Quid Pro Quo (2008)

People are voting emotionally.

Don't listen to the negative reviews

n my opinion it was a great movie with some interesting elements, even though having some plot holes and the ending probably was just too messy and crammed together, but still fun to watch and not your casual movie that is similar to all other ones.

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

Director and screenwriter Carlos Brooks' feature film debut which he wrote, is inspired by an idea he had. It premiered in the American Spectrum section at the 24th Sundance Film Festival in 2008, was shot on locations in USA and is an American production which was produced by producers Sarah Pillsbury and Midge Sanford. It tells the story about a man with a paraplegic injury he got from an auto accident in the late 1980s named Isaac Knott who lives in New York, USA and who works for a radio company called Pure and Wise. After being informed by his co-worker named Edie about a caller whom has requested to meet him, Isaac begins working on a story about people who wishes to have their body parts amputated so that they can live their lives in a chair like he does. Distinctly and subtly directed by filmmaker Carlos Brooks, this quietly paced fictional tale which is narrated by the main character and mostly from his point of view, draws an understanding portrayal of an American radio host whom during his investigation of people with several forms of a psychiatric condition called Body integrity identity disorder, acquaints a single woman named Fiona who tells him that she specializes in Chinese art and ice cream. While notable for its distinct and atmospheric milieu depictions, reverent cinematography by cinematographer Michael McDonough, production design by production designer Roshelle Berliner and use of sound, colors and light, this character-driven and narrative-driven story about wannabes, pretenders and persons who for some reason think that the only way they can achieve completeness as human beings is by having an arm or a leg surgically removed, self-deception as a means for self-preservation and possibly sickly or irrational pangs of conscience, depicts a singular study of character and contains a great and timely score by composer Mark Mothersbaugh. This densely psychological, naturally humorous, cinematic and philosophically conversational indie from the late 2000s which is set during an autumn in America in the 21st century, where incomplete fictitious characters makes utopian deals with each other and where a man who claims that his ex-girlfriend named Raine broke up with him because he is a person with a disability and who although not believing in hope, hopes that he will walk again someday, finds a pair of effective shoes and a quid pro quo girl who not only has no apprehensions about him being in a wheelchair but also wishes to be in his situation, is impelled and reinforced by its cogent narrative structure, substantial character development, subtle continuity and the involving acting performances by American actor Nick Stahl and American actress Vera Farmiga. A serene, romantic and surreal narrative feature.

Isaac Knott, played by Nick Stahl is a public radio reporter in New York; he's been in a wheelchair since he was 8, result of an accident that killed his parents. He sets out to investigate a case of extreme Body Integrity Identity Disorder(BIID) not knowing what it is or even that it existed; he discovers there's a subculture of this which he's most curious to try to understand. His character is broken hearted because his ex-girlfriend, also paraplegic, dumped him when he suggested they marry. On his quest to understand BIID, he meets Fiona, played by Vera Farmiga, who he finds interesting and not all that repulsive, considering she appears to be afflicted by BIID and in a progressive stage; she is gorgeous after all, and seduces him.He comes across a pair of shoes he's compelled to own, and when he does put them on he magically gains use of his legs, a freak occurrence that only works when he wears them. Up to this point you may feel, as I did, this movie is not going to be one you'll be interested in seeing to the end; I wouldn't blame you, as the subject lends itself to that. However because I really like Vera Farmiga, I stuck it out; can't think another reason one would. The meeting of the two lead characters is not a chance thing; a deep purpose is at play and unfortunately isn't revealed till late in the movie.The connection of the two leads and that purpose I mentioned was well conceived, I have to admit. You'll also learn about another disorder, hysterical paralysis, thanks to the very good writing by writer/director Carlos Brooks in his debut work. If you have the stomach for that sort of thing watch it, you may learn something. There are unavoidable comparisons one can make to the 1996 David Cronenberg's film Crash, but I won't. I also won't be mentioning or recommending this film to my friends; they may think I'm even more twisted than I sound at times, but I'm not. What I am is a movie buff with a broad interest and if you are as well, you may find it interesting.

