much of everything

Slow pace in the most part of the movie.

A brilliant film that helped define a genre

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Carandiru is a horrible prison which is something like 50% over capacity. So the prisoners are squeezed in like sardines. It's a different type of prison movie to a typical American prison movie, as Brazilian prisoners don't tolerate rape. Rapists are in a wing of the prison that would I think be referred to as administrative segregation in a US penitentiary, along with serial killers and informants. They are in the awful situation of never having any sunlight, they live in very dark cells, perhaps 7 to a cell that is not much more than 10x20 feet. If they were to go out to the prison yard, they would be murdered.The men running the prison from the prisoners side are career criminals, they're not serial killer lunatics or male rapists. That doesn't mean to say that everything they do is nice but it's not an insane asylum. There are guards on the walls with automatic rifles to stop people getting out, and a governor who will walk around inside, as well as a prison doctor, but these inmates are basically in charge.The film is played for a lot of magic realism, it's mostly a recounting of the experiences of the prison doctor. You get very surreal images like the doctor leaving late at night, walking down spottily lit corridors, he looks through the spyhole of one cell and there are seven men each watching a different TV with a different TV channel. There is also a man who makes strange patchwork Montgolfier style balloons that he tries to send out of the prison walls, which are always too high, there's a very surreal shot of one of these balloons rising and then slowly bursting into flames.Generally the relationship between the prison officials and the prisoners is relaxed, the prisoners get a lot of privileges for behaving, they can have televisions if they pay for them, they can have long term sexual relationships, they also have a visitors day where families will come in with picnics, and they sit and eat them in the courtyard, or go off to specially prepared cells for conjugal visitations. The prisoners have also decorated the prison, often with text, for example scripture, but also with many beautiful graffiti. It's like a purgatory, a beautiful horrifying lost world. The movie was made to memorialise the inhuman reprisals from the authorities following a prison riot. I think it does the job well. This is a great movie, and Hector Babenco is a great artist. Next stop if you haven't already seen it yet should be Babenco's "Ironweed".

I still fail to understand why "Carandiru" was ignored by inane Cannes film festival 2003 jury.Hector Babenco is a great filmmaker and I have seen "Pixote".This film provided me a great opportunity to comprehend his style.To my mind it is simply brilliant.When I saw this masterpiece at a cinema housing 1500 people,trust me when I say that I was not alone appreciating its greatness.There was absolute silence and the remaining 1499 people were glued to the movie screen. The best utility of this film is that it tells us that every human life is useful.It is the circumstance which forces people to lead a life of crime. From a sociological point,Carandiru is a film with purpose as it has shown how both White and Black people live in Brazil.Some of the scenes are incredible and the depiction of the prison is truly masterful.I was lucky enough to have met Gero Camilo who had a good role in this film.Even the performance by pop star Rita Cadillac is astounding.This film is a must see treat for every sensible film- goer. For those who think that Frank Darabont with "Shawshank Redemption" has mastered the art of filming prisons,watch out "Carandiru" will teach you a thing or two about the portrayal of prisons in films.

One could easily get the wrong impression of the storyline here. Yes, it is based on the true-life massacre at the Brazilian prison in 1992 BUT that story is only shown in the last 30 minutes of this 145-miniute film.The movie is really about the people who inhabited that prison back in that time. There are short profiles of numerous criminals, told through the eyes mainly of a doctor who is sent there. AIDs was a major problem in the jail. The doctor treats a lot of people who then tell him stories how they got to be inmates at Carandiru. In addition, there are bunch of scenes in which the inmates interact among themselves, shown as everything from antagonists to lovers.Make no mistake: some of the stories are sordid, but its not as unpleasant to watch as one might think because the characters and the film-making are very interesting. The storyline moves fast, which is important considering the length of this film.A viewer could even stop the movie at several points, pick up later without losing much since the story unfolds in segments. The ending (the massacre) really comes on suddenly. Unlike most movies,the story doesn't build up to the climax, here it just appears out of nowhere.The same director who did the more-famous "City of God" filmed this and many critics here say it's not in the same league, but I thought it was at least in the same ballpark Both are entertaining, and most of us watch films to be entertained. So, if you liked ""City Of God," give this one a look as well.

Carandiru was the biggest prison ever in Brazil, with a capacity of 4000, but most of the time it accommodated more than 7000 prisoners. It was demolished a few years ago. This film shows us the life conditions in Carandiru on the months previous to a riot that ended up with a hundred dead, and tons of wounded prisoners... We see prisoner's subhuman life conditions, we're told about what some of them did to be convicted, their relationships in and outside prison. The main character is the prison doctor, the best witness for all of the prisoners' diseases, their problems with drugs, AIDS, sex, and everything. In many ways he's kind of a confessor. In some sequences it seems like you're watching a comedy... other times the film turns into a brutal drama. I think the director didn't really focus the story in a definite line. He wanted to cover so many issues, but ended up not properly covering any of them. There're too many characters, too many crossed stories, and because of that the film is way too long (148 minutes!). You'll found some brilliant sequences, and it's brilliantly filmed (reminds me of another recent Brazilian movie: City Of God), but that's not enough. It could've been a great film if Hector Babenco had just focused the story in no more than 2 characters, and talked deeply about them. He only dedicates 10 minutes to recreate the riot and its serious consequences. My verdict is that the director was too ambitious, and that he threw away a good chance to make an excellent movie (he sure knows how to move the camera -no doubt about it-). As for the actors, I didn't know any of them but they certainly do a good job, all of'em. My rate: 6/10