Make-Out with Violence (2008)
A genre-bending tale of a boy trying to fulfill his unrequited love for a girl who has risen from the dead. It tells the story of twin brothers Patrick and Carol Darling, newly graduated from high school and struggling to come to terms with the mysterious disappearance of their friend, the bright and beautiful Wendy Hearst. When a drive through the countryside surrounding their suburban community leads to the discovery of Wendy's mysteriously animated corpse, the boys secretly transport the un-dead Wendy to an empty house in hopes of somehow bringing her back to life. As the sweltering summer pushes on, they must maintain the appearance of normalcy for their friends and family as they search for ways to revive the Wendy they once knew, or, failing that, to satisfy their own quests for love amongst the living and the dead.
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Strong and Moving!
Overrated and overhyped
Just perfect...
It's a movie as timely as it is provocative and amazingly, for much of its running time, it is weirdly funny.
. . . with maybe a little A BOY AND HIS DOG thrown in for good measure. Just as in PETER PAN, this movie focuses on the three Darling boys, but in an incestuous twist, one of the trio is hung up on just-like-a-sister Wendy. As the littlest Darling notes in his opening voice-over, "Patrick was never ready for Wendy to be dead." So Patrick plays dress-up all summer with Wendy's occasionally-animated corpse (mostly in a friend's bathtub), while his little brother Beetlejuice falls in love with the dogs belonging to Wendy's likely killer, Rody, who is incommunicado for the season, while the other main suspect in Wendy's demise--her actual lover, Brian--has moved on to getting "sleaze comfort" from middle brother Carol and the late Wendy's mutual crush, Addy, while oldest brother Patrick--whose umbilical cord was wrapped around twin Carol's throat during delivery--is busy feeding his own second crush Rody's dogs (now beloved by Beetle) to the carnivorous Wendy before feeding himself to her at the bottom of his backyard swim pool. While Wendy may seem to be the quintessential ZOMBIE WITHOUT A CAUSE to her tribe of Lost Boys, none of the parents in MAKE OUT WITH VIOLENCE really give a hoot whether any of their children will survive the summer, since they all have important grown-ups stuff to do which monopolizes all their time and attention. Hey, this is Tennessee, where no one has heard of science, so Beetle's other interest--bugs--must be purely gastronomical.
The DVD cover for "Make-Out with Violence" had the 'the year's rom-zom-com' on it, and that is what caught my attention along with a couple of other high praise lines from various magazines and websites. And being the zombie aficionado that I am, I just had to get it and see what it was.And now having seen it, I must say that it wasn't anything at all what I had expected it to be. The movie was incredibly slow moving. That being said, then I am not saying that the movie was bad, because it was really nicely filmed and edited, plus it had a good enough storyline. I, however, had just expected something more from it and more than just one decomposing girl, zombie-wise. And the 'zombie' is more of a backdrop character to help the story along.The story in "Make-Out with Violence" is about two brothers, Patrick (played by Eric Lehning) and Carol (played by Cody DeVos) who is trying to deal with and come to terms with the loss of their close friend Wendy (played by Shellie Marie Shartzer). They happen to come across her body, as it was never found, but Wendy is now a living dead. They bring her to a house, where they try to keep her alive and have something that resemble a life.Actually, the storyline was well put together and worked out well enough, I just had a whole other expectation to what it would be. And as such, I wasn't really enjoying the movie, because it was a drama and not a horror (as the DVD cover had listed as the genre). Don't expect this movie to be a zombie fest, because it only have that one zombie in it.The people they had hired for the various roles were actually doing good jobs with their roles, and they really helped the movie to step up a notch. Most noteworthy, in my opinion, was Eric Lehning; his performance was just incredible.If you enjoy zombie movies that aren't mainstream, then "Make-Out with Violence" might just be something for you. Just bear in mind that it is a drama about the lives of the brothers and their friends and their morbid situation of having a living dead amongst them, and not being a horror zombie movie. It is a beautiful movie, to be honest, but hardly an ordinary zombie movie.
...and that's from the kid who played the little brother in this tedious emo-saturated "drama" (and I use the term loosely) that reminded me of a boring "alternative" comic book transposed to video (think Daniel Clowes only not nearly as clever or involving). I really don't mean to be mean to these people, as I'm sure they meant well, but Syd Field would have torn their script in half after about five pages, and Ted Sturgeon would have simply told them to start over after they had a real story, real actors, and a real budget. This might (and I emphasize might) have made a decent 20-minute short, but stretched to feature length it's simply stultifying. Featuring ostensible twins (the characters, not the actors) with distressingly bad haircuts and the expressiveness and appeal of a bag of rocks (the femme leads totally outclass all the men in this poor thing), and a soundtrack guaranteed to make you switch your allegiance to heavy metal, rap, or even classical music just to rid your system of any trace of unadulterated wimp, this forgettable indie has little, if anything, to say, and very little to show. There are a handful of interesting camera shots, sporadic passable acting (again, pretty much all from the ladies), and precious little else; there's simply nothing to latch onto to hold any interest beyond the fascination of watching a wreck unfold before your disbelieving eyes. A sad squandering of my time, sorry to say, and a bit of my public library's limited resources. Word to the wise, pass this one up and remain lucky to never know what you missed. I'm going to have to go track down "Deadgirl" now, having read the other comments on this board. Surely it's better than this badly titled yawner.
A previous reviewer says it all, and says it well. This film reeks of indie cred, and has a few good performances (and a few awful ones) and a great soundtrack, but it's not funny, quirky, offbeat, frightening, thought-provoking, or anything else worthwhile. It would be a fairly impressive film school project. Why it won awards and so much notice I will never know, but I suspect it has something to do with yet another triumph of form over substance.Best high school oriented not-quite-dead girl double bill ever: Deadgirl - truly frightening and truly funny and an intense ending; Jennifer's Body - not really a zombie film but who cares? Brilliant. Best. Ever.Skip Making out with Violence.Spoiler Alert: There's really no making out in this film. Also no violence.