In the Land of Blood and Honey (2011)

To all those who have watched it: I hope you enjoyed it as much as I do.

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

This is a gorgeous movie made by a gorgeous spirit.

Blistering performances.

"In the Land of Blood and Honey" is a film directed by Angelina Jolie taking place in Bosnia during the war. It's about a Bosnian-Serb soldier named Danijel who is fighting for the Serb army, re-encountering Ajla, a Bosnian who is now captive in a camp he looks over. The once loving couple are now at a cross, as their motives and beliefs have changed since their situations. As a Bosnian, This film is absolutely horrible. It lacks realism in the sense that a Bosnian-Muslim woman would never fall in love with a Serbian soldier who pillaged and destroyed her way of life. The same goes vice-versa for Danijel. A Serb soldier who is full of propaganda and Serbian nationalism would never love a Bosnian-Muslim girl. If anything, he'd just see her as an object. Maybe even less. Ajla is also taken as a prisoner and stuck under supervision of Danijel. This is also a very flawed idea as Bosnian-Muslim women in those camps were stuck in tight spaces and used for rape. They were never protected by anyone especially their captors, Serb soldiers. The film captures a small stint of realism in how it portrayed the brutality of the Serbs. Such as a soldier barging in the apartment and throwing the baby off a balcony just because he could is indeed something the Serbs did to young Bosnian-Muslim children. Another accurate portrayal is when the Serb soldier bends the girl over and rapes her in front of everyone to humiliate her and get a kick out of it. These small acts of brutality is the only thing this film has done regarding historical accuracy, Anything other than that, is just BS hollywood writing. All around, "In the Land of Blood and Honey" is not a accurate, nor is it an entertaining film. I understand if the point of this was to appeal to western audiences. However, I'd rather use actual true stories from people who lived the war and use accurate information from them rather than idiotic, inaccurate Hollywood nonsense. Just because a film has a decent budget doesn't mean it's good. If there was anyone who'd ever want to know actual historical and accurate knowledge about the war in Bosnia through film, I'd strongly recommend "No Man's Land" and "Cirkus Columbia." These films are written and directed by people who have lived through the conflict and accurately portray what really happened in the country.

Perhaps if this film had not been written and directed by the beautiful Angelina Jolie it would be recognized as one of the great war films. Its distinctive focus is the victimization of women in war. An end title tells us 50,000 women were raped in the Bosnian war. In the title's variation on the Promised Land, the phrase 'milk and honey' is supplanted by 'blood and honey.' That is, murder replaces sustenance, rape love, betrayal trust, and humanity is supplanted by the murderous machinery of war.One soldier tells Danijel that his pregnant wife must be delivering a son because a little daughter would drive him mad with doting. In the context his madness would have a different source: her doom to become another victim of a soldier's rape.The larger theme is the pervasiveness of division. The first shot is an aerial view of the landscape, A slash of river divides the Serbs and Bosnians. The people get along well enough to enjoy a dance together, where the Bosnian Moslem Ajla charmingly connects with the Serb soldier Danijel. Their promising romance is interrupted when a bomb shatters the club.When they next meet Ajla is a prisoner and Danijel the camp commander. That power gap inhibits both their attraction, until her humiliation drives them together. The tender eroticism of their first lovemaking derives from the refuge each finds in the other, she from the other Serb soldiers' brutality and he from the callousness of his job, personified by his father the general. Even Danijel's protection fails when he is transferred to Sarajevo. They are reunited when she, having escaped the first camp, falls in with the Bosnian underground and agrees to let herself be captured to enable her comrades to get at Danijel, now more murderous than his father. Their lovemaking turns wild from Danijel's doubting her. The division of that promising romantic couple gives way to the division within each character. Danijel is torn between his love for her and his father's hatred of the Bosnians, for what they have done to the Serbs. Ajla overcomes her emotions for Danijel to avenge the Serbs' murder of her infant nephew. So neither a passionate love nor a driven character's mission can survive the division by war.In her first scene Ajla is painting a self-portrait, in relatively naturalistic style. At the end we see her final self-portrait, a more expressionistic one in which she seems to have imposed her own splotchy image on the portrait Danijel's father ordered her to make of him, before he ordered her rape by another brute soldier. In this painting Ajla tries to expunge the general and her lover. Her ultimate portrait is what Danijel makes when his bullet to her head leaves an abstract red brushstroke against the canvas of the white wall. Bereft of all his resolve and mission he surrenders to the UN peacekeepers as a war criminal. In another form of self-portraiture Each character discovers him/herself from the tests of the war. In their night visit to the art gallery Ajla teaches Danijel that in art the most important part is the empty spaces, where the artist decides to do nothing. The war is the something the parties should not be doing. The war discovers the vacancy in both warring parties and the war's emptying of all the people's hearts, whether the respective ethnic communities or the central lovers, both together and alone.The film should not be judged as a documentary record of this war. As a fiction its thematic sweep covers a larger issue: every war's undermining of nature, humanity, and the positive sustenance of our feminine nature.

I love the movies related to modern history. This movie is the first I watched related to Yugoslavian war, the conflict between Serbs and Muslims. The movie gives the wide perspective of the war, every moment is worth to know about. It is emotional and well directed. I admire the talent of this exceptional woman. Thank you Angelina Jolie!Lara In the Republic of Bosnia-Herzegovina, conflict between the three main ethnic groups, the Serbs, Croats, and Muslims, resulted in genocide committed by the Serbs against the Muslims in Bosnia.Bosnia is one of several small countries that emerged from the break-up of Yugoslavia, a multicultural country created after World War I by the victorious Western Allies. Yugoslavia was composed of ethnic and religious groups that had been historical rivals, even bitter enemies, including the Serbs (Orthodox Christians), Croats (Catholics) and ethnic Albanians (Muslims).

The story was sequenced without actual lead. No reality was involved, in one scene Aila was brutally raped in next she looks happy and having sex with her loving man etc. There are traces of true but whole story of Bosnian war was completely simplified. This looks like a bad copy of Emir Kusturica movie "Life is a miracle" 2004. Angelina Jolly should look this movie and she wouldn't probably never made this film. At the end it looks like somebody ordered cheap story for daily use. Pity! On the other hands actors did professional job. Scenes and environment are very realistic and authentic. Music is somehow out of story. I think that scenario had potential but with lot of changes and adjustment.