The film has am extremely simple plot. Very young guy confined to wheelchair by hysterical paralysis mixed with partial traumatic amnesia produced by the parent-killing car wreck occurring years ago when he was a child meets but of course doesn't recognize young chick who drove the car that caused the accident and is now obsessed with the idea of becoming a paraplegic like him aka like the kid in the car she crashed into. This simplistic view of two "mental illnesses" gets dressed up with 1) obsessed chick arranging to meet (and sleep with, equally of course) wheelchair bound guy via the plot device of anonymously informing him of a human interest story (he is an NPR-radio-station-type reporter) 2) utterly stupid 'human interest story' (an urban legend style boffo about a bunch of people who "wannabe" paralyzed for no particular reason whatsoever) 3) "magic fred astaire shoes" (of course, again, the shoes are nothing more than a mental "crutch" the guy is subconsciously using to give himself a reason to walk... that enable wheelchair guy to walk...after falling down a lot, only very slowly, with crutches or a cane...sort of like you'd expect someone who has been working out to retard muscular atrophy but who hasn't stood or walked for years to behave when finally standing and walking... 3) a few couldabeengreat lines that came off as too silly to be taken half-seriously because of the trying-to-be-an-allegory but frankly rather silly plot. (Example: "I'm a paralyzed person trapped in a walking person's body." Sillier example: "wannabe" paralyzed to alleviate her guilt over putting the guy in a wheelchair chick says to him --seriously!!!-- after they discover his paralysis is actually hysterical: "Why would anyone wannabe paralyzed?") The story could have been very good. It was just so obvious about its allegory role and so silly in its urban legend depiction of the way guilt-ridden obsessed chick got into crash victim guy's bed that it kind of gut punched its own good qualities. The next effort probably will be decent.

Helpful Note: Wikipedia definition: Quid pro quo (Latin for "something for something") indicates a more-or-less equal exchange or substitution of goods or services. Carlos Brooks makes an impressive debut as both writer and director of this little independent film QUID PRO QUO, a story that may make some viewers uncomfortable because of the subject matter, but an intelligent investigation of a subculture unknown to most and a script that leads to a surprising ending - if the viewer keeps thinking after the rolling credits are over! Isaac (Nick Stahl) is a reporter for a small radio station, a role that gives him the opportunity to uncover novel human interest stories for his audience. Interestingly, Isaac is a paraplegic, confined to a wheelchair since age 8 when he was the survivor of a car crash that killed both his parents. He has full function of most of his body, but cannot walk. Isaac receives an email from one 'Ancient Chinese Girl' that contains a message about a person who convinced a doctor to amputate a normal leg. Isaac is fascinated and sets out to investigate the story and eventually discovers the source of the email - one young and very beautiful Fiona (Vera Farmiga) - who introduces him to a subculture of people who want to be wheelchair bound: in a group meeting Isaac hears strange stories from a disparate group of people who meet to discuss their obsession with being paralyzed, their chance to be noticed and cared about as quasi-invalids who would go so far as having an amputation of a normal limb to enable their wheelchair dreams. Isaac soon discovers that Fiona shares this obsession, demonstrates her secrets to Isaac, and the two begin to bond physically and emotionally. Isaac is the first person to see Fiona make her 'debut' in public in a wheelchair. They share lunch in a café and share their life experiences: Isaac confesses that he harbors foreshortened memory of his accident - his last memory is lying in the road seeing a young girl with red and white pompoms trying to save him. Isaac surprises himself (and shares his surprise with Fiona) when he buys a pair of 'Fred Astaire shoes', and upon trying them on, he is able to walk! Fiona's response is mixed - she is happy that Isaac is ambulatory but at the same time she is led to believe that Isaac's paralysis may be of an hysterical nature, that he really has never been paralyzed except as a reaction to the guilt he harbors about his parent's death and his sole survivorship of the accident. How these two people deal with the information as it develops provides a startling ending to this story, a detective mystery that in retrospect proves to have given us, the audience, countless clues throughout the film - clues only discovered in retrospect! Both Nick Stahl and Vera Farmiga give vital performances, able to draw us in to their odd characters and make us care. There are many fine cameo roles - Kate Burton as Fiona's mother, James Frain as Isaac's priest friend, and all the members of the wannabe wheelchair bound group - and the cinematography by Michael McDonough is both appropriately claustrophobic indoors and transcendently beautiful in the tulip fields of Skagit Valley, WA used as the setting for the upstate New York accident location. Mark Mothersbaugh ties the moods of the film together with his expert musical score. This is a tough little film to watch, but a film that supplies much gratification and challenge. It is a fine debut for Carlos Brooks. Recommended. Grady Harp