Rabid Dogs (1974)

One of my all time favorites.

From my favorite movies..

Funny, strange, confrontational and subversive, this is one of the most interesting experiences you'll have at the cinema this year.

The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.

Although his best-known work lies within the horror and giallo genre (leading to the nickname 'maestro of the macabre'), one of Mario Bava's finest works, Rabid Dogs, rests firmly in the poliziotteschi, or Eurocrime, sub-genre. Shelved for decades after the death of the film's main investor, it resurfaced in 1998 and was eventually re- edited and re-scored by Bava's son Lamberto (director of the sub- standard Demons (1985) and Demons 2 (1986)), and re-titled as the vastly inferior version Kidnapped. Bava's original vision remains the best, and it's a shame he didn't get to dabble more in the genre before his retirement, as Rabid Dogs is a thrilling exercise in tension.Starting with a robbery of an armoured truck that leads to the fatal stabbing of one innocent, three criminals escape by car after one of their own is shot dead by police. They arrive at an underground car park, where they stab a woman to death and take her friend Maria (Lea Lander) as hostage. On foot, they hijack a car stopped at a red light driven by the middle-aged Riccardo (Riccardo Cucciolla), and urge him to get them out of the city as fast and possible. The problem is that the police have set up road blocks and have every available officer searching for the gang. Riccardo also has his ailing infant son with him and the gang caught him on his way to take the child to the hospital.Some of Bava's familiar touches are here, such as the black gloves and the stylistic flair, but Rabid Dogs has more in common with Sam Peckinpah's Straw Dogs (1971) that any of his own work. Throughout it's 90-plus minute running time, the film is relentlessly tense, exploding occasionally with acts of graphic violence and sexual threats. The most level-headed of the gang, Dottore (Maurice Poli), tries to keep his men in line, but Bisturi (Don Backy) and Thirty- Two (the enormous cult favourite George Eastman) have rape and violence on their mind, making Maria's life in the back seat a living hell. Backy and Eastman are both excellent in their roles. Although the climactic twist seems a little contrived, I didn't see it coming, and Rabid Dogs is certainly one of Bava's best, and most under-appreciated, works. Just don't see Kidnapped first.www.the-wrath-of-blog.blogspot.com

Following a bungled robbery, three violent criminals take a young woman, a middle-aged man, and a child hostage and force them to drive them outside Rome to help them make a clean getaway.According to Bava's son Lamberto, Mario apparently considered the film his most important work, presumably because it showed he could "compete" with the other police thrillers out there. Unfortunately, of course, Mario never lived to see the film succeed or fail. Which is a shame, because this definitely ranks among his better projects.Bava scholar Tim Lucas wrote, "Rabid Dogs is to Bava's career what Detour (1945) is to the filmography of Edgar G. Ulmer, a minimalist noir masterpiece that shows how much drama he was capable of conjuring on screen with little or no means." This is sort of unfair. While comparing those two films is legitimate, I would like to think that Bava's career as a whole had more high points than Ulmer's.

Rabid Dogs (1974) **** (out of 4) A father (Riccardo Cucciolla) is rushing his young son to the hospital because he is near death but before getting there three criminals and their female hostage kidnap them and force them to drive them away from the police. The leader, Doctor (Maurice Poli), and his two assistants (Don Backy, George Eastman) are all crazed madmen who want to escape the police with their money and they don't care what happens to the sick child. It's been many years since I last saw this film and while it went down a few pages in my book I still think it's a very impressive film that would have done director Bava wonders for his career had it ever been released while he was alive. Before the post-production could be finished, one of the film's producers went bankrupt and this caused the film to be seized by the courts where it stayed until 1997, a full seventeen years after Bava had died. Once again the director does wonders with such a small budget and he really creates a nailbitting thriller that manages to have several tense scenes and some claustrophobic moments. I love the visual style of the film, which takes place, for the majority of the running time, inside a moving car. The tight space in the car and the way Bava shoots this tightness makes for a very tense ride as we wait and see what the killers are going to do next. Most of the scenes are filmed in close up and this puts us right in the middle of the action. I also loved the way Bava shows developments in the story even if it's something simple like one of the bad guys pulling a gun. Bava just lets the camera gently slide to where the action is and this slow pace really helps build the tension. The entire cast deliver strong performances by it's George Eastman who really sticks out as the perverted Thirty-Two. The movie is rather mean spirited but it never relies on gore or graphic violence. Most of the violence takes place off screen but the way the criminals have no regards for the dying son makes them perfect villains. The music score by Stelvio Cipriani really captures the mood and frantic pacing and adds a lot of tension as well. Then, of course, there's the downright shocking and out of left field ending, which perfectly closes the film. If anyone sees this ending coming then they're a lot better than I am.Kidnapped (2002/1974) ** (out of 4) This is the re-edited, American version of Mario Bava's 1974 masterpiece Rabid Dogs, which has been tinkered with to the point where it's really not the same film. Producer Alfredo Leone, who had previously worked with Mario Bava, bought the American rights to Rabid Dogs but he wasn't too happy with the edit that had been done in the 1990's so he hired Mario's son, Lamberto, to shoot new scenes, re-edited other scenes and then added an entire new score. You could argue that there will never ben an official, director's cut of this film, which is a shame but I see this version as a complete hack job from start to finish. I'm not sure what Lamberto didn't like about the original editing job but everything his father's film had going for it is pretty much lost here in the bastard like version. For starters, it seems that the producer wanted more of an action movie so we get added scenes that really don't do anything for the film. During the opening heist we see added footage of the police being called. The biggest problem with these added scenes are three moments where an extra character is brought into the film and this really ruins the ending. I won't ruin the brilliant original ending by writing about it here but once you watch the original version you'll see what I mean. Then there's the re-editing of the film. Once again I feel this really takes away the pacing of what Bava had in mind. How can I know what Mario original had it mind? Because Rabid Dogs has the pacing of a lot of Mario's films while Kidnapped doesn't. There's also a new music score added, which is a real killer as it, again, adds nothing to the film. If you're a fan of the original film and want to see how a producer can mess up a classic then I'd recommend you watching this version. If you haven't seen either version then stick with the original. It's funny but producer Leone messed around with Mario's Lisa and the Devil and turned it into the hated The House of Exorcism so it's no shock that he would do it again. It is shocking to see Lamberto putting his name on this however.

This is one of my favorite Bava films. The way the characters and plot evolves throughout the picture is so intense and exciting. Acting is great. Great dialog, music, atmosphere and just about everything is perfect.The movie is very realistic. And it doesn't try to blow you away with cheesy explosions or wild car chases. Rabid Dogs simply shows you a realistic view of a hostage takeover. If you are interested in a dark and violent thriller then I highly recommend Rabid Dogs. It kind of reminds me of Reservoir Dogs, just without all of the flashbacks.Overall this is a great movie with a different kind of genre from Bava. I won't spoil anything for you; all I can say is that everything can happen.