W.C. Fields and Me (1976)

That was an excellent one.

It's entirely possible that sending the audience out feeling lousy was intentional

Blistering performances.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

I'm not figuring out why W.C. Fields And Me was panned the way it was by some critics. Although it's hardly a linear biography, Rod Steiger gave a good interpretation of the character. The parts I liked best was when he was away from performing and we got to see some of what may be the inner workings of that very uniquely funny man.We've never had a comedian like W.C. Fields and I doubt we'll see his like again. The mold was shattered in a million pieces when the comedy gods made him. His comedy style wasn't with one liners or fancy dialog. He created a character of an everyman with a big dose of curmudgeon, his body language during a scene was as important, even more than the words of a script.The film is based on the memoirs of Carlotta Monti who was Fields's live-in mistress. Quite a bit more was added to it. The famous story of Lee Tracy urinating off a hotel balcony in Mexico is attributed to Fields. Now the story of Fields spiking Baby LeRoy's formula with some of his best gin, that's a tale told and retold and seems to be the real deal.For those who want to see W.C. Fields at his very best I cannot too highly recommend The Bank Dick. In a way I'm glad Steiger did not use it because no one, absolutely no one could do justice to what W.C. Fields did in that film.Valerie Perrine complements Steiger very well as Carlotta Monti and Jack Cassidy makes his scenes count playing John Barrymore who was Bill Fields drinking companion and America's greatest actor in his generation. Both lost their lives and health eventually to booze.But both left us a lot of great performances. s

This adaptation of W.C. Fields' life is a pretty good one which shows the great comic, warts and all. This is based on the book published by Field's mistress of many years, and she is played by Valerie Perrine, who does a splendid job. Steiger is very good, but I have to agree with a previous poster that he sort-of resembles a blown-up Van Johnson rather than Fields. The only technical flaw I could see in an otherwise splendid recreation of 30's Hollywood is one street scene where the street is dressed with the proper 1930s autos, but then a late 1960s Lincoln Continental Mark III passes by, followed by a 1973 Pontiac LeMans and a Volkswagen Beetle! After this gaffe, the parade of passing cars returns to the classic 1930s cars. The late Jack Cassidy does a pretty good job playing John Barrymore, and the Mancini score is, as always, an asset. This is streaming on Netflix in a gorgeous wide-screen copy.

Based on the memoir of Carlotta Monti, who had a very long affair with WC Fields, this film is surprisingly, unrelentingly joyless. Fields comes across as a self-serving nitwit who drank his talents away while the studios tried mightily to keep him in check. His relationship with Monti is seen as a series of shrieking fights with no winners. Rod Steiger mimics Fields well enough, but the script by Bob Merrill offers very little insight into what made the comedy legend tick. Valerie Perrine is stunning as Monti, but she's a bit too close to saintliness for any of this to be truly believable. On the plus side, the art direction is terrific and director Arthur Hiller manages to create a sense of early '30s Hollywood when Los Angeles was still a one horse town. The colorful supporting cast includes Billy Barty, Bernadette Peters, John Marley and Jack Cassidy (who appears to be having a lot of fun as John Barrymore).

I had the unique perspective of living at the set in La Canada, California at the time this movie was being filmed.(I was working at nearby JPL in Pasadena) I appreciated the director's attention to detail and was able to meet Rod Steiger and Valerie Perrine between "takes." The sets were fantastic, as were the performances. The crew spent about three weeks preparing the house and bringing in the properties that were used to re-create W.C. Fields's home. The crew painstakingly stenciled 1930s designs near the ceiling of the room. Since that would make the living room stand out, they carried the design into several other rooms that were not used during the production! There is a scene of the outside of the house that shows the room that I was living in.One of the rules on the set was that no one could imitate W.C. Fields while Rod Steiger was on the set. I believe that Rod worked very hard to portray W.C. Fields in a realistic way. (He was one nasty character!) Please bring this movie out on DVD!