Demons of the Mind (1974)

Touches You

The movie is wildly uneven but lively and timely - in its own surreal way

The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

Hammer's psychological horror opus bypasses the usual monster elements and instead gives us a horror film with purely human villains. That's right, there are no rubbery limbs or bats in this film, instead all of the chills and spills are in the mind. The murders that take place aren't even that gruesome, just bloody, which makes them all the more disturbing through the power of suggestion.There are dozens of adjectives I could use to describe this film. Distorting, disturbing, strange, unusual, unnatural, weird. Abnormal fear. The psychology used in the film is strictly Freudian, with a twisted form of the Oedipus complex coming into play. The actors and actresses are exceptional in the film and make it all the more effective, from Robert Hardy as the obsessed father to Shane Briant making his impressive debut as the mentally unstable son.Gillian Hills is also great in another mentally ambiguous role, while Virginia Wetherell is a female victim who screams loudly and is more than willing to strip for her role (indeed, she spends a five minute sequence wandering around completely naked while choosing a dress). Lower down in the cast list are Michael Hordern as a psychotic religious lunatic and the maniac from the same year's monster movie THE CREEPING FLESH as the sinister and bald coachman. Finally, Patrick Magee is on hand as an unlikable but noble doctor, in a role which Peter Cushing usually would play.DEMONS OF THE MIND has a Gothic fairy-tale like ambiance, helped by the use of forest locations to add to the atmosphere, with a spooky music-box like score to add to the feelings of sadness and madness echoing throughout the film. Pretty powerful stuff and an interesting one-off.

One wonders what the thinking behind this Hammer production was ? Something about dark family secrets involving insanity and incest and murder and the occasional religious maniac thrown in for bad measure . The narrative as it appears on screen is very confused and confusing and the production team don't seem to have put much thought in to developing things to any large degree . As it stands there seems to be a bizarre contest going on between Robert Hardy , Patrick Magee and Michael Hordern as to who can give most ludicrous and hammy performance in thespian history - all in one 90 minute film . It's kind of like one of those competitions you'd get between Hitler , Stalin and Mao as to who could kill as many people as possible in the shortest period of time . Make no mistake that Hardy , Magee and Hordern capture , mutilate and execute every single syllable in every single line to its fullest potential possible while pulling an emotive face . When you've got three well respected actors showing off in their distinctive velvety tones what hope for the rest of the performances ? Slim hope and no hope and slim died long before filming started . The rest of the cast are very wooden in comparison especially Gillian Hills as Elizabeth who looks as thought she's wandered on to set after smoking a spliff the size of a telegraph pole . This isn't a highly regarded Hammer Horror and it's not difficult to see why

Demons of the Mind is set in Austria where Baron Friedrich Zorn (Robert Hardy) lives in a large estate, in his huge house he keeps his two children Elizabeth (Gillian Hills) & Emil (Shane Briant) permanently locked up fearing that they have genetically inherited the madness that runs through his family & from which he himself suffers from. In desperation the Baron sends for psychologist Dr. Falkenberg (Patrick Magee) who has been excluded from Vienna because of his bizarre theories & practices, once there Dr. Falkenberg gets to work & tries to determine whether the apparent madness & misery that runs through the house is inherited, all in the mind or if darker forces are at work. Meanwhile the local village is in a state of panic as several young girls have gone missing, after the bodies of these girls are found at the bottom of a lake the villagers march to Zorn's estate lead by a crazy Priest (Michael Hordern) with the intention of ridding their community of evil forever...Apparently also known under the titles of Nightmare of Terror & Blood Evil this English production was directed by Peter Sykes & was made by the infamous Hammer studios in 1971 but wasn't released for over a year & even then as the second feature on a double bill with the gloriously great Tower of Evil (1972) which is a personal favourite of mine as it goes but is besides the point. The script here does away with the traditional Hammer horror ingredients like the classic film monsters such as Dracula, Frankenstein or the Mummy & concentrates on telling a tale of psychological abuse, developing sciences contrasting against superstition, religion & angry villagers with flaming torches (what hammer film would be complete with angry villagers with flaming torches, eh?). It's a mixture of ideas & themes that don't quite mix although the makers give it a go, add to the underlying themes some killings & some strange medical treatments & theories as well as some hint of incest then it's safe to say there's a fair amount going on in Demons of the Mind & it almost pulls it off, at eighty five minutes long it never outstays it's welcome but is surprisingly slow during the middle third & a lot of the ideas & themes raised don't really go anywhere & aren't particularly explored in any great depth. To try & cure his children all the Baron does is keep them locked up all day, the film never really ties the loose ends together & it remains unclear the cause of the insanity doing the rounds. We never see either Elizabeth or Emil as real people, they are merely what the script needs them to be & as such it's difficult to care about or relate to their plight. Overall I wouldn't say Demons of the Mind is a bad film & I liked the idea to make something a little more psychological set during this period as superstition & misunderstanding was rife & people may be more gullible & willing to believe in madness & demons but it does leave one slightly unsatisfied.The film has a nice period Hammer production feel to it, some nice location work, good costumes & decent special effects help. There's some gore here, a couple of girls are strangled, someones hand is chopped off, someone is impaled & there are a couple of shootings while someone is stabbed in the throat & there's a gory suicide in which someone slits their own wrists & then gorily cuts their own throat just to make sure but unfortunately the censors at the time made Hammer optically obscure these scenes. For those into that sort of thing there's also some unnecessary & gratuitous nudity. Because the film has it's main focus on psychological issues there's not much room for outright horror, in fact there's little horror on show here as Hammer decide to take a more serious approach with the emphasis on try.Amost certainly shot on a tiny budget Demons of the Mind looks nice enough even if it's a little bright & a little bit too cheerful at times for what is meant to be a dark story of psychological terror, incest, murder & angry villagers with flaming torches (yep, them again). The acting is pretty good from a game cast, apparently both Paul Scofield & James Mason turned down the part of Zorn while Dirk Bogarde was considered & Eric Porter pulled out after originally accepting the role to make Hands of the Ripper (1971). Demons of the Mind marked the first of appearance of Shane Briant in a Hammer film.Demons of the Mind is an interesting misfire, there are themes & ideas & individual scenes that I liked along with a nice period setting & good production values but the story is a bit of a mess & never really comes together in a way that I could take anything from. A bit of gore also helps so while by no means a total disaster Demons of the Mind is not a classic either.

This 1972 horror/suspense thriller is a truly odd film. I really like this movie, but those who don't like weird Hammer Studios horror films ought to tread warily. The atmosphere is eerie and just plain creepy sometimes. The plot is better left seen than described, but this film is for patient viewers who don't mind not having the plot spelled out for them -- but who like to try and figure things out themselves. And there are lots of things to figure out! When I watched this movie the first time I really had no idea how it would end. This film also made me wonder how the people who concocted the story came up with such a diffuse plot with so many different things going on at the same time. Truly boggles the mind. No pun intended! It's a mad movie with a fiery finale.