The Yellow Sea (2011)

So much average

Great Film overall

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Movie: The Yellow Sea (18)Rating: 4.5/5Director Na Hong-jin, known for his mindblowing action thriller THE CHASER, returns with THE YELLOW SEA, another action thriller but with a lot of difference as well as excellence. Starring Ha Jung-woo and Kim Yoon-seok, it's a film every cinema enthusiast should watch. It's a masterpiece by all means and a film which isn't just a film but something more than that.THE YELLOW SEA is a film which presents human emotions in a very realistic manner. Ha Jung-woo is so excellent as Gu-nam that you'll definitely root for him. Kim Yoon-seok is very impressive as usual, and leaves and impact like the former. Rest of the cast is impressive as well.The character development is what needs to be praised. It's so good that you feel like you know the characters fully, and eventually you manage to develop a psychological relation with them, especially Gu-nam played by Ha Jung-woo. The film's biggest strength is the screenplay itself, as it contains all other brilliant elements a film of this genre needs. The cinematography is excellent and captures the journey of the characters very well. The action sequences are: extremely mindblowing and spellbinding! And due to this, they deserve a repeated watch. The editing is excellent, and I recommend you to watch the director's cut as it has a lot of depth. Can't say about the other version because I haven't seen that, but the director's cut being an amazing one is, I feel, better to watch.The emotions are very well brought out on screen. The film is exactly what you can expect from a South Korean filmmaker. It's emotional, thrilling, violent, action packed and what not. It has everything to keep you hooked to the edge of the seat. There's not even a single dull moment and the film is very enjoyable despite of being quite dark as well.THE YELLOW SEA is a perfect action thriller which shows what South Korean filmmakers are capable of. Definitely, with films of this kind, they will earn more respect in the eyes of viewers. Highly recommended!

www.eattheblinds.comI can't remember the last time Hollywood offered me anything mind-blowing. An industry now controlled by bankers for shareholders, even filmmaking geniuses like Martin Scorsese have been reduced to making pointless kids movies. Not even the so-called independent cinema in the US has been spared Hollywood's fixation with the bottom line, where the few table scraps left are thrown to a dwindling numbers of original voices still relevant. If ever we needed another Easy Rider inspired industry revolt, then now is the time.With American cinema (not unlike the country itself) irrelevant and hopelessly behind the times, the only option North American cinephiles have, is to go abroad. One of the countries that's long since surpassed American cinema for shock and originality is South Korea. And it's not like Hollywood is oblivious, they're actually cannibalizing SK cinema by remaking Korean gems into pointless American knockoffs. The latest SK gem ripe for reproduction is Hong-jin Na's The Yellow Sea (Hwanghae).Like Ravel's Bolero, The Yellow Sea understands the patient reward of crescendo: starting slow and building to a fevered climax. By the end of this, we're left with what seems impossible for an epic 156 minute film: wanting more. With the exception of one car chase marred by phony green screen cutaways (see the video below), the breakneck action, extreme violence and hyper-realistic gore is virtuosic. Guns noticeably absent, whooshing knives, devastating hatchets and the blunt trauma of gnawed animal bones provide The Yellow Sea with brutal, bloody and refreshingly lo-tech weapons of choice, a grim example of how Hollywood and it's obsession with appeasing demographics can't compete.But The Yellow Sea is much more than just a knife brandishing ballet that hearkens back to early 90s HK bullet ballets, it's exceptionally well written and acted with none of HK cinema's clichéd melodrama. The characters here are many shades of grey, avoiding archetypal absolutes, allowing us to identify with and like even the worst of the worst. All of the action is beautifully composed with kinetic, hand-held photography that compliments the bleak color palette, which results in a gritty and ultra-realistic film, not unlike so many American masterworks from the 1970s.

another near perfect thriller out of south Korea. i don't know what and how most movie festivals giving out award, but all movies directed by this director and screenplays written by this specific several movies directed by this specific director, the screenplay writer(s), both should have received the highest honors of awards. based upon my forty years movie viewing experience, i've never seen anything like these kind of well written, well directed and well performed korean movies. these movies mentioned by other reviewers are just on different level, making hollwood's films in similar genre like worthless garbage. watching every one of these movies just became a psychiatric treatment, the perfect and ultimate catharsis to drain the stress caused by the financial burden and bore-to-death day in and day out urban living, because nobody could be more down and out like the main characters portrayed in these movies, and not any common person, you or me, could be less lucky like these characters faced in their lives. korean movie thrillers are just so uniquely different from other countries, in my opinion, they are definitely on a higher level, higher than where the Hollywood, bollywood, Japanese, Chinese stand. because every time when i finished a korean movie like 'the yellow sea', 'the man from nowhere', 'i saw the devil'....i felt the stress that constantly burdened on my mind and shoulders would go away temporarily, i actually felt better and more alive. no other country's movies could have such catharsis-like effect.highly recommended to those who got the similar burden like me.

The latest Korean thriller to make the international leap is quite an event. Weighing in at a respectable 140 minutes (still 17 minutes shorter than the Korean version) it is filled to the brim with as much grit as anyone could wish for. I knew from the opening voice-over that I wasn't in for a barrel of laughs. The cold monotone relating the tale of a childhood pet dog that died of rabies set the tone for the uncompromisingly grim two-and-a-bit hours to follow. The story follows Gu-Nam, a taxi-driver struggling to make ends meet in a province between Korea and China. His wife has moved away to earn money but hasn't made contact.. In an impossible hole of debt, he is offered a way out. He has to go to Korea and kill someone there. The gangster (the ruthless and unflappable Myun) offering this once-in-a- lifetime chance will, of course, kill his family if he fails. Not, you might think, a terribly original plot idea but there are a number of qualities which make it rather special. First, the setting; South Korea's major cities provide a wonderfully bleak backdrop to the action and much of this is rather beautifully showcased by director Hong-Jin Na. But more than this, the film gives an insight into aspects of Korean culture never normally seen by the Western world, particularly the discrimination against the region Gu-Nam is from (the name of which I will not attempt to type). However, the film's defining feature must be its sheer, visceral grit. Everything, including our desperate protagonist feels painful and dirty. The bloody fight scenes are utterly devoid of glamour and deliberately so. Sadly however, this also robbed them, for me at least, of much of the charm I normally find in well-choreographed fight scenes. This is a trend continued throughout the film. The story, though fairly linear, is complicated by a plethora of characters and the audience is given little to nothing in the way of tantalising hints to lead us through. Essentially, Na has gone out of his way to produce as brutal and harsh a film as he could and, in the process, sacrificed a great deal of potential enjoyment.