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Death Ship

Death Ship (1980)

March. 07,1980
|
4.8
|
R
| Adventure Horror Thriller Mystery

Survivors of a tragic shipping collision are rescued by a mysterious black ship which appears out of the fog. Little do they realise that the ship is actually a Nazi torture ship which has sailed the seas for years, luring unsuspecting sailors aboard and killing them off one by one.

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Reviews

Hellen
1980/03/07

I like the storyline of this show,it attract me so much

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Stometer
1980/03/08

Save your money for something good and enjoyable

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Rosie Searle
1980/03/09

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

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Zandra
1980/03/10

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

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Leofwine_draca
1980/03/11

This low budget UK/Canadian collaboration was based on a story entitled Blood Star by one Jack Hill – yep, the exploitation king who made SWITCHBLADE SISTERS amongst other drive-in flicks in the 1970s. In essence, it's a traditional haunted ship story, but on watching the viewer realises they're exposed to a minor horror classic – a film that is a hundred times better than the Gabriel Byrne-starrer GHOST SHIP made twenty years later.Events in the film have a genuine nightmarish feel to them and the evocative camera-work recalls THE EVIL DEAD in a good way, although the actual bloodshed is toned down a lot here. The cast is good value for money, with some amusing child actors pretending to be frightened, and plenty of unconventional folk – Saul Rubinek's hook-swinging cameo is value for money in itself. Nick Mancuso (UNDER SIEGE) is the youthful male hero, but the real strength of the casting lies in the presence of two movie greats in major roles. First up is George Kennedy; as the Captain who becomes possessed by evil spirits, his role is a far cry from his more familiar bumbling comedic turns in the likes of the NAKED GUN flicks. Secondly, we get the late, great Richard Crenna (FIRST BLOOD) as the real hero of the movie; this bearded first mate undergoes all manner of disturbance and danger and, as always with Crenna, he's a delight whenever he's on screen: stern and dependable, yet very human.Director Alvin Rakoff really knows what he's doing and he creates some unbelievably disturbing scenes without resorting to cheap bloodshed. The projector scene, in which the Nazi rallies continue to play out despite the machine being broken, is one such moment. There's a great use of sound effects (German shouting) and weird music that never failed to send a shiver down my spine. DEATH SHIP is something really special, a truly effective horror yarn that stands as a highlight of its era.

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tomgillespie2002
1980/03/12

Take one look at the poster of Death Ship and its tagline 'those who survive the ghost ship would be better off dead!', and you can pretty much guess what you're in for. Death Ship is a run-of-the- mill, low-budget horror featuring a killer Nazi ship that feeds off blood and manages to lure some unfortunate genre archetypes on board for 90 minutes of rambling shenanigans. The one major plus that perhaps makes the film stand slightly above others of its kind is the presence of two genre legends - George Kennedy and Richard Crenna - both no doubt looking for an easy pay-day but lightening the mood nonetheless.Grumpy and socially awkward Captain Ashland (Kennedy) is making his final voyage, transporting a ship full of dull socialites and holiday-makers around while his second-in-command Trevor Marshall (Crenna) waits patiently to take the reigns. When their ship is suddenly struck by a ghostly black freighter that blurts out warning messages in German, only a few survivors escape with their lives, drifting out to sea and eventually finding themselves on board the mysterious vessel. The group find nobody alive on board, and when the annoying lounge act Jackie (a young Saul Rubinek) is seemingly drowned by supernatural forces, it quickly becomes apparent that this is no ordinary ship.The injured Ashland gradually becomes obsessed with taking command of the freighter, mocking Marshall for his lack of leadership qualities and developing a sudden fondness for the Third Reich. The scenes between Kennedy and Crenna, two strong leading men in their heyday, are when Death Ship is at its most enjoyable. Kennedy hams it up no end, but this only adds to the fun. Sadly these moments are few and far between, and the obvious lack of funding forces the movie to resort to endless scenes of inane chattering, gloomy shots of the ship's interior, and some terrible stock-footage where you can barely tell what's happening. One scene of Victoria Bugoyne trapped inside a shower spurting blood is undoubtedly memorable but inspires some unintentional laughs, but that is slim praise for a film that ultimately bores.

