UNLIMITED STREAMING
WITH PRIME VIDEO
TRY 30-DAY TRIAL
Home > Drama >

Dallas 362

Dallas 362 (2005)

May. 06,2005
|
5.9
|
R
| Drama

Rusty has been bailed out of bad situations more than once by his understanding but distraught mother, Mary. When Mary starts dating a psychologist, Bob, Rusty connects with the man and begins talking to him about his problems. As Rusty benefits from the therapy sessions, his best friend, Dallas, still very involved in illegal and dangerous activities, takes issue with Rusty going straight and cleaning up his life.

...

Watch Trailer

Cast

Similar titles

Reviews

Alicia
2005/05/06

I love this movie so much

More
VeteranLight
2005/05/07

I don't have all the words right now but this film is a work of art.

More
Micransix
2005/05/08

Crappy film

More
Afouotos
2005/05/09

Although it has its amusing moments, in eneral the plot does not convince.

More
Neil Doyle
2005/05/10

This is a story of aimless drifters (SHAWN HATOSY and SCOTT CAAN), bar buddies with no particular marketable skills who spend their time boozing it up, fighting, with at least one of them (Scott Caan) dreaming of big bucks in an easy heist. The heist ends the film on a downer when things go horribly wrong.It's really aimless stuff, rough around the edges with endless street tough talk and nothing about the script that hasn't been done before in better "heist" stories.JEFF GOLDBLAUM has the thankless role of a doctor SHAWN HATOSY confides in, a man who happens to be his mother's lover. He doesn't seem to have much on his mind either, smoking pot and dispensing whatever common sense he's capable of offering without much conviction.VAL LAUREN does a good, over-the-top job as a man on drugs who is hyper-sensitive as well as hyper-active, a Jew called "Christian."Summing up: A trifle, easily forgotten and anyone who thinks Scott Caan bears even a slight resemblance to James Caan has got to have his eyes examined. No way whatsoever. The two lookalike father/son screen stars are still Kirk and Michael Douglas.

More
ivy
2005/05/11

this was one of the best movies I've ever seen! i don't know what that idiotic person is talking about. this is definitely time well spent.although i do realize how some people would not like it i guess, seeing as it does contain adult content and they swear almost every second. but its such a wonderful movie!i only wish i could find somewhere to buy it. {if you can find anywhere please tell me, because i don't know if its hard to find sundance films. i just saw it on the sundance channel and loved it! so i want to buy it so i can watch it all the time!}definitely watch this movie if you don't like it. it is wonderfully written, and the actors are superb!

More
LivingDog
2005/05/12

I loved this film. I wasn't going to post a comment about since I read "learned" people's comments about how it isn't that good. Then one poster commented that Scott Caan wrote, directed, and starred in the film - and then continued to pan it (give a poor comment). That's when I knew I had to comment about how great this film is - how powerful - how it grabs you into the life of its characters and how you hang on every unforeseen event. (I jumped at one point.)The people panning this film are all too edu-ma-cated. They need to watch this film as a movie - sit back, relax and let it grab you by the throat and drag you away. In my opinion they are all falling along "party lines." I know of Mr. Caan from a few of the movies I have seen him in: Ocean's Eleven (2001) as Turk Malloy, American Outlaws (2001) as Cole Younger, Gone in Sixty Seconds (2000) as Tumbler and Ready to Rumble (2000/I) as Sean Dawkins. I thought he was untalented and would go nowhere in his career - they were all small parts except for the wrestle movie and he seemed to fit the role. So I was under-impressed.Then I saw this film, read some comments, found out he wrote, directed, and starred in this film and then realized who he is ... one of Hollywood's best all around talents ever. If the "connected" people in Hollywood don't bury him, then he will rise as a legend. Powerful story from a powerfully gifted young man - yep, it's the whole thing.Caste:Scott Caan .... DallasJeff Goldblum .... BobShawn Hatosy .... RustyKelly Lynch .... MaryHeavy D .... BearVal Lauren .... ChristianPotter Bob Gunton .... JoeMarley Shelton .... AmandaSelma Blair .... PegIsla Fisher .... RedheadFreddy Rodríguez .... RubinRaymond T. Williams .... Rasta TonyLee Boggs .... BeardAnn Scott .... Lady SashaPerl-Raver .... Girl #110+/10-LD______________________________________________my faith: http://www.angelfire.com/ny5/jbc33/

More
Bruce Coughran
2005/05/13

In Scott Caan's first feature, Dallas 362, you can see the same thing as was seen in his first play ('Almost Love'), the raw elements of a budding talent. Caan, son of actor James Caan, wrote and directed the deceptively simple buddy movie and in which he also stars along with Shawn Hatosy, Jeff Goldblum, and Kelly Lynch. The film, shot on a low budget on Locations in LA, manages to create a world of its own, and one in which you finally care about these flawed characters, and without falling into any of a number of possible clichés of this kind of filmmaking.The film follows two close friends, Rusty (played by Hatosy) and Dallas (Caan), who call themselves `brothers' and are constantly becoming involved in bar fights, repeatedly being bailed out of jail by Rusty's mother, played by Kelly Lynch. Rusty wants to grow up but can't seem to break out of this pattern. Goldblum plays the mother's boyfriend who is a therapist and begins seeing Rusty as a favor to his mother. The obvious complications of this triangle come out early and are resolved in a very honest and truthful manner, and Goldblum gives a surprisingly fresh and satisfying performance.The relationship of the friends is obvious from the beginning, and the fact that you see the problems coming makes them no less compelling. In fact, Caan has succeeded in something that is really quite difficult. As Dallas begins to dabble in ideas of larger crimes, we see coming the time when guns will come out (and they do), but even as it all happens he manages to keep the focus on the characters and not on the action. We care about what will happen to these flawed characters. This is a real strength of this film. In fact, all of the performances are good here (including a nice turn by Val Lauren). And the film has the great virtue that it is evenly paced and not overly long. Caan manages the tricky task of working on both sides of the camera well, although this is definitely more a movie of characters and performances rather than a cinematic vision. The photography is effective for the story and shows some of the budget constraints, but it also does not call attention to itself. Undoubtedly Caan will develop as a director over time, but this is a very respectable first effort.

More