The Memory Keeper's Daughter (2008)

Pretty good movie overall. First half was nothing special but it got better as it went along.

The film makes a home in your brain and the only cure is to see it again.

Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

One of the most extraordinary films you will see this year. Take that as you want.

This is a beautifully made film and one of the most moving ever made due to an absolutely fantastic performance by the great actress Emily Watson. She is superb in this role and it is indeed another performance of a lifetime. Watson's powerful work in this motion picture is made electric by her simple beauty and mesmerizing eyes, eyes that say more in a glance than 50 pages of dialog. She is truly one of the great gifts to the screen and the camera loves her. Recognized as one of the finest actors of our time, Emily Watson proves once again and beyond any doubt with this performance that her talents are beyond description.

It was understood this would be a sorely depressing film, considering the unpleasant subject. I never read this novel, but any screenplay it contained would have tended toward low expectations. Even in this era of cloned flops.--Spoilers coming: Here we see nothing uplifting, not even the growing children. I've known some wonderful kids with Down's Syndrome. A sweet Downs child is usually more than able to capture your heart by sheer innocence and good will.Here the daughter Phoebe has that responsibility thrust on her because all the other characters are dreadful. They only convey grief and/or ignorance of the subject matter. Ostensibly because this novel all occurs in unenlightened days when Downs babies were referred to as "Mongoloid idiots." But in this plot there can be no excuses. Because her father, this "Memory Keeper" is a practicing physician. Yet, from panic he condemns his baby girl to an institution that seems nothing more than a zoo. Emily Watson's role is supposed to show love and compassion. She's this plot's lynch-pin. But what she acts out is deadpan worry. Both the mother who was deceived, and her boy the twin brother, are played with less nuance than her Downs-afflicted daughter emotes.Indeed, she carries on cheerfully. The plot, however, sags in all the important places. Except for some tearful expressions by Mom and Dad in early development, hardly any acting of significance is filmed. IMHO, the director of this movie ought to bow out of the profession and let others take the blame for depressing, bad films.

THE MEMORY KEEPER'S DAUGHTER in the form of a novel by Kim Edwards was a highly successful bestseller and probably was featured in more reading groups than any other novel during its circulation. So what happened when the novel became a made-for-television movie? Perhaps it is the below mediocre screenplay (oops!, teleplay!) by John Pielmeier that consistently galumphs along in an awkward pedestrian fashion removing all sense of credibility to the story. Perhaps it is the cut and paste direction by Mick Jackson that misses the pacing and character delineation. Perhaps it suffers from the cinematography of an uncredited source or the 'liquid tears' musical score by Daniel Licht. For whatever of these (or all of these) reasons, this novel-to-film survives because it does make a good case for educating the public about the capabilities of those born with Down Syndrome. And for that it is worthy of attention. Dr. David Henry (Dermot Mulroney), a successful orthopedic doctor, is married to the beautiful Norah (Gretchen Mol) and their lives are becoming changed by their pregnancy. On a stormy winter night in Kentucky Norah goes into labor and the Henry's rush to a nearby clinic where David delivers his wife (the doctor is caught in a snowstorm) with the assistance of his old friend, nurse Caroline Gill (Emily Watson). After the delivery of a perfect boy child (Paul) Norah continues to be in labor and (surprisingly...) delivers an unexpected (!) twin girl. David and Caroline immediately recognize that the little girl (Phoebe) is a 'mongoloid' (this is before the use of the term Down Syndrome) and David, having a history of losing a little sister because of a birth defect) decides to send Phoebe to an asylum for the mentally challenged: Caroline is to make the delivery and Norah is told the second twin died at birth. Caroline follows instructions, sees the conditions of the 'home' where Phoebe is to be deposited, shrinks in horror, and decides to keep the child. Aided by a friendly trucker, Caroline changes her solitary existence and mothers Phoebe, finding a new life in her trucker's Pittsburgh. Norah insists on a formal funeral for Phoebe - a fact that deeply disturbs David's psyche, and the Henry's life goes on with only the one child Paul, leaving submerged pains about the lack of Phoebe's presence. Norah gifts David with a camera ('peoples lives are like a camera, that's where they live - in a room captured by a moment') and David becomes obsessed with photography. Norah grieves, drinks, and loses David's attention, while David traces Phoebe's existence with Caroline - sending money and letters to Pittsburgh. Paul (Tyler Stentiford to Jamie Spilchuk) grows up, discovers his mother's infidelities and is angered about his father's lack of communication and understanding, and decides to fulfill his goal of becoming a musician, and off to Juilliard he goes. Meanwhile Phoebe (Krystal Hope Nausbaum) has matured into a very highly adapted young girl, and the manner in which the broken marriage of the Henrys happens and the healing atmosphere of Phoebe's and Paul's lives coupled with the courage that has supported Caroline Gill's struggle to gain acceptance in the world for those born with Down Syndrome forms the conclusion of the film. The cast of well-known actors tries hard, but only Emily Watson is able to resurrect a credible character from this squishy script. Jamie Spilchuk gives evidence of a young actor with much promise. Dermot Mulroney and Gretchen find it difficult to mold empathetic characters form the corny lines they are given to deliver. The film is a mess, but the message about acceptance of Down Syndrome children and adults is an important one. Grady Harp

Dermot Mulroney and Emily Watson are appealing in this sad film.It deals with a spur of the moment decision that has a lasting impact on the lives of several people throughout a 22 year period.When his wife gives birth to twins, the boy is normal but the girl has Down's Syndrome. In a moment of misery, Mulroney tells his wife that the girl died in childbirth. He gives the baby to Nurse Watson with the instructions for her to bring the child to a home. When Watson sees the conditions in the home, she flees with the baby. Meeting a stranger in a snowstorm, she runs off to Pittsburgh with the baby and weds.The film shows that the "Down Child" had a perfectly normal life whereas the boy along with Mulroney and his unfaithful wife, encounter nothing but misery along the way.We should realize that it would take a death for everything to come out and this is exactly what occurs.Watson is just wonderful as the compassionate, understanding nurse who gave so much of herself to the child.This was a wonderful film and should not be missed.