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breakdownthatfilm-blogspot-com
1980/03/13

By the last half of 20th century film making, horror genre pictures had solidified themselves in pop culture. Plus, the horror genre began splitting off into various sub-genres like the "slasher" and "monster" flicks. But when it came to out at sea related adventures, it's hard to say whether there was a lot of them around yet that delved into the horror genre. The biggest noticeable boom in this particular kind of story / setting would be seen later with pictures like Leviathan (1989), Deep Star Six (1989), Deep Rising (1998), Virus (1999) and Ghost Ship (2002). But for Death Ship (1980), it seemed like this was the grandpap of all of them. It is by no means a true gem but it at least has certain aspects that should be respected for.After being shipwrecked and stranded in the ocean, a group of survivors from the wreck discover an abandoned rusty derelict. Once on board, they begin to realize that the ship is running with no crew. Odd. There's more than meets the eye to this ship that's for sure. Apart of the survivors are George Kennedy as Capt. Ashland, his second in command Trevor Marshall (Richard Crenna - with a full beard) and his wife (Sally Ann Howes - from Chitty Chitty Bang Bang (1968)) and kids. Although these actors are good choices, their performances aren't among anything moving. Other than these actors, the last bit of the cast is highly forgettable. Partially this is due to the writing, which addresses some motivations, like the Captain's but not all of them, and this isn't the only flaw.The ship that which these survivors take refuge on has supernatural powers. It can close its own doors, control its own chains, pump its engines, steer itself and even is accompanied by ghostly voices. Nice! So how did it get these powers? Was it cursed? Don't know, a topic that is never touched on sadly. There is an explanation to what it thrives on but that still doesn't explain its current condition. But going back to the actual ship itself, is something to behold. The production design by Chris Burke and cinematography by René Verzier blend evenly. The look of this ship is as grungy and weather worn as they come. Not to mention all of those cobwebs all over the place. Although the back-story to the ship is not expanded upon, the mystery of not knowing does make it entertaining to a point.The camera-work is also done differently. To simulate that of being on a boat, the camera sways making it unleveled with square surfaces. It can get a bit nauseating at times but it feels realistic. The practical effects are nice too. All the ship's eerie movements and creaky noises help make the vessel feel that much more bizarre. The horror aspect to the film is probably the weakest though. None of it was scary, it was just unsettling (and that's OK). Adding to that unsettling feeling is Ivor Slaney's score, which incorporates classical sounding orchestral tones and some synth. The best theme was the tune that plays for the ship's engine pistons where horns crescendo and decrescendo for the swinging movement every time they pump. Too bad the complete score isn't available. Horror fans may find something to like about, but I don't guarantee a whole lot.It has a few respectable cast members but their characters' are not developed fully. However, the ship's production value, camera work, music and all around eerie surrounding is enough to make it somewhat likable.

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Uriah43
1980/03/14

"Captain Ashland" (George Kennedy) is in command of a cruise ship which is operating in the Atlantic Ocean. He is not a "people person" and because of that he is being replaced after this voyage for a more personable captain by the name of "Trevor Marshall" (Richard Crenna). What neither of them realize is that there is a "ghost ship" also operating in the same waters and it is on a collision course with them. Only 9 people manage to survive the collision and they take shelter on the very ship that killed all of the other passengers. Anyway, rather than reveal the entire story I will just say that, because of some of the top-rate actors involved, I had high expectations for this movie. I was disappointed. Not only was there very little character development, but the special effects were practically non-existent as well. There wasn't much suspense or horror either. As a matter of fact, the only part that was remotely interesting was the shower scene involving "Lori" (Victoria Burgoyne). Everything else was pretty boring. In short, this film had a decent cast to work with. Unfortunately, the people on the other side of the camera weren't nearly as competent. Below average.

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