The Cowboys (1972)

Captivating movie !

Am i the only one who thinks........Average?

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

Story: It's very simple but honestly that is fine.

THE COWBOYS offers something a little different for fans of the Duke. Here he's playing an old-timer, passing on the good-spirited mantle to a bunch of rowdy kids who he takes under his wing and trains to be cowboys in the best old-fashioned sense. Wayne looks old here and plays up his frailty, but he still has his usual toughness and mannerisms and that twinkle in his eye that makes him an irresistible character.The only real problem I have with this is the cheapness of the filming style. The interior scenes look like they were shot on video and of a TV episode quality. The young stars of the show get little chance to shine but the film does benefit from an exceptionally slimy turn from Bruce Dern as the villain of the piece. The great Roscoe Lee Browne also has a fine supporting role and makes the most of his screen time. Some parts of the film are familiar to the point of being clichéd, but THE COWBOYS builds as it goes on and finishes with a hard-hitting climax that pays off.

Most of the time, a movie needs a really solid plot to truly be great. "The Cowboys" is an exception to this rule, however, as the acting of John Wayne, Bruce Dern, and the adolescent cast make this gritty Western stand the test of time.For a basic plot summary, "The Cowboys" sees rancher Wil Andersen (Wayne) deserted by his ranch hands just days before a big scheduled cattle drive. In a bind, Andersen takes on a group of schoolboys to help him bring in the herd. Along the way, key roles also include a Mexican "mistake of nature" teenager named Cimarron (A Martinez), a Negro cook (Roscoe Lee Browne), and a slimy ex-con "Long Hair" (Dern) determined to get the best of Andersen and his rather motley crew.As I mentioned, this film is a bit short on plot in terms of believability. It isn't "gritty" in the sense of portraying stark reality.However, director Mark Rydell more than makes up for this hole by conjuring up some of The Duke's greatest emotive scenes ever caught on camera. The chemistry between Wayne and Dern is unmatched in the history of Duke movies, while his changing relationship with the boys is quite an emotional journey for the viewer.Yet, at the same time, this isn't a purely "dark" movie by any means. It contains quite a bit of humor and levity which perfectly balances out those scenes that are so poignant and utterly humorless.Overall, I can confidently put "The Cowboys" in my list of top Westerns. It has terrific acting, a good mix of camaraderie/emotion, plays on many themes such as boys becoming men, how to deal with evil in its basest form, and the kind of life being a cattle rancher/driver was all about.

Wayne stars an upright cattle rancher , Wil Andersen ; when his cattle drivers abandon him for the gold fields , he is forced to hire 11 school boys (Sean Kelly , Clay O'Brien , A. Martínez , Robert Carradine film debut , among others) whose ages ranging from 9 to 17 to help him drive his cattle 400 miles to market . As the pre-teenaged boys in New Mexico Territory fight off grownup cattle rustlers under the tutelage of rancher Wil (John Wayne who strides the flick like a dinosaur) and his helper Jebediah Nightlinger (Roscoe Lee Browne) . As they are recruited to work for the cattle rancher , all they wanted was their chance to be men and he gave it to them . But they are pursued and finally attacked by a group of rustlers led by Long Hair (Bruce Dern). With Wil Andersen and ranch-hand Mr. Nightlinger as father figures , as they wet-nursing an entire crew of sub-teenagers on a cattle drive , as the boys learn to become men through hard work , discipline and the usual Western battles with robbers .Nice and agreeable western with a great cast and a sensational John Wayne against his nemesis magnificently played by Bruce Dern in one of his meatiest roles as the villain . Top-notch Western packs clever plot , thrills , family feeling , slightly stylized action , shoot'em up , and turns out to be pretty entertaining ; in spite of the over-sentimentality inherent in this project produced/directed by Mark Rydell . Besides , it contains good feeling as friendship , faithfulness , companionship , and enjoyable father-adopted sons relationship . And the results make extremely amusing and thundering entertainment . Furthermore , an anti-racism subtext on Roscoe Lee Browne role was written into the script in response to ongoing criticism of John Wayne , it makes this one of Wayne's better Westerns . Wayne's image still remained impervious during the seventies surviving through an overlong career . Wayne unmistakeably a legendary figure of the West and by that time he would go playing good Westerns , as he triumphantly survived his own era with titles as ¨True grit¨ in which he won an Academy Award ,¨Big Jake¨, ¨Train robbers¨ , ¨Rooster Cogburn¨ , his last film ¨The Shootist¨, and ,of course , this ¨The cowboys ¨ . In some ways is a companion movie to posterior ¨Cahill , United States Marshal¨ also involved John with kiddies . The screenplay is plain and simple , with a conventional plot , but ultimately gets overcome . Gorgeous outdoors with decent production design , shot on location in Castle Rock , Durango Colorado , Chama , Galisteo , New Mexico , Sonoita , Elgin , Arizona , and Empire Ranch , Arizona . Colorful and spectacular cinematography in Panavision by Robert L. Surtees . Rousing and emotive musical score by John Williams in his ordinary style . And you'll love both the lightning unexpected finale and the performance of Roscoe Lee Browne as Wayne's friend and food supplier . It inspired the TV series with similar cast as Robert Carradine , A Martínez , Sean Kelly , Clay O'Brien and Moses Gunn as Jebediah Nightlinger .This well-paced film was compellingly directed by Mark Rydell . Pic contains Rydell's usual themes as familiar feeling , a little bit of charming humor , friendship and and sense of comradeship among people . Mark does the human touch and full of insight that accompanied him during most of his films and the story develops pleasantly in large frames with an interesting plot and fully adjusted to the requirements of the action . Mark Rydell directed a lot of films as ¨Even Money , ¨Crime of the century¨ , ¨Intersection¨, ¨For the boys¨ , ¨Harry and Walter go to N.Y.¨, ¨Cinderella Liberty¨ and ¨The ¨Reivers¨, though his winning years were the 70s and 80s with successes as ¨The rose¨(79) , ¨On Golden pond¨ (81) , ¨The river¨(84) and this ¨The cowboys¨ .

