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The Turning Point

The Turning Point (1977)

November. 14,1977
|
6.8
|
PG
| Drama Romance

As young dancers, they were best friends and fierce rivals. Deedee left the stage for marriage and motherhood, while Emma would become an international ballet icon. But when Deedee's teenage daughter is invited to join Emma's dance company and begins an affair with a young Russian star, the two women are forced to confront the choices they've made, the resentments they've hidden and the emotional truths they must face at the turning point.

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Jeanskynebu
1977/11/14

the audience applauded

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Freaktana
1977/11/15

A Major Disappointment

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Fairaher
1977/11/16

The film makes a home in your brain and the only cure is to see it again.

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Rosie Searle
1977/11/17

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

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teach9734
1977/11/18

I played the trailer for The Turning Point because someone has credited Richard Basehart as the narrator. I don't recognize the voice but what I do know for sure is that "is not" Richard Basehart. I know his very recognizable voice and while some of the diction is similar, it "is not" the great Richard Basehart who has narrated so many documentaries during his career.

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vincentlynch-moonoi
1977/11/19

I'm not half as enamored with this film as when I first saw it back in 1977.First of all, there's too much ballet in it. I know that sounds dumb since it's a story within the world of ballet, but what's really key here is the character development. Too much ballet was almost distracting.Second, Mikhail Baryshnikov was pretty much irrelevant to the story other than as a human prop. The would have been better to hire an actor and faked the dancing with a double...pretty much as they did with Anne Bancroft. I know Baryshnikov was all the rage at the time (and rightfully so), but let's face it, film was not his forte.This film was key to Shirley MacLaine's "era of sophistication". MacLaine was pretty versatile, and I often enjoyed her breadth of acting. Not sure she was the best actress for this role, but she is believable as a mother, if not as a former ballerina.Anne Bancroft is fine here...again, as an actress, but she did no real ballet dancing. Good acting performance, however.Tom Skerritt is very believable as the father. I was particularly pleased to see Martha Scott here,,,a terribly underrated actress.The story itself is a bit obtuse. Who is the real focus of the story? The young ballerina? Not really...again, she is a prop. It's about jealousy between a prima ballerina (Bancroft) and a could have been ballerina (MacLaine). Each has given up what the other has. And thereby exists the problem here -- the story is really about the old broads, but it focuses for most of the film on the young ballerina. Of course the highlight of the film -- and one of the main reasons it got so much attention when it was released, is the fight between MacLaine and Bancroft.

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evanston_dad
1977/11/20

Shirley MacLaine and Anne Bancroft play one-time ballerina rivals in this pointless sudser from 1977. MacLaine has a loving husband and comfy home, but gave up her career; Bancroft has the career, but no one to share it with. Both re-meet when MacLaine's daughter becomes a ballerina and struggle with feelings of what could have been if each had pursued the life of the other. Congratulations if you can muster up the energy to care about any of this, because I sure as hell couldn't.The film features an Academy Award nominated performance by Mikhail Baryshnikov, whose nomination was for his dancing, not his acting, and another wonderful low-key performance from the shamelessly underrated Tom Skerritt as MacLaine's husband. The high point of the film is when MacLaine and Bancroft let loose on one another in a good old fashioned hair-pulling, face-scratching cat fight. The rest is a dull bore.Grade: C-

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artisticengineer
1977/11/21

First things first; this movie takes place within the American Ballet Theater. The name "American Ballet" was chosen by George Balanchine- a white Russian émigré to the United States- back in the 1930s when it was indeed probably the only major ballet company within the United States. However, their use of this term now is certainly misleading. I believe an alternative, and much more descriptive name, is "New York City Ballet"; that may in fact be the name they are legally required to use now due expiration of the original copyright though I would not swear to it. They are certainly very good at what they do; but, there are quite a few ballet companies within the United States nowadays and they are just as American as the group in New York City. And, probably just as good. Their is an irony here in that the movie starts, for some unfathomable reason, in Oklahoma City- which is, I guess, meant to show a place as far away from the "Big City" ballet as one can get. Perhaps in 1977 it was, but nowadays Oklahoma City itself has a very good ballet company. The only major reason why I do not consider the OKC ballet company as good as the one in New York City is due to the shortage of funds they have encountered recently. The OKC ballet school is pretty good- from what I have heard. Anyway, the New York City Ballet is a top notch outfit but it is certainly NOT the only major ballet company in the United States-despite what this movie implies. Okay, now that I have cleared this up I will now comment on this movie.It is a "must see" movie for people who like ballet and even other major dance forms. There are a few problems- one is that Tom Skerritt plays the husband of a former ballerina of the company; himself a former "danseur" with the company. Yet, as good an actor as Mr. Skerritt is, I find his performance in this movie far from convincing in this manner. Their son is shown as an up and coming dancer; also with the company yet he disappears midway into the movie. What happened to him? I know the daughter is primary point of interest, but what happened to her brother?? Other than these weaknesses it is a very good movie- though it is somewhat surprising that it received 11 Academy Award nominations. Anne Bancroft was fantastic. In real life she never danced professionally nor took lessons yet she did a great job portraying an over-the-hill prima ballerina (possibly based on Margot Fonteyn). Shirley McClain- who did dance a lot - ironically is never seen dancing or even prepared for dancing. This is a "chick flick"- no doubt about it, but if you are male and interested in the behind the scenes of a ballet company you will find this interesting also. Speaking of males- Mihail Baryshnikov comes close to stealing the show from the female leads. This movie, along with "The Nutcracker" that he performed later in 1977, was the "turning point" in his career. Well worth seeing by anybody of either gender for this alone!!

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