Kaala Patthar (1979)

Excellent, Without a doubt!!

As Good As It Gets

By the time the dramatic fireworks start popping off, each one feels earned.

The film never slows down or bores, plunging from one harrowing sequence to the next.

Producer-director Yash Chopra is known in Bollywood as the 'King of Romance' because he has made certain classic romantic movies. However he had made some different movies too. One of them is Kaala Patthar (1979).The story of Kaala Patthar (black stone) has been set in the a coal mine whose owner is a greedy businessman - Dhanraaj (Prem Chopra). Dhanraaj compels the coal mine workers to work in potentially dangerous conditions. He does not care for their welfare or health or even security of life and interested only in making maximum money out of that coal mine. He hires the services of an engineer - Ravi (Shashi Kapoor) who while working in his mine, is stunned to see that due to the excessive mining, one tunnel is about to go for water-logging and the lives of some 400 workers are in danger. Ravi also happens to see the poor condition of the workers and the lack of even the basic amenities for them which are the minimum requirement not only under the labour laws but also on humanitarian grounds. The doctor in the hospital maintained just for the sake of a legal formality - Sudha (Raakhee) keeps on complaining for medicines and a compounder but her calls fall on deaf ears of the management.Among the workers, there are some goons too who extort money from the weak and hapless workers. Besides, there are two unique workers also. One is an escaped jailbird Mangal (Shatrughan Sinha) and the other is a courtmartialled naval ship captain Vijay (Amitabh Bachchan) who was labelled a coward when fled away from his ship endangering the lives of 300 passengers and abandoned by his family. Vijay comes closer to Sudha who is able to sniff out that Vijay is actually not what he is visible to the world. Two parallel love stories also run. The first one is a hilarious love story of Ravi with Dhanjraaj's niece - Anita (Parveen Baabi) who is a journalist and the second one is the love story of Mangal with a village girl - Chhanno (Neetu Singh) who sells toys and the things used by married women as a symbol of their marital status (being SUHAAGIN).As we can easily guess that the continuous extraction of coal from the potentially dangerous tunnel, finally leads to its collapse and lethal water-logging in the climax of the movie. Vijay, Ravi and Mangal do their best to save as many lives as possible but still many lives are lost including that of Mangal.The movie is less realistic and more formulaic because the script-writers and the director have nowhere compromised on the entertainment front. The movie is damn interesting and the writer-director team should get full marks for not allowing even an ounce of boredom in this movie which is in a league of its own. The movie starts in a very impressive way when the young engineer Ravi heads towards his destination by riding a motorbike and singing a very very inspiring song - Ek Raasta Hai Zindagi, Jo Tham Gaye To Kuchh Nahin (the life is a path and if you stop somewhere, it's nothing for you). The song runs with the credits and the drama begins soon after the song.The art director - Sudhendu Roy is the unsung hero of this movie who has done a splendid job by bringing a coal mine area, tunnels, tea stall cum Dhaaba (small restaurant), workers' homes etc. everything as alive on the screen. The complete look of this movie is realistic (though the script is formula-based).Rajesh Roshan's music is not great but the song mentioned above as well as in the title of this review is a memorable one which Kishore has sung (with Lata also contributing). The other song that stands out is Dhoom Mache Dhoom Aaj Ki Raina sung jointly by Lata, Rafi, Mahendra Kapoor, S.K. Mahan and chorus. Lyrics have come from Saahir's pen.In the author-backed role, Amitabh Bachchan has portrayed his guilt-complex, anguish and stuffiness with utmost proficiency. The role is apparently subdued but actually a highly emphatic one. Despite being a multi-starrer movie, Kaala Patthar allows Amitabh Bachchan with his soot-stained face, to stand out from the high profile cast. Among others, Shatrughan Sinha is there with all his theatricals and Shashi Kapoor with all his jolly gimmicks. Prem Chopra has done villainy in his typical style. Ladies did not have much to do but Raakhee has delivered a very mature performance and her chemistry with Amitabh Bachchan is also touching. The emotion in the relationship of Vijay and Sudha is subtle and remains as undercurrent in their interaction. Both Amitabh and Raakhee have performed this part with perfection. The director has not done any injustice to any actor in this multi-starrer movie and all have got ample screen-space and scope to show their mettle. Sanjeev Kumar also impresses in his cameo of the outgoing doctor.Kaala Patthar was commercially not successful when released. May be because the people were expecting something different from the maker of feelgood movies. However it can be considered a classic now.

Great movie! Wonderful performances from all the characters. It amazingly describes a coal miner's life. I do feel Yash Chopra could've made the movie a little more entertaining. Chopra's other movies are fantastic. Amitabh Bachchan has the best performance, but I feel that this movie belongs to Shatrughan Sinha. He did a marvelous job. The most sad part was when Shatrughan dies at the end.During these times Shatrughan had a rivalry with Amitabh which is why I think he was able to do such a great job in the movie. Shashi Kapoor and Parveen Babi were romantic as always.Wonderful songs with great lyrics. Everything else is just OK

Vijay Pal Singh(Amitabh Bachchan) is a Merchant Navy officer,one who stands by his principles.A sea-storm one night has him and colleagues saving their own lives rather than those of the passengers.Later they come to know the ship survived the storm and all passengers were safe.Vijay was court-martialled and left to live a disgraced life.Even his parents left him.Vijay starts working as a coal-mine worker leaving his unpleasant past behind him.There he meets Ravi Malhotra(Shashi Kapoor),a young,dashing,romantic engineer. Both make good friends. There is Anita(Parveen Babi),a journalist who wants to write about the plight of the mine workers,who falls in love with Ravi.A very important character is that of Dr.Sudha(Rakhee)who awakens Vijay of his past and urges him to fight his inner self,to come to terms with reality.Vijay falls in love with Dr.Sudha but they cannot meet each other due to the difference in their social standing.Seth Dhanraj(Prem Chopra)wants to dig the mine deeper and deeper to make more profits,in the process risking the lives of numerous workers as water level is very close to the point of digging.Vijay,Ravi and Mangal rescue the workers from the mines in the end.Another significant character is that of Mangal(Shatrughan Sinha). His fight sequences with Vijay are beautifully shot and executed.Actually,at the time of shooting,AB and Shatrughan were not even on talking terms.Their real-life enmity passed on to the big screen,so to say.Prem Chopra does not convince as Seth Dhanraj.I think Amrish Puri would have done justice to the baddie's role.Parikshit Sahni as the Punjabi truck driver is fabulous.You can catch a glimpse of the two-film old and former Miss India Poonam Dhillon towards the end if you don't blink. The songs are quite good.One of my favourites is 'Ek Raasta Hai Zindagi Jo Tham Gaye To Kuch Nahin' by Kishore Kumar. The song by Mahendra Kapoor picturised on Parikshit Sahni in the rain is also good. All in all, a complete entertainer.I watched this movie in December 2003,24 years after its release.Pity,they don't make films like that anymore.

An ambitious film that suffers, unfortunately, from what might be the worst cinematography in the history of film. Even an American special effects team could not save the film from somtimes sloppy editing and shoddy camera work. However, the film is worth seeing for the issues it brings up regarding worker/management relations. A good story and great acting soften the blow of the weak cinematography. Yash Chopra is a very good director, but this film makes him seem like a hack.