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Heat and Dust

Heat and Dust (1983)

September. 15,1983
|
6.5
|
R
| Drama Romance

Anne is investigating the life of her grand-aunt Olivia, whose destiny has always been shrouded with scandal. As Anne delves into the history of her grand-aunt, she is led to reconsider her own life.

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Reviews

Solemplex
1983/09/15

To me, this movie is perfection.

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Jeanskynebu
1983/09/16

the audience applauded

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Grimerlana
1983/09/17

Plenty to Like, Plenty to Dislike

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Pluskylang
1983/09/18

Great Film overall

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tomsview
1983/09/19

Unusually structured and travelling at about the speed of India's Metupalayam Ooty Nilgiri Passenger Train, this film still delivers an intriguing story.Set in India it has the bonus of authentic locations, and features two beautiful actresses at different stages of their careers in the same movie, although they don't share a single scene together.The story takes a little getting into. It's actually two intertwined stories and starts with Anne (Julie Christie) travelling to India to find out about the life of her great aunt Olivia (Greta Scacchi) - a forerunner of "Who Do You Think You Are?" Flashbacks reveal Olivia's story and the film cuts back and forth from one story to the other as we see that Anne's journey follows Olivia's path, and also begins to parallel her story.A fascinating aspect of the movie is how it reveals two Indias: one under the British Raj during the 1920's, which Olivia inhabited, and the modern one of the 1980's that Anne experiences.Over the years there have been many films about British rule in India - Hollywood loved an earlier period especially along the Northwest Frontier, but of late, British films and television have concentrated on the decades just before India's independence - the twilight of the Raj.Another critical element in the drama is the relationship between a semi-independent prince, the Nawab of Khatm (Shashi Kapoor), and the British rulers. The film shows the attitudes of the British and Indians towards each other, and also the attitudes of the British towards their fellow Britons. It highlights the class system that existed between the races and how crossing that line was linked to the balance of power.Despite being married to Douglas Rivers (Christopher Cazenove), a British colonial official, Olivia crosses the line, has an affair with the Nawab, and is virtually banished from both societies. Although Anne also has an affair with an Indian, it is 60-years later and no longer has the significance of her great aunt's fall from grace.This film looks good and composer Richard Robbins created an evocative score blending electronics with Indian instruments.Although the script and direction understates just about everything, even using narration to glide over what could have been emotion charged scenes, the combination of stars, locations and the lovingly recreated depiction of an era ensures that "Heat and Dust" still leaves an impression.

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intinvestor
1983/09/20

It's a story told in two different time periods of two different woman who are attached by decision taken by both of them in there lives. Both the era generated by director with there details are mesmerizing, but modern day India dulls against the British one as there are many clichés that are shown which exist till today among western countries about India. Period films are mastered by merchant ivory production and this one of the finest examples of it. We are captured by the brilliant photography and then by the characters etched by screenwriter and director. Greta schahi proves her mettle in her first major role and Julie Christie is just as natural as always. Casting of every little character is perfect. Best thing is the way story is told, how two era become one and how easily is one moving from one to other.modern day story dulls little bit against raj era one but it is saved by Julie Christie's beautiful presence. Certain question arise and they are answered beautifully. How we get in a relationship with someone who is so different from us culturally and in every way, is it just the avaibality or something more ? Human mind is such an intriguing place to understand. Why we take certain steps always remains a question. Just like the character of chid. Who is running away from world yet is attached to it.

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malcotoro
1983/09/21

This is an awesome movie, I am not writing a critical review, perhaps it is because I allow myself to fade into the film, I am transported to that time and place, I am not looking to find fault with this or that. I have just recently discovered this Ivory Merchant production, a flawless gem from 1983, interesting and amazing. I was enthralled and spellbound with the performance of the beautiful British actress primarily Greta Scacchi, similarly easy on the eye, an apt and good role for the lovely Julie Christie, with a host of other well known stars. Rating 6.6? I don't think so... the compelling authentic storyline of the British Raji in India in the 1920s, the music, the photography make it first class for me. I see no weaknesses as indicated by other reviewers. Obviously there is a mutual attraction between the British Officer's wife and the handsome, powerful Indian Prince, what other details need be explained? This DVD goes into my collection with the other Ivory Merchant masterpieces, Howards End, Room with a View and Remains of the Day. 24 yrs old, I am glad I found it in 2008 Comment from Malcolm in Toronto, 23rd February 2008

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valleycats
1983/09/22

Based on Ruth Prawer Jhabvala's Booker Prize winning novel of the same name, this film is not so much as being about India but rather using the country as an effective setting to tell a story spanning approximately 3 generations. Two story lines - one set in the past and one in the present - are juxtaposed and connected by the narrative of a young British woman who seeks to uncover the truth about an ancestor who once caused quite a scandal by having an affair with a local Nawab. The story lines examine the impact of Western and Indian cultures as lifestyles, social mores, and centuries of history clash and collide. A tapestry of India is woven, as seen through the eyes of the narrator, a foreigner, who sincerely attempts to grasp and interpret her observations. The story and the screenplay for this movie speak volumes about Ms. Jhabvala's extraordinary literary and cinematic talents as a social and historical commentator, storyteller, and screenwriter.

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