The Cowboys is directed by Mark Rydell and adapted from the novel written by William Dale Jennings; who co-writes the screenplay with Irving Ravetch & Harriet Frank Jr. It stars John Wayne, Roscoe Lee Browne, Bruce Dern and Colleen Dewhurst. John Williams scores the music and Robert Surtees is the cinematographer. Plot sees Wayne as tough cattleman Wil Andersen, who after finding all his cowhands have fled to find their fortune elsewhere, is forced to use a bunch of green teenagers to get his beef to market. It's a journey of some distinction, for Wil, the boys and the villains who lurk on the edges of the frame.If ever there was a John Wayne picture that was in need of serious critical reevaluation, both as a measure of his acting ability-and quality in film narrative, then The Cowboys is the one. It's a film that has been known to upset the liberal minded, where the ideology at its core has been lambasted as being objectionable in the least. Yet looking at it closely, away from the humour that does exist within, it finds the Duke at his most vulnerable, therefore believable, and at its centre it's a coming of age tale told with cynical coldness. During this cattle drive innocence will be lost, Andersen is tough and a disciplinarian, yet he's always a benevolent father figure. Wil himself hit the cattle drive trail at 13, he knows the pains and perils of such a task. He also knows that boys need to become men, especially out here in the wilderness. I'd be disappointed in a piece of Western genre cinema if it glossed over this fact. And The Cowboys doesn't, it has a sting in its tail, the trick is that the boys are not judged by how Wil taught them, but defined by a turn of events that calls on them to "man" up. The actions of another being the catalyst for childhood's ending.Robert Surtees' photography paints a beautiful picture, it's pastoral, broad and appealing, but crucially it doesn't make it poetic. These young lads are entering the unknown, each section of God's great land is beautiful to us, but dangerous to them. It's an overlooked point that critics of the film ignore, that of Wil Andersen not leading these boys on a romantic trip thru the colourful terrain. It's not romantic, it's dangerous, and it's credit to Surtees that he achieves both sides of the coin; beauty and peril in the same frame. The young actors are, expectedly, a mixed bunch, but there's nothing here to be overtly negative about. Roscoe Lee Browne is terrific, his shift from wry observationalist to "Mother Hen" is handled with great skill, and Bruce Dern is memorable in more ways than one. The complaints come from not enough screen time for Colleen Dewhurst, who playing a bordello madame positively threatens to send the film's rating thru the roof (and the male viewers temperature's), while the running time is simply too long-too episodic-and quite frankly, unnecessary.The Cowboys is not a perceived John Wayne macho based fantasy movie, it has meaning, depth, bravery and a first class performance from the Duke himself. 8/10