Powder Keg (2001)
The Driver is drafted by the UN to rescue a wounded war photographer named Harvey Jacobs from out of hostile territory. While they are leaving Jacobs tells the Driver about the horrors he saw as a photographer, but he regrets his inability to help war victims. Jacobs answers the driver curiosity about why he is a photographer by saying how his mother taught him to see. He gives the Driver the film needed for a New York Times story and also his dog tags to give to his mother. When they reach the border, they are confronted by a guard who begins to draw arms as Jacobs begins taking pictures, trying to get himself killed. The Driver drives through a hail of gunfire to the border, but finds Jacobs killed by a bullet through the seat. The Driver arrives in America to visit Jacobs' mother and share the news of him winning the Pulitzer prize and hand over the dog tags, only to discover that she is blind.
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Great Film overall
Good story, Not enough for a whole film
Captivating movie !
The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.
This short film occurs in January 13, 2001, where a Times war photographer -Harvey Jacobs (Stellan Skarsgård)- is wounded while witnessing a massacre at Nuevo Colon by terrorists. In a desperate effort, the United Nations sends a vehicle to get him out, a BMW driven by Clive Owen.This film, in comparison to any other film of the Hire series is possibly the best. The mark of Alejandro González Iñárritu is without contest the deepest one I've seen to date. It can't be denied that every second of the films matters in one way or another, either it is the feel of the environment, characters or even the state of mind. But since I'm a fan of his work I think I might be a little biased.The real hero of the film is actually the photographer's mother (Lois Smith) who really made a spectacular performance. I've seen the film about five times and I am still touched by her performance. Great Film 9/10
...but this film sux. Gonzalez Inarritu tries to use a conventional narrative structure that doesn't conform at all to the limitations of short film. Where it should focus on the imagery, it tries to establish dialogue and familiarize the viewer with the characters' history. There's no time for that! Show the BMW and los malos hombres and wrap it up!
Powder Keg has been promoted heavily on cable. The trailer for the very short film is excellent. The irony of the format of the very short film is that the trailer runs for about 1/10 the time of the whole film!More is left out of the film than is in it. We are shown the short tale of a photojournalist who escapes from a horrific massacre; we aren't shown how he does it. We don't know what war this is, it is a stand-in for all of those nameless skirmishes in Latin America. Clive Owen of the PBS Mystery series Second Sight stars as the 'Driver'. We don't know anything about him as well. It's really difficult to make an effective short film, but director Alejandro Inarritu does a very good job. Yes, we've seen the plot before (though not so truncated), but the cinematography is grainy, jerky, and alive. You get a sense of the menace and desperation of the people of this unnamed place in fast glances out the window of the, yes, BMW. Recommended.
As part of the BMWFilms series, Powder Keg is one of several great short films commissioned by the car company. Inarritu is a fantastic director, and his genius shows through this gripping, action-packed car chase. What sets Inarritu's film apart from some of the other BMWfilms is the gritty detail, the harsh realism of what is being portrayed. The violence is not glamorized, nor the main character's plight as a photojournalist romanticized.