Hamlet (2009)

Perfect cast and a good story

If you don't like this, we can't be friends.

best movie i've ever seen.

As Good As It Gets

One wonders if this Shakespeare play has been over done in the film department. If you type it into IMDb it comes up with 73 links under the title (though some may be repeats or attempted sequels). However, the main ones that come to mind are the Kenneth Branagh version and the Mel Gibson version. This version, however, was originally performed by the Royal Shakespeare Company (I have seen their version of a Midsummers Night Dream, and it was brilliant) and they decided to bring the actors from the stage play and make a TV version of it. I didn't know that this version existed until I searched Amazon and what caught my attention was that Patrick Stewart (Captain Picard and Professor X) as well as David Tennant (Dr Who) had taken major roles in the production.We all know about Hamlet, and a lot can be said of the play itself, however I do not intend to go over old ground here but rather focus on the production itself. I must say that it was brilliant. While it has a modern setting, the setting actually takes a back seat to the play itself. This, to me, is a sign of a brilliant production as the setting simply takes a backdrop and adds colour to what is essentially one of Shakespeare's most popular works. This is something that did not happen with Ian McKellan's Richard III.There were a number of aspects that attracted me to the film, one of them being the extensive use of security cameras. It almost created a similar feel to Paranormal Activity, though the cameras were used sparingly. The second aspect was the shattered mirror. It was the shattered mirror that really caught my attention, and then after Polonius is shot, the shattered mirror seems to dominate the play from that point. We are constantly taken past it and to me this is suggestive of one of the major themes in the play, and that is how Claudius' world is falling apart. His dream of stealing the kingdom from his brother is shattered by Hamlet who is burning up inside with anger towards Claudius. Once again, it is not that Claudius stole the throne, but rather that he killed his father and married his mother.One of the reviews that I read suggested that David Tennant successfully shed the character of Dr Who in this film, however I must disagree. While I thought Tennant played the role very well, in a number of cases his madness reflected the eccentricity of the doctor. This is not surprising as I suspect that each of the actors that play the Doctor tend to bring bits of their own personality into the role so while they may go off and do other things, that aspect of their character that they took into the role of Doctor Who will tend to stick to them. However, with the exception of Peter Davidson, many of the actors that played the Doctor never really went onto anything afterwards.As for Patrick Stewart, he is brilliant. He plays a very calm and collected Claudius. While at first when Stewart began to take on other roles after Star Trek one would chuckle and think, 'gee, Captain Picard', I do believe he does not carry that stigma with him. Further, when one realises that Stewart is a Shakespearian actor more than the star of a Science-fiction soap opera, one begins to appreciate his acting skills.When it comes to Hamlet, it is not the play, the plot, or the theme that will carry the movie because we all know the play (or I hope we do). No, it is the actors and their portrayal of the characters that carries the plays. As mentioned about, the background can help, but in many cases the background should really stay in the background, unless it helps to emphasise and reflect the themes in the way that the shattered mirror in this version does.

Being an American rather new to Shakespeare, I have come to discover that Hamlet is my favorite play, and as of today the David Tennant and Patrick Stewart version provides the breakthrough to understanding this complicated play. I have watched all versions of Hamlet available and was quick to check out the newest one; however, Patrick Stewart was the only familiar actor to me. I have not a clue who Dr. Who might be. Just as well, as that might have tainted my view of Mr. Tennant's acting. Most contemporary productions of Shakespeare border on silly (Leonardo D's version of Romeo and Juliet) to ridiculous (Ethan Hawke's Hamlet), but this version rocks, to use an overused phrase.I thought the juxtaposition of Shakespeare Old English in a Modern Setting worked amazingly well. The talents of the cast came together superbly (wished for a different Ophelia though). Polonius reminded me of a more dignified version of Bill Murray's treatment, but still caught the pompous drift of the character. Horatio played the devoted and loyal friend to great satisfaction. His Roman to the death speech had me crying all three times I watched the dramatization. I thought Tennant's version of Hamlet contained a measured lunacy, the intelligent fool who had mostly everyone fooled. The To Be soliloquy had the right intensity and then in a moment Tennant switches to Guarded Lover with Ophelia and Knave of Fools to Polonius.I'm up for another view after writing this. Three hours spin by as I absorb new nuances and understanding. What a marvelous way to spend the afternoon.

After seeing Branagh's version years ago, I honestly never thought it could be improved upon. However, while that version relied heavily on pageantry, this one thrives on the script. I may have minimal theater experience, but I do have an English degree and felt that this was a wonderful interpretation of the play. The difficult thing for many people is, having seen it performed before, cannot re-imagine it any other way. It's a shame to hear some of the reviewers bash the actors when we all know that no two Hamlets are (or should ever be) the same. Who's to say how it was performed during Shakespeare's time? That's the beauty of the play. In a time of constant Hollywood remakes where the original is available to be seen and borrowed from, the RSC has made it fresh and new again. I hung on the words as if hearing them for the first time, and in some cases thought of them in an entirely different fashion. Plus, as a long-time Dr. Who and Star Trek fan, it didn't feel as if I was watching the Doctor or Captain Picard performing. The staging was quite brilliant as well; it didn't distract or become a character in and of itself. The rest of the cast performed quite well and should be celebrated also.

I enjoyed the modern setting of this production, which, lacking period frills, brings across more of the daily life of the palace than is usually shown; I enjoyed the clarity of the readings, especially in the interactions between Polonius and his children; and I enjoyed Penny Downie's atypically neurotic Gertrude.On the other hand, Patrick Stewart seemed to me a very dull Claudius. When he played the part opposite Derek Jacobi in an earlier TV production, he did it in his earlier, blood-and-thunder mode; this time it's in his post-STNG, mild-mannered mode, as everybody's nice uncle (who just happens to have murdered Dad). And to me the conceit of everyone's being on surveillance video all the time just became a nuisance.Then there was David Tennant. I can't see Hamlet as being at all the same character as the Doctor (Who) in any of his incarnations, and so he probably shouldn't be played in the same way. Moreover, a lot of what Tennant carries over isn't really the Doctor, but the actor doing whatever he feels like, which usually is to play the prat. He could get by with it on the series, and might as one of Shakespeare's fools, but how could Hamlet be anything like this? I begin to understand better how the expression "ham" came